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Sonny Assu | Interdisciplinary Artist
- Painting/Mixed Media
- To Boldly Go
- Santa Fe Series
- Hollow Apologies
- Landlines
- The Speculator Boom
- Meme
- #selfie
- Billy And the Chiefs
- Silenced
- Disconnected and Reconnected
- Chilkat Series
- Longhouse Series
- iPotlatch
- iDrum
- Challenging Tradition Series
- Territorial Acknowledgements
- Textile
- Sculpture/3D
- Insert Coin
- Ancestral Paradox
- The Value of What Goes on Top/ The Value of What Goes Within
- Leila's Desk and Inherent
- Gone Copper!
- Ellipsis
- 1884-1951
- Longing
- Breakfast Series
- Digital Based
- Multiples
- The Paradise Syndrome
- Interventions On The Imaginary
- There Is Hope, If We Rise
- Live from the 'Latch
- Coke Salish
- Photo Series
- Public Art
- Exhibitions
- 2024 - The Last of Us
- 2024 - Assertion of Sovereignty
- 2024 - Sonny's Kitsch Collection
- 2020 - Imaginary Lines
- 2019 - T´łaḵwa - Equinox Gallery
- 2019 - Sonny Assu and Emily Carr: Conversing Cultures
- 2017 - Ready Player Two - Reach Gallery Museum
- 2016 - We Come to Witness - Vancouver Art Gallery
- Video
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- Artist Statements
- General Artist Statement
- Speculator Boom
- The Paradise Syndrome
- 1UP
- Welcoming Those They Did Not Want
- The Value of What Goes On Top/The Value of What Goes Within
- Interventions On The Imaginary
- Inherent
- Leila's Desk
- There Is Hope, If We Rise
- The Happiest Future
- Billy and the Chiefs:The Complete Banned Collection
- Ellipsis
- Longing
- Artifacts of Authenticity
- Biography
- Curriculum Vitae
- ------------
- Publications
- "Research" Project
- Contact
- Updates