For one last time she looked round the flat with barely concealed distaste. Bakelite doorknobs in the main room jarring with chrome and bronze door handles elsewhere. Mismatched furniture, their colours clashing; MDF chests and wooden stools; an ancient dilapidated two-seater paired with a newish sofa bed; a geometrically-patterned rug rucking up over an offensively plain yet obnoxiously beige carpet.
Then there were the windows – an unopenable wooden sash window with chipped off-white paint on the left, on the right an ugly double-glazed PVC-framed opening, its panes blown or misted. And, my dear, the pictures! Faded prints, once popular a few decades ago but with little artistic merit, are barely held in place by thin clip frames and displayed on magnolia walls, in places stained almost mushroom by damp.
It was just so offensive – anyone who showed such a shocking lack of style shouldn’t be suffered to live. In fact they should, by rights, simply … suffer.
Judith’s sneer was subtly tempered by the faint smile playing at the corners of her mouth when she gave a final glance at Hugo. He lay back, apparently asleep, in the two-seater sofa which now sank even more in the middle. Peaceful at the end.
The thick cord still in her hand, she silently stepped into the corridor and gently pulled the lock to. It gave a slight click – at least the door functioned as it should, smoothly closing without sticking. Now she could smile unreservedly. On to Number Three, she thought.