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Zut Suit Riot
finding out what you’re called and repeating your name
fanfiction and my career September 7, 2010
Tags: Crushable, fanfiction, freelance
I have a fraught relationship with fanfiction. It was my first foray into writing, truly: The first story I wrote, at the age of eight, was a continuation of the Star Wars mythos (complete with illustrations!). Once I was allowed to use the Internet at the age of twelve/circa the year 2000, I immediately joined message boards for my favorite fandoms of the time: ReBoot, Buffy/Angel, Tamora Pierce; then later Firefly, House, and Battlestar Galactica.
Thing is, I had to stay firmly pragmatic, especially as I was applying to high school. I remember a conversation with my parents, and though they claim they didn’t mean it in this way, what I (perhaps being dramatic) took from it was that fanfiction was frivolous and a waste of time compared to more important (admittedly) things like applying to school. I returned to it briefly in junior year of high school to combat finals stresses; that’s where I discovered the lovely world of LiveJournal and writing communities.
During that time, I became incensed when I would read about some Brazilian preteen who’d landed a four-book deal after writing Harry Potter fic, or upon learning that the spec script, the ticket to TV writing, was in essence fanfiction. I even saw Crushable’s various fanfiction pieces and wished I had the same outlet.
Then, twice in the span of a year, fanfiction popped back into my life. At a party, a writer friend remembered me by saying, “Aren’t you the one who wrote Firefly fanfiction?” More importantly, Crushable approached me about writing a fun fanfic piece in the style of the ones on the site. They liked mashing up classic pop culture stuff with recognizable voices. So, I came up with J.J. Abrams Presents The Secret World of Alex Mack.
It’s silly (crammed with Abrams references) and I can’t help but feel a little residual embarrassment about something a) creative and b) utterly fannish. But it’s online, and it’s a clip, and I’m so excited to be tapping back into this well. To know that the hours dedicated to crossovers and pairings and fifty-theme challenges actually have some bearing on my adult life.
Tip My Cup Quickie June 6, 2010
I have a lot of updating to do, especially about GAF and other projects, but I wanted to get this uploaded asap:
I’m participating in Tip My Cup Productions’ “Quickie”: A 24-Hour Festival this Friday night! My part starts Thursday evening: I get to the theater, meet my director and actors, get my prompt (past years have drawn from Craigslist and Texts From Last Night), and write a ten-minute play in a couple of hours. The next few hours are spent rehearsing–throw some tech in there–and the next night we present two performances of five plays each.
I’ll be sleep-deprived, punchy, and nervous as hell, but it should be an excellent experience in improvisation and collaboration. I can’t wait!
final checklist before summer April 24, 2010
one final paper for dangerous women: motherhood and ambivalence using feminist texts and stories about witches
one paper for musical theatre class, exploring avenue q and how its writers succeeded/what i can learn from it as a writer
one drafted musical: a handful of numbers with lyrics, plus the rest of the scenes sketched out (group project)
two second drafts of my stories for short story class, in portfolio form
one warehouse 13 spec script
then >> summer! katie’s wedding, california visit, and working full-time at ology while developing more of my plays/comics ideas
‘Soup Show’ feature is up! March 23, 2010
Tags: New York Neo Futurists, reviews, theater
I only wish I could’ve included more anecdotes from the hour-long interview with New York Neo-Futurists Lauren Sharpe, Erica Livingston, Desiree Burch, and Cara Francis — but I still think the piece came out pretty great:
For Burch, the similarities between freaks and feminists are clear.
“There is something aligned…in taking control of your own deformity, of your own disadvantage,” she said. “There’s [also] something simultaneously neurotic about calling your thing out before someone else does.”
A major question was how the audience would react to the women’s naked bodies. The team worked together to decide when to present their bodies as intensely sexual and when to present them as art. Even though they’re very much in control of their own naked forms, all three admit to still feeling the weight of social mores — and the occasional urge to pee.
There was always a possibility that the actors could have found themselves resisting one another’s views and performance choices, but they manage to work together in keen harmony. They call director Lauren Sharpe their editor and lion tamer. She ensures that, even though the audience is aware of all three women’s voices, two “disappear” into the background when the other is sharing a personal story.
“It textures the show in a really nice way,” Sharpe said.
You can read the rest here.
it’s all in the lovely turnaround March 19, 2010
I was having a shitty day at work yesterday — frustrations about vision/MO, dropped my slice of pizza at lunch — but five hours at Amara’s apartment made me feel so amazingly good. She directed Josh’s play Made For Each Other (in which I acted) in spring of 2009, and she was my first choice to do Osawatomie, Kansas. (Yes, I realize I go back and forth on format; I’m not sure if I want to stick with snazzy italics or do capitals like other playwrights I’ve read.) We’ve already begun brainstorming visual cues, dance/movement portions of the piece, and how to utilize the Gallatin space. Then we simply got to know each other; I’ve forgotten how fabulous it is to make new friends. Also, I so want to live in her apartment building (Upper East Side, same rent as my Queens place) after graduation.
Then today I spent the morning at home interviewing my professor for a piece on Geekology (coming up on Monday), leisurely made some lunch — cheese ravioli with sundried-tomato pesto; pear; German chocolates that Mom brought — and walked outside to find it radiantly sunny. Now I’m at work in my cute outfit (tank top, new skirt, and NO TIGHTS!) for a few hours before going home to cook for the roomies and get a good night’s sleep.
This weekend is devoted to homework (meh) and finishing Osawatomie, plus making headway in fellowship applications — I needs to start buttering up professors for recommendation letters. Hope you all have a happy Friday!
The Soup Show: Witty, Moving, Educational March 18, 2010
Tags: feminism, New York Neo Futurists, reviews, theater

When I saw The Soup Show — the latest full-length offering from The New York Neo-Futurists, whose show Too Much Light Makes The Baby Go Blind I see every few weeks — I knew that I would get to know the three writer-actresses intimately (they’re naked, after all) and that it would be an emotional journey about womanhood and feminism. I didn’t guess that it would be so damn funny, too.
Framed as a sort of circus sideshow and using the trope of freaks to unpack and emphasize female hang-ups, insecurities, and goals, the show is less of a show and more of an extended conversation. Desiree Burch, Cara Francis, and Erica Livingston bask in a hot tub brimming with a self-made soup that keeps evolving over the course of the show — anecdotes necessitate adding anything from sliced veggies to soda to Lysol. They then bottle that liquid and hand it out to audience members as cures for emptiness, desire for a mate, and more.
The narrative spans the traditional Maiden-Mother-Crone evolution, with the performers presenting their own experiences as indicative of each of these formative stages. You see sexualized dances, original songs, faux-cooking shows and pageants, heartbreaking confessions about sexual missteps — and you’re invited to interact as well. It would be easy to write off their nudity or even attempt to objectify them, but you’re invited instead to see their bodies as pieces of art, their minds as sharp machines, their words pulsing with life.
As I said above, these women know how to utilize humor to get their point across, and they don’t pull punches when it comes to that singular bonding experience, trading misogynistic jokes. Their pleas and teases for one another are imbued with warmth and sarcasm, speaking to the organic and collaborative process of compiling this show. To show that this conversation is not just in their heads, they also reference thirty-odd hours of interview with anonymous subjects (male and female) on questions like “What is your favorite thing about women?”
Because this is a no-holds-barred commentary on female sexuality, there are certainly some graphic moments, including frank discussion about our role in sex, and about women’s inherent need to “cleanse” their bodies inside and out. Perhaps because I’m a girl and used to having discussions about orgasms and douching, I was less surprised, but the men in the audience were equally respectful. Lauren Sharpe’s direction ensures that while each of the women’s voices rings out in certain segments, the show still possesses a cohesive tone and really emphasizes the body in the performers’ constant movement (both in and out of the tub) and dances.
My full-length interview feature with the ladies will be available in print and online through WSN next week; I’ll put up the link then. But I wanted to get my thoughts down so that you guys have a chance to see the show before it ends on March 27. Wednesdays are spin-the-wheel discount night — meaning, you pay from $11-$18. Plus, if you want to arrange a talkback after the show, then e-mail cara@nynf.org. I definitely recommend that option — I had a wonderful interview with the ladies, which brought to light several themes and moments I hadn’t recognized because I was so firmly in the show at the time.
The show goes Wednesday through Sunday til the 27th, so don’t miss out. You can buy tickets here.
ZSR is not dead!! March 17, 2010
Hi loyal readers (if you’re still popping by, if not, I don’t blame you…) — I’m here to assure you that Zut Suit Riot still lives. I’ve just been crazy-swamped with work lately — all good, since I got promoted to an hourly part-time gig at Ology and am currently developing some of my plays while looking at post-grad opportunities in the theater/other writing fields.
I’m almost finished with my schooling; got one semester left at NYU, which is terrifying and thrilling. The current classes I’ve been in for half the semester:
DANGEROUS WOMEN IN JAPANESE LITERATURE
TV WRITING II
MUSICAL THEATRE WRITING WORKSHOP
THE MONSTER UNDER YOUR STORY: EXPLORING GENRE
I’m currently on spring break, though it doesn’t really feel like it since I’m working full-time in the Ology office and finishing a play (OSAWATOMIE, KANSAS) for the Gallatin Arts Festival (more info as we get closer to the fest itself). But I had amazing dim sum at Jing Fong with the roomies yesterday, and I’m meeting with various people to catch up and plan ahead for creative projects… so I’m busy, but happy-busy. Also hoping to catch up on some of the Oscar movies I shamefully missed pre-awards; thank god for my Netflix account.
Here’s what you can expect in the coming days, as I get back to updating this thing:
– photos from my first performance, of TWITS last December
– a review of the New York Neo Futurists’ full-length exploration of feminism, The Soup Show
– musings on which classes to take for my final semester (I’m hoping to do some independent studies with professors I’ve come across in my desired fields)
– more links to Ology, especially as we’ve relaunched the site and it looks amazing, plus we have more excellent writers and cooler topics to write on
– finally, the list of my New Year’s resolutions, and how I stacked up versus last year… one-quarter through the year is better than never
projects December 8, 2009
I’m taking tomorrow morning off from Ology, so that I can work on HALLOWED (I just had a burst of inspiration for how to proceed! thanks to Josh); read Technologies of the Self in preparation for a meeting with my prof to discuss my final paper; and watch a couple episodes of Supernatural — for research! My final paper/post for Poetics of Television will be a commentary on the show’s meta explorations: fan service, parody, and self-reference through loving mockery of its fanbase.
whew December 4, 2009
This is the first actual break in my hectic schedule I’ve had in quite some time. I had scheduled my day to do Ology in the morning, tech for Twits, then I figured I’d spend 3-6 running around trying to get more sound cues/etc. for the play. But things seem okay on that front, so I’m gonna spend an hour prepping Ology posts… then print out Hallowed and do some line-editing with a chai latte… then the big run-through at 6:30. A nice way to spend this Friday.
Me: Young woman coming into her own in the city of her birth. Popology Editor at Ology. Playwright and sometimes director. Aspiring graphic novelist. Arts journalist. Watched over.
Reading:
Negotiating With The Dead by Margaret Atwood
American Vampire by Scott Snyder, Stephen Ring, and Rafael Albuquerque
Life in Year One by Scott Korb
Listening: "Once I had a love and it was a gas / Soon turned out I had a heart of glass" -- Nuuro-style
Watching: How I Met Your Mother, The Soup, The United States of Tara, 90210, The Guild
Eating: butternut squash soup and jambalaya
My favorite thing right now: this hilarious video of Scarlett Johansson shopping for a proooommzz dress on SNL
Upcoming:
- prepare my play OSAWATOMIE, KANSAS for the Gallatin Arts Festival
- flesh out plays
- break story for graphic novel
- apply to playwriting fellowships
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