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Sustainable Communities Program
The CAC proudly supported the efforts to get a Sustainable Community Certification from Audubon International. Visit the Art Boxes!
There are currently four host sites for the Art Boxes: Greig Farm (by the goats), St. Margaret's (by Holy Cow), Red Hook Community Center (by the free Clothes Closet) and Key Bank (across from Equis Art Gallery).
Art Boxes Revealed May 2025: Emerging Artists, Flora & Fauna, Celebrating the Hudson Valley
Watershed Keepers, Bethany Nohlgren (Location: Key Bank, Village of Red Hook)
This installation explores the importance of the amphibians in the Hudson Valley’s watershed through the medium of needle felting. Amphibians—frogs, salamanders, newts, and toads—are more than creatures of a child’s fascination; they are vital indicators of the health of our watershed. Each creature in this work is hand-felted from regionally sourced wool, echoing the textures and tones of the forest floor, vernal pools, and mossy banks where these animals thrive.
To learn more about Bethany Nohlgren’s art: DougandSuesMercantile
To learn more about amphibian migrations in the Hudson Valley (NYSDEC) and in Red Hook
Here comes the spring, dwive (Location: Greig Farm, near the goats)
Creatives’ works blossom from inside but are not inspired by external circumstances. External circumstances are always means, not ends. These photos bloomed within me. I came from the equatorial region with your classic dictator narrative country. In Burma, there is neither snow nor cold, only heat and guns. When I arrived here in Hudson, all I saw was snow—white, lifeless things with heated locals and students who tried to warm themselves up in their cocoons. Like that, spring came. I made friends with classmates and connected more with faculties. Now when I go back to my place in Red Hook on the shuttle, I can still see that little silhouette of an individual in -15°C holding his 3 bags, waiting for the taxi to pick him up, in every lasting field of white sparkle.
Collages: Route 308 and Route 199, Diane Moroff (Location: St. Margaret's by Holy Cow)
The collage of route 308, heading north out of Rhinebeck, is meant to appreciate how the town’s roads open out in all directions to tall trees, hills, and mountains—sometimes, as in the photo that I worked from for this collage, lit by a pink sky and bright, yellow moon.
The collage of route 199 depicts the layers of landscape in the Hudson Valley, how the roads unfold, curve after curve, into something different to look at.
Autumn On the Hudson, Aine Casey (Location: Red Hook Community Center, by the Clothes Closet)
This piece was inspired by the beautiful foliage the Hudson Valley sees in the fall. Autumn has always been one of my favorite seasons, primarily because of the breathtaking colors the trees take on as they change into something new. They've inspired my work for years now, and since moving to the area to study art, I've gotten to continue the tradition and incorporate it into my formal training. The variety of oaks, maples, beeches, and other trees native to the Hudson Valley make the region a delight to live and study in. This painting was made on location at Blithewood Manor on the Bard campus, using acrylic on canvas.
Art Box Summer 2024: Emerging Artists, Flora & Fauna, Celebrating the Hudson Valley
The Summer of 2024 art boxes celebrate the vibrant ecosystem of our region.
Looking Delicately, Raven Iris Atsalis-Gogel (Location: St. Margaret's "by Holy Cow")
Using bittersweet and grape vines, and buckthorn bark twisted into rope I found in my backyard, I suspended and contorted them with rope I made from my old family fabrics. This helped me visualize and work through the complexities of my memories from the fabrics. Like memories, vines are not only large, tree strangling things like bittersweet, but also small, and delicate like snap-pea vines. Even within intense memories, there are delicate parts I see when looking carefully and lovingly, and the more I see them, the better my relationship to those memories can be.
I was around six years old when I was taught at an outdoor adventure camp to make rope out of grass and other natural fibers. I am called back to making rope, over and over; no matter the project, I find my hands wanting to twist and wrap. Vines were the natural cousin to my creations, as I worked with the vines, suspending and contorting them with rope from old family material, I started to feel like I was entangled with and working through memories connected to my old fabrics. In this pisome buckthorn bark twisted into rope. Like memories, vines are not only large tree strangling things like bittersweet, but can also be small, and delicate like sugar snap peas, cucumber vines, and the like. Even within strong and overpowering memories, there are delicate parts we can see when we look carefully and lovingly. Those are the parts of our mind and relationships with nature and other people I wish to help strengthen and grow.
I use young bittersweet and grape vines that I have found in the woods nearby, and some buckthorn bark twisted into rope. Like memories, vines are not only large tree strangling things like bittersweet, but can also be small, and delicate like sugar snap peas, cucumber vines, and the like. Even within strong and overpowering memories, there are delicate parts we can see when we look carefully and lovingly. Those are the parts of our mind and relationships with nature and other people I wish to help strengthen and grow.
Field Book, Kev Street (Location: Key Bank, Village of Red Hook)
I tried getting more in touch with the natural world while I was up here in school from the city - but as a Literature student, I had to question what the term "natural" implies. This field journal, wholly handmade, is my way of taking the flora and fauna of Montgomery Place at their word (even if those words bleed into the margins) while critiquing the human involvement. It is telling that "nature" is preserved, but the human story is obscured and hard to access. This is my attempt to bridge the gap.
Kev Street is a New York City born and bred multidisciplinary something-or-other. He makes stuff with his hands amd thinks up things with his mind. He is currently working on a hybrid essay/novel/art book about a revolution in a climate-ravaged future New York, a pulp, multi-genric, neon noir with critiques of pop culture. Also, and always, zines and stickers. He currently resides in upstate New York.
Water Ceremony, Summer Brady (Location: Greig Farm "near the goats")
What you are beholding are remnants of a water ceremony, an expression of deep reverence and gratitude toward water. A person of prayer used these pieces in a ritual to express gratitude and bless the waters. Inspired by Dr Emoto’s research, we know water is alive, and its structure changes to align with the words and thoughts expressed in its presence. We invite you to speak love and life into this water, which will be returned to the Hudson River, sending out our healing love. The clay for these vessels was dug up by hand and shovel- near its banks and, now, honors its life.
One Morning, Ariana Diaz (Location: Red Hook Community Center "by the Clothes Closet")
One morning, I found myself at a creative impasse, uncertain of the direction for my next monoprints. As Spring began, I took long walks, absorbing the vibrant colors and essence of nature. I noticed that the flowers specifically resonated me and stirred a profound nostalgia and longing for my homeland, Puerto Rico. Inspired by these emotions, I began experimenting with printing flowers, eager to capture their essence. The resulting impressions surpassed my expectations, infusing my work with a warmth and beauty that reminded me of home. This process not only revitalized my creative spirit but also deepened my connection to both my art and my Caribbean roots. I hope you enjoy viewing these art pieces as much as I did making them. With much warmth, Ariana Díaz
2023 Artists:
Mimi Czajka Graminski, a multi-disciplinary artist working in a variety of media - sculpture, installation, drawing, painting, photography, video. Her work is wide ranging, and is consistently based in the exploration of materials, light and color.
Barbara Westermann, a sculptor and installation artist. Her sculptures, prints, and drawings are minimalist and conceptual, with an emphasis on social sculpture, urban planning, geometry, geophysical mapping, and music. Barbara uses site-specific work that involves sculpture, prints, architecture, and engineering. She uses sculpture to ‘embody’ utilitarian objects.
Perry Allen is a multi-disciplinary artist often using film/video, performance, music, and civic space. He likes to think about nature, place, and the boundaries of subjectivity.
Daniel Baxter is an award-winning illustrator and fine artist. His goal is to create clever & witty solutions for each project he works on. He provides creative content for magazines, newspapers, children's books, websites as well as creating his own fine artwork. www.danielbaxter.com
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Artist Mimi Graminski with art on display near Key Bank.
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Juliet Harrison, Laurie Husted, and Town Supervisor Robert McKeon with art box at St. Margaret's (by Holy Cow).
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Artist Juliet Harrison with art box on display at Grieg Farm.
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Art box on display at Key Bank with crown by Grace Gunning.
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Ribbon cutting for art box at the Red Hook Community Center.
- 1 Artist Mimi Graminski standing next to art on display in art box by Key Bank.
- 2 Juliet Harrison, Laurie Husted, and Town Supervisor Robert McKeon with art box at St. Margaret's
- 3 Artist Juliet Harrison with art box on display at Grieg Farm
- 4 Orange art box on display at Key Bank with crown by Grace Gunning
- 5 Ribbon cutting for art box at the Red Hook Community Center