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Sonic Visualiser
Visualisation, analysis, and annotation of music audio recordings

Sonic Visualiser is a free, open-source application for Windows, Linux, and Mac, designed to be the first program you reach for when want to study a music recording closely. It's designed for musicologists, archivists, signal-processing researchers, and anyone else looking for a friendly way to look at what lies inside the audio file.
Sonic Visualiser version 5.2.1 was released on 21 March 2025. Download it here!
Sonic Visualiser is one of a family of four applications:
- Sonic Visualiser itself is the most general, a program for highly configurable detailed visualisation, analysis, and annotation of audio recordings.
- Sonic Lineup is for rapid visualisation of multiple audio files containing versions of the same source material, such as performances from the same score, or different takes of an instrumental part.
- Tony is for high quality pitch and note transcription for scientific applications, designed primarily for solo vocal recordings.
- Sonic Annotator is a non-interactive command-line program application for batch audio feature extraction, using the same feature extraction plugins as Sonic Visualiser.
Citations: If you are using Sonic Visualiser in research work for publication, please cite (pdf | bib) Chris Cannam, Christian Landone, and Mark Sandler, Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files, in Proceedings of the ACM Multimedia 2010 International Conference.
| Initiated and developed in the Centre for Digital Music, Queen Mary University of London |
| Partially funded by the Engineering and Physical Sciences Research Council through the OMRAS2 project EP/E017614/1 and the SeMMA project GR/S84743/01. | Partially funded by the European Commission through the SIMAC project IST-FP6-507142 and the EASAIER project IST-FP6-033902. | Partially funded by the Arts and Humanities Research Council through the Research Centre for the History and Analysis of Recorded Music. |

