The following are two new poems from Tadhg Scott. Tadhg is a journalist and film maker from Dublin.

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The Work Day

by T Scott

Four slender, silver walls box me in

Box us all in; in this corporate prison

Too safe to complain

Here too long to do any more

The same thought has crossed minds

Since the dawn of industrialisation

Alarm, shower, food, commute

Work, work, work, work

Food, work, work, work

Commute, food, recreate, sleep

Too safe to complain

Here too long to do any more

Oh for the will to revolt

A will that is pushed away by fear

Fear of an economic crunch

More powerful than a David Haye punch

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A London weekend

By T Scott

It starts with a Ryanair flight

Oh Michael O’Leary, despite your lack of frills

We do love you dearly

Off the plane, into a train

Off to see all about London town

A drink and fish and chips in The Perseverance

At one time bombings were planned here

Now we sit in peace; English and Paddy side by side

A drink becomes ten; time for the city

Cabbie brings us down, south of the town

The Elephant and Castle welcomes us in

Into the bosom of Corsica Studios

Where minimal techno bombards our ears

Hours on end of repetitive beats

Beats that are mixed with a cocktail

Of drugs that twist and lift the spirit and mind

Drinking and random acts of banter

With friends and passing strangers alike

From here back to the gaff

Vodka, pills, Sidric, Oprah

And fireworks too on Halloween night

All the essentials for a rollover tonight

The dawn breaks and it’s time to face the light

A refreshing cycle down Broadway market

Totally high, is the only way to clear the mind

An impromptu jam with a hired guitar to follow

Then down the canal, winos in spirit

A group huddled together shielding our eyes

Drinking and laughing and pretending to threaten passers-by

Dares to jump in the water, fall on by

So, to the pub: Arsenal v Spurs

The perfect way to while away more pints

And occupy the mind

Sleep is no longer an option

Back to the gaff, more additions to the plethora of chemicals

Finally, the faint tint of sleep tinges my eyes

And, I’m gone…

Until 8pm, rudely awoken by the drone of X-Factor

Jedward, Cheryl, Danii and Simon

Commercialism compounded

A can of cheap Belgian lager

Shunted into my palm

This engages my mind

And starts a new cycle

Off to Hackney

Too lazy for fancy dress

Genies, wizards, slags, homeboys

All the fancy dress options unfold

A bottle of vodka is all the camouflage I need

Down, down, down into my belly

Ron Burgundy would be proud

And then on to the next session

Just around the corner, where I meet her

I nestle my lips on her neck

And my hands on her arse

Her golden Asian skin

A scented delight

McDonalds at 4 in the morning

Followed by pills for breakfast and a stumble home

For I’m up early in the morning

One knows one is truly adult

When Monday brings meetings in the city

Below is a new image by Elli Chortara for the season that’s in it. It’s the first of our new works to go up. We hope you enjoy and please send your work to us for this blog.

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The following is an image by Zoe Buser which was used in Issue 2 – the Memory Issue.

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Image by Zoe Buser

The following is new work from poet, Donal Mahoney. Donal is the first of our contributors to the blog whose work is completely new to us. We look forward to reading more of his and any others who contribute to us.

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Lines for a Female Psychiatrist

Perhaps when I’m better I’ll discover

you aren’t married, after all,

and I should be better by Spring.


On that day I’ll walk

down Michigan Avenue

and up again along the Lake,

my back to the wind, facing you,

my black raincoat buttoned to the neck,

my collar a castle wall

around my crew cut growing in.


Do you remember the first hour?

I sat there unshaven,

a Martian drummed from his planet,

ordered never to return.


With your legs crossed,

you smoked the longest cigarette

and blinked like a child when I said,

“I’m distracted by your knee.”


The first six months you smoked

four cigarettes a session

as I prayed out my litany of escapades,

each detail etched perfectly in place.


The day we finally changed chairs

and I became the patient

and you the doctor,

you knew that I didn’t know

where I had been,

where I was then,

and even though my hair

had begun to grow in

how far I’d have to go

before I could begin.

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Love Is Another Thing

Sitting at the table

spinning the creamer

running her fingers through sugar

the kids spilled at supper, Sue


suddenly says, “Don,

love is another thing.”

Since love is another thing

I have to go rent a room,


leave behind eight years,

five kids, the echoes of me

raging at noon on the phone,

raging at night, the mist


of whose fallout ate her skin,

ate her bones, left her a kitten

crying high in an oak

let me free, let me free

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Sitting Shiva in a Hotel Lobby


For a year this image has haunted me.

Over and over I hear on the gramophone

Cohen put in my ear

“Feature this:

On a crowded elevator

a strange woman in a baseball cap

unbuttons your fly.”

That image is on the ceiling every night

as I sit shiva in the lobby

of this small hotel,

a hookah, like a tired cobra,

coiled at my feet,

a shamrock in my buttonhole

dead from the last parade.

Night after night,

I think about this strange woman

as each hour I watch

the doors of the elevator

part and give birth.

I observe each new guest carefully,

hoping the woman in the baseball cap

will tire of the rain and ride up

in the elevator and register.

I want her to sit in the lobby

and talk with us.

We who are guests here forever

have eons to hear

what she has to say.

We have paid our rent in advance.

We can afford to sit here and see.

The following is new visual arts from artist Greig Burgoyne.

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The above image featured in Issue Two of M9S – The Memory Issue.

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Peripheries by Greig Burgoyne.

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Stuck Inside, Looking Out by Greig Burgoyne

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Lady In Perspective by Greig Burgoyne

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GREIG BURGOYNE:makes site specific drawings that explore the shifting contradictions in our memory, value and belief systems. He studied MA Painting at the Royal College of Art and the HAK, Vienna. Recent (08-10) Solo projects include: ‘The Future of Nostalgia’ Jerwood Space, London ,’Decade’ Theatre 503 London, ’50 drawings to murder magic’ Centre for Recent Drawing London09 , ‘Dilemmas of the upper world’ Vault Gallery Lancaster UK, ‘Charm Offensive’ Quay Arts IOW UK and the Russian State Museum. His work is in private and public collections including Bank of Montreal, Canada, TI Group UK, DAAD Bonn Germany, The Russian State Museum, Stadt Mainz Germany, Swiss Bank Corporation and Agentur 42 Germany. www.greigburgoyne.com

The following are poems by Steven Brennan, who has had work featured in Issue 1 and 2 of the magazine.

The three chosen poems are entirely new and previously unseen to M9S readers.

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The Band

There are so many things I love about it

It’s hard to tell what the reason is

Hard to tell where the very centre is.


And even though you can’t see it

There’s symmetry between us,

I know there is.

We don’t stand in formation, ever

We play. We play – a flux.


Together, the four of us are a movement

With our instruments, even more so.

I’ll strike the strings bass slap cymbal crash

Our emotive sings, bass slap cymbal crash

Drum roll building up no voices for a moment and like a wave… Crash, crash, crash.

Through all of us. And even though others may hear it

They will never know what we know.

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Sarah

I’ve always wanted to write something for you

Something special, sensuous, to capture your essence

I feel like it’s the least I could do, being me.


O, but how difficult it is to pluck and weave

A marvellous cloth which sounds like you.

To produce word after perfect word to create something perfectly imperfect

For you and your soul, spirit, smile; monumental.


Of course, I don’t ever expect to create something like you,

Hope to express is all I can do;

This is all I can do.

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Time On The Wall


Why must we wait?

Why must we wait

These few more days?


Here is proof that those who organise their time

Meticulously, cautiously

Will only fail to please themselves

In light of the things they ask,

Of all the impossible tasks.


We must wait, because of a duty forced

Upon those of us who wish to succeed

We must wait, because of a timetable,

A sheet of paper on our wall

Which dictates our extrinsic exterior.

It owns us, completely, exclusively.


‘’You may rest, for now’’ it tells me.

‘’However, you shall not forget my significance’’.

This, I am painfully aware of, as it hangs, an intruder

On my walls, the midnight blue paint and the reflection of a penetrating desk lamp recreating the summer night outside my window.

Its presence, I am quite aware of.


It is master of my time, my waking, and my falling asleep.

It is master of my consciousness

My discovery of a new day, restricted by this foul monster that has crept Aside me for so long and now lies at the forefront of my mind

Not, as I had said, and intruder – but a part of me.

It was this manifestation of I,

Which took a pin, and decided that

The space where it now hangs

Is a fine space for a dictator.

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STEVEN BRENNAN: is an 18 year old from Dublin, who loves to do nothing but create. Create sounds, sentences, thoughts, feelings, everywhere and anywhere. Unfortunately, his present time is defined by the upcoming Leaving Cert. exams. He hopes to one day become such a wise and happy being that his work will influence others for the better. For now though, his writings can be found on https://seriousfizz.wordpress.com/ and in fine publications such as M9S.

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Sarah

I’ve always wanted to write something for you

Something special, sensuous, to capture your essence

I feel like it’s the least I could do, being me.

O, but how difficult it is to pluck and weave

A marvellous cloth which sounds like you.

To produce word after perfect word to create something perfectly imperfect

For you and your soul, spirit, smile; monumental.

Of course, I don’t ever expect to create something like you,

Hope to express is all I can do;

This is all I can do.

The following are artworks by Elli Chortara, whose work was featured in Issue Two of M9S – The Memory Issue.

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An extract of this story was featured in Issue One of M9S – The Place Issue. This is the story in full.

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When I got laid off by the bank I went to Spain.  It was something I’d wanted to do for a while: live in another country, learn the language, eat the food, drink the beer, just relax.  I had a bit of money and was in no hurry to get another job – even if there’d been another job to get – so I threw some stuff in my middle-sized suitcase and bought a plane ticket to Granada.

It didn’t take me long to find a place to live.  I answered an ad and two days after landing I was moving into an apartment off the Gran Via, sharing with the gorgeous Anna.

Anna worked in some office doing something she couldn’t quite explain or I couldn’t quite understand.  Every morning she’d blow-dry her wild dark hair in the kitchen, because Europeans have some sort mass paranoia about using electrical devices in the bathroom.  Anna always had a faraway look on her face when she was using blow drier.  Her eyes could be focused on me, or on her coffee cup, or on the door, but I could always tell her mind was someplace else entirely.

Anna pretty much ruined my love life that summer, for two reasons.  The first was that although we’d sometimes hang out, and have our morning coffee together after she was done drying her hair, or catch a beer or some tapas after work, she never once showed any interest in taking it even half a step beyond that.  Meanwhile I was more or less in love with her.  Her smell – damp hair, expensive hair products, fresh flowers – permeated the place.  It drove me crazy.

And in addition to not reciprocating my crush, her mere proximity made me hopeless with other women.  Every time I managed to convince a girl to come back to the apartment – okay, so it only happened twice – I felt almost like I was performing for her, whether she was sleeping in the next room, or more likely not sleeping in the next room and wishing we’d get it over with and shut up, or most likely out of the house entirely at some bar or club.

I wanted the reaction of the girls I brought back – one a college girl from London, the other a local waitress – to be a direct message to my roommate: “Here’s what you’re missing Anna!  I’m really great in bed!  Wouldn’t you like to know!”  And of course thinking like that while you’re in the throes is going to totally ruin your concentration and impress absolutely nobody involved.

“Well,” the English girl said, afterwards.  “It was lovely to meet you.”

It was kind of a shame because she was really cute, she went to Oxford, and she was around for the rest of the summer, so you never know, something might have happened.  The waitress was neither cute nor Oxford-educated, but her opinion of my bedroom abilities was pretty much the same.

Other than the lovely Anna, British people were the bane of my otherwise satisfying life in Granada.  There were so many of them and they seemed everywhere, particularly right out front in every bar up and down the Alcazaba, even when it was like a hundred degrees outside and the air was all clogged up with that weird dust-smog that the city was afflicted on hot days with and anyone even venturing outside should have been arrested and locked up in a freezer for 48 hours.

They talked funny, they used weird slang words, but there were so many of them around that you had to learn some British if you wanted to have a hope of following an expat conversation.  None of them really cared to speak Spanish, even the ones at my language school.  Sometimes I deliberately refused to speak English, just to – watch this now – nark them off.

I had to deal with the Brits and they had to deal with me, but even when I was a bit grouchy and hungover I was nothing compared to Sami.

Sami was our instructor, a small Moroccan who was affable and a nice guy but could also scare the hell out of you if it was clear you weren’t prepared for class.  He did this in a way that was polite and straightforward but left the students in no doubt about what was happening and how bad they should feel.  He’d pick on them, start talking exclusively Spanish to them, and then even after they started stuttering and um-ing and ah-ing he’d continue the conversation, and then he’d take it just a bit too far, and further still, and 20 minutes later the poor person would be sitting in a puddle of tepid sweat, still stuttering away, and Sami would have that big grin on his tiny face, and he’d just be repeating the same question again and again.

But Sami was also funny and generous and like I say a pretty nice guy.  He warned us that even though he’d been in the country for 30 years, he still didn’t speak “correctly.”

“Copy my accent in class,” he said, “but don’t listen to me outside of class.  It’s like the child.  Do what I say, not what I do.”

Under Sami’s tutelage I soon found out that I was a lot better at Spanish than I had remembered.  In a couple weeks I could participate in a pretty full-on complicated and meandering conversation, even over loud bar music or Anna’s hairdryer.  I was a really quick learner.  In exchange for a few extra euros I stayed on after class and Sami would give me some extra Español talk time.  It got to the point where he asked whether I wanted to start studying some really tough stuff like literary novels or business phrases, or whether I just wanted to keep practicing the everyday stuff and keep expanding my vocab.  The everyday stuff was cool with me, so instead of new tenses and poems and financial terms he just kept feeding me words – Spanish but also a bit of Arabic, which I must admit was a lot tougher than I’d thought.

So mornings I’d spend in class, and when the siesta came I’d go to the air-conditioned library, then back to the language school in the afternoon until about four.  After the class the routine was to go to the Mano de Dios on the Calle Elvira.  When I say “the routine” I mean “my routine.”  Some of the time I’d persuade some of my classmates to come, some of the time I wouldn’t, and some of the time I didn’t bother.  A couple of times I asked Sami if he wanted to come have a drink but he always declined.

*

The Mano didn’t impress people who were after trendy cocktail bars or Spanish authenticity, and the tapas were nothing to write home about, but still I liked it.  It had a decent jukebox and cold beer.  Alejandro the bartender talked to me in his native tongue, and best of all, the crowd was chilled, a good mix, not too local, not too foreign, just a blend of real characters and real people, like any good bar should have.

One of the other regulars was a guy named Rod (British, of course).  He followed that limey custom of buying a drink, then expecting you to get the next one, but as he was a borderline alcoholic he’d always end up forgetting who’s round it was and end up buying the next one himself, so over the long run I made out big time.  However – in exchange for his largess I had to listen to his adventure stories, which were not only boring but pretty blatantly fictional.  At various times he claimed to be ex-Royal Marine, ex-SAS, ex-French Foreign Legion, ex-mercenary, ex-African coup and a bunch of other stuff I didn’t even clock.

“Kinda reminds me of this one time, mate,” he’d start to say, and that was the big red flag tipping me off to start looking around for someone else to talk to.  Rod was a guy who was carrying around at least 250 pounds, and who sighed and groaned every time he hoisted himself off his barstool to go take a piss – you could just tell he’d never been in any kind of physical shape.  My guess was he had really just pulled off a minor bank heist in Aberdeen or wherever it was he came from, and was sitting here living off the proceeds.  The only really interesting unknown about him was why he ended up in Granada instead of some quiet village on the coast.

Alejandro, though, he was a decent guy.  Sometimes we talked about sports even though I wasn’t a huge soccer fan, but more often we’d trade details about the girls who came into the Mano, or about what everyone got up to after the bar closed last night, or sometimes about life in the good old Estados Unidos.

“I want to spend some time there, but only when I can get a job that gives me enough money to buy a Cadillac,” Al would say, proving I guess that funny ideas of America even infect the brains of Europeans who you’d think would know better.

Al had a decent record collection and personally swapped the CDs in the jukebox in and out, and so we could talk about music too.  He was big into British punk and heavy metal, whereas I was a devotee of college rock from my rapidly receding youth.  Plus if that weren’t enough, at that time there’d just been elections in Spain and the big one was coming up in the homeland, so we chewed the fat about politics.

Whenever we’d get into it, arguing about bands or politicians or this and that, Rod would butt in, in English.  “What, whatcha talking about?”  The guy’d lived there 10 years, knew about 20 words of Spanish.  Annoying.

By late August I realized I had both thoroughly settled in and that I had no intention of staying past the summer.  But instead of panicking and trying to plan for whatever was coming next in my life, I thought I’d just relax and enjoy it and pretty much keep going as per usual.

One night, a Sunday, Anna and I were sitting around, drinking beer, wordlessly watching some inane shit on television, when she turned to me and said:

“I wanna go out.”

We walked into the Alcazaba and gazed up at the Alhambra up above us, all lit up like it always was, like something out of a nativity scene.  I followed Anna up one of the narrower, steeper streets, and she let me into a dark doorway, beyond which was a bar that I’d never really noticed before, all dripping candles and dark wood and ancient sticky bottles of liquor.  Anna ordered two of something called agua de Valencia.

“Do you have a girlfriend, back in America?” she asked, after the drinks arrived and the bartender was gone.

Finally, I thought.  This is it.  My way in.  I sipped my drink and tried to make a joke of it.

“A girlfriend who would let me live with an attractive Spanish woman for the summer, and wouldn’t even call or visit?  What do you think?”

She ignored my comment and sighed, and looked at all the bottles behind the bar, and when she started talking again I realized she was just using a gambit to enable her to talk about all her troubles with men.  Specifically, a certain man she’d been seeing, a married guy who lived in a village on the outskirts of the city with his wife and kids.  This guy worked in her office, not quite her boss but definitely a level or two above her on the corporate ladder.  They weren’t sleeping together, she emphasized, twice, but they spent an awful lot of time with each other, inside and outside of work, and she could just feel that there was a deep bond between them, and she didn’t know what to do about it, and she wanted to know what I thought.

More than ever it was clear that a me-her thing was just not going to happen, that the possibility was not even registering on her radar.  Anna, oh Anna.  She just had no idea what she was doing to me.

The next night I was sitting there in the Mano, telling this story to Al, who like good bartenders all around the globe was sympathizing with one eye and surveying the premises with the other, when somebody tapped me on the shoulder – Rod.

“You’d better come outside for a second,” he said.

I laughed.  He didn’t.  Al shrugged, as if to say “beats me.”  I asked him to save my seat and pour me another beer, and then I followed Rod outside.

“I got to tell you something,” Rod said, lighting a cigarette.  Just then, though, three kids pulled up on motorbikes, those really loud crotch rockets that for some unknown reason haven’t yet been banned by the European Union.

One of the kids got off his bike and came over to me and grabbed my arm.

It was weird; nobody said anything, the kid just grabbed me.  I looked at Rod, hoping that his fake SAS training or whatever he learned in prison would suddenly kick in, but he just stood there, smoking.  Thinking back on it today, it seemed like more than he was just scared – it was almost like he was complicit in the whole thing.

“I guess you’d better go,” Rod said.

By this time the other kids were off their bikes and it was dawning on me that this was becoming a situation.  I had about thirty euros in my wallet and a credit card, and I’d seen enough bar fights to know to cover my head.  It wouldn’t be fun, but hopefully I wouldn’t get hurt too bad, so I tried to keep calm.  Instead of robbing me, though, the kid grabbing my arm yanked me towards the bike.

“Get on,” he said.  He tried to bark it but he had a reedy adolescent voice.  The kids were big, but still only 15, maybe 16.  It was hard to take them too seriously.

I looked back at Rod but still he was blank-faced, smoking.  Asshole.

Seeing no real option, but not a whole lot of danger either, I got on the back of the kid’s bike and held on to the seat as our little mini-convoy zipped away.  We went through the tangle of streets to the north and soon we were out of the center of the city.  At one point the bike I was on got a bit ahead of the others and then stopped at a red light.

I was getting an idea of what small-timers I was dealing with here – they had no problem kidnapping a guy, but they stopped for red lights.  I was just about to make a run for it when the other bikes screamed around the corner, and I had to abandon the escape plan.

It was a pretty nice night; not too hot, and the mountains were pale and shadowy in front of us, reflecting a bit of light from the city.  I wouldn’t say I was enjoying myself, but I’m guessing most abductees had it worse than I did.  The one thing was that the kids were awful, as all kids are, at driving, and I was actually more scared of getting in a crash or falling off the bike than getting murdered.

Eventually they stopped at a bit of wasteland high above the city.  The driver of the bike I was on ordered me to go first down the hill, and they all pushed their bikes behind.  We ended up in a little spot where people threw old mattresses and tires and other garbage.  The moon was fairly bright but it was the kind of out of the way road to nowhere where there was about one car an hour, and at this point I was started to get a bit scared, and starting to wonder if I’d meet my end in this sad little wasteland, and who would find my body, and when.

Dinero,” the littlest kid said.  I held out my thirty euros and maybe like five more in change.  They divvied it up precisely.  I mean like down to the cent.  They didn’t seem too interested in my credit cards or grocery store receipts, or even my wallet, which was probably worth more than 35 euros.

After they took the money they started talking amongst themselves openly.  I guess they just assumed I couldn’t understand the language, when in reality I was clocking their whole pathetic conversation.

“Let’s just leave him here.”

“No way.  What if he can identify us?”

“We’ll beat him up, then.”

“No, just leave him here, he’ll find his way back somehow, we’ll be long gone.”

“Let’s kill him.”

“With what?”

“A rock.”

“You’re crazy.  We’d go to jail.”

“If we let him live, we’re going go to jail anyway.”

“Quit talking crazy, you idiot.”

The one advocating murder was the little one, the runt of the party – and he certainly wasn’t going to be killing anybody tonight.

Just then there was a rustling in the bushes that was pretty clearly man- or animal-made, given the windless night.

The three kids just scattered.  They didn’t even bother to check it out; they just ran their bikes up the hill and motored off.  From a path through the bushes emerged a man, a woman, two little kids.  I looked at the man, and he blinked back, and we looked at each other for a minute and then he said something I didn’t understand, and I said something (I can’t remember what, exactly) which apparently he didn’t understand, and after a little while of this back-and-forth he gestured at me to follow him, and so I did.

We hiked for about half an hour, mostly uphill, into the mountains, and just before I started to get worried – as in, how was I ever going to get back? – we stopped and ducked into an opening, and inside there was a cave.  More than a cave actually, really a big room where this family was obviously living.  It had beds, furniture, rugs, a stove with a chimney pipe, everything you’d expect in a house except maybe windows.

We tried to communicate for a while but the family spoke some sort of strange dialect or language I didn’t understand.  My Spanish was obviously not hitting the mark. I tried out some Arabic, but I only really knew the Arabic for words like “girl” and “book” and “pencil” so that wasn’t much help.  The man gestured at me to sit down at the table, which I did, and he rummaged around and found a cell phone and made a call, again speaking the language I didn’t understand, and when he hung up he turned to me and made a gesture with his hands like “everything’s going to be fine.”

The woman made some coffee and gave me a cup and a little pitcher of some odd-smelling milk, probably from a goat.  I poured a splash in just to be polite.

I figured I’d probably have to wait out the night here so I settled down and drank the grainy coffee, and the guy brought out a set of checkers and we played a few games.  There wasn’t any TV or radio that I could see, and the rest of the family just watched us play checkers, the two little kids with their big bulbous brown eyes peering over the table, the woman cradling her coffee in her hands, a slight smile on her face.  The man took the first two games but I adapted to his strategy and I beat him in the third.

I was faking a yawn, hoping that everyone’d be ready to go to bed, when there was a clatter outside the cave, and the guy shouted out and the kids scattered and the woman leapt towards the coffee pot.

Two policemen came in.  They took the guy aside and had a mumbled conversation.

“We’ll take him from here,” was about all I heard one of the cops say.  Then they started talking the strange dialect.

After they were done and everyone had downed a cup of coffee, the cops gestured for me to follow them, and I thanked the guy and his family and everyone shook hands and waved and we left the cave.  I followed the police and we walked 15 minutes down the hill to where their car was parked, and we were back in the city in less than half an hour.

At the police station they gave me another coffee and asked me some basic questions, like how much was stolen, what the criminals looked like, what kind of bikes they were riding, that kind of thing.  I was kind of embarrassed that I hadn’t gotten their license plate numbers, even though I had plenty of chances to memorize them if I’d just been paying attention.  The cop behind the desk looked kind of bored with the whole thing.

“I’ll type up these notes,” he said.  “We’ll give you a ride home, and we’ll call you if you need anything else.”

Back at the house I couldn’t get to sleep.  I guess I was a bit freaked out, but I had also drunk too much caffeine.  I thought about creeping down the hall and waking Anna up but I wasn’t sure if she was in or out or at her married soulmate’s secret apartment or whatever, and I didn’t really want to find out one way or the other.

The next day I went back to the Mano where Al bought me a beer and gave me a couple media raciónes on the house and even “forgot” to charge me for what I had drunk the previous night, before I was abducted.  In exchange, I told him all about it.

“That’s one hell of a story,” Al said.  “You hear about those gypsies, up there in the caves, but I’ve never seen them.  Sounds like you lucked out.”

That Friday was my last day at the language school.  I asked Sami if he wanted to have a drink and to my surprise he accepted the invitation.  We went to a café down the street where I had a beer and he had a black tea.  The café was on a noisy dusty corner and people were rushing by on their way home from work, but the outdoor tables were set a few feet lower than street level, and there were some plants dotted around for shade, so we were slightly cooler than the outside world, and we sat and chatted and watched people’s legs go by over our heads.

“I’ll be sad to see you go,” Sami said.  “You were one of my best students.  That’s not saying a lot, but I mean it.  Give me a call when you’re next in Granada.”

“Thanks Sami.  That’s nice of you to say.”  And I meant it.  “Can I ask you a question?”

“Sure.  I can’t guarantee you I’ll know the answer though.”

“I’m just wondering.  Do you ever miss home?   I mean Morocco?  I mean, do you think you’d ever go back to live?”

Sami seemed to think about it a bit as he sipped his tea.  After a while he looked up at the calves and the ankles walking past.

“You’ve stumped me.  That’s a question I ask myself every day,” he said. “Every single day.”

The next night we had something of a party in the Mano.  A couple of the English people I could tolerate from the language school came along, and a bunch of the bar regulars were there like they always were.  Rod wasn’t around – in fact I didn’t see him again after the night I was abducted – but that was probably a good thing.

Alejandro was pouring out liberal amounts of brandy, and he had even bought me an almond cake as a farewell present.  My presents to him were a Red Sox cap and a big fat tip.

“Without you around amigo, we’re in trouble,” he joked.  “I’m going to have to find some other rich American to prop up our bottom line.”

I got really drunk and ended up spending even more cash than I thought I would.  I bought multiple rounds and constantly fed the jukebox, and though a lot of the latter part of the night was hazy, in general it was a fantastic sendoff.

Back at home the next morning I wasn’t so much hungover as still a bit drunk.  I finished packing my things and made one last stumbling check around the apartment.  Anna gave me warm kisses on both cheeks, which was pretty much the maximum affection I got from her all summer, and in light of my fragile state she carried my bag downstairs, where the taxi was ready to take me to the airport.  An hour later I was on the plane, ready to fly back to Boston.

***

MIKE WENDLING is a past winner of the London Writers’ Award and was shortlisted for last year’s Bridport Prize.  Originally from the US, he now lives in London and works as a radio producer for the BBC and later this year he plans to launch a new audio fiction website, fourthirtythree.com.

The following is a photograph taken by Anna O’Neill.

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Image by Anna O’Neill

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‘ANNA O’NEILL’ known by many as Christopher McGurren and known by few as Hershal, is a photographer and videographer. His primary interests are the unending motions of the Sun and Moon and the rather pleasant visuals they provide for us spectators on Earth. Also expensive cameras, tasty techno music, refrigerated Kinder Pingui’s and frisbee’s. To view some videos please hover cursor over this link and press firmly on the left button of your mouse… https://vimeo.com/videos/search:hershal


The following are three new poems from Francis Reilly whose work “Chaos To Silence” was featured in Issue One of Minus 9 Squared – The Place Issue.

Fantasies

All my fantasies are filled with people

who are not me, controlling my heartbeat

as if it was their own with actions I

could never even dream of achieving

by myself because I am simply not

able nor worthy. They carry hopes of

nations upon shoulders incredibly

broad, and they do so with the freedom

and movement of children gracing us with

the presence of their imagination.

And it makes me sad that some are younger

than I, and so much more gifted too, with

a grand stage to exhibit their talents

on; and it only serves to remind me

of my own inadequacy and my

own failings in my own life, here, in the

real world, where real things happen or do not

happen, depending on whether one can

speak up or sit down when the time is right

or wrong or never to be; and it soon

becomes apparent that my fantasies

are actually living nightmares that haunt

me night and day, and morning and evening,

tearing me to pieces to put me back

together, just to pull me apart once

more, just to piece me back together again,

like some sort of sick jigsaw puzzle which

has a jagged part that does not quite fit

because it is never allowed to end.

***

All the Old Friends

Oh, there’s my old friend Karma,

A broken scene as the interest soared.

Cutting through pretension to grant an extension

To a time and place without record.


Oh, there’s my old friend Hope,

Temptation is truly the fabled sin.

Appeasing forever those with endeavour

So they always have reason to begin.


Oh, there’s my old friend Love,

Intervention of the well-worn friend.

Inhaling to choke on those flames you stoke

With shortened breath to comprehend.


Oh, there’s my old friend Silence,

Thickened walls offer no reprieve.

Yelling to pray while I watch as you sway

In a drunken attempt to deceive.


Oh, there’s my old friend Lies,

Trickling stream of an age-old river.

Sitting on your throne while the film is shown

As you wait for me to deliver.


Oh, there’s my old friend Logic,

Calculating prowess a point of assault.

Though you control parts of my soul

In you I can see no fault.


Oh, and there’s a new friend, Being,

Realisation cracks the white mask.

I open my eyes to reveal our guise

And find you already took me to task.

***

Rankle

Agitation of my wringing hands haunts

Those around me as my voice shrills higher.


Thickened glass drowns yells they wish to ignore

As the situation becomes dire.


Simplicities of intimacies lost

Still rankle as the world holds out on me.


Gaping mouths and tear-stained cheeks plead in vain

To deaf ears as I refuse to wait and see.


Taken flights and clouds of ash restrict my

Breath as my friends’ pleas begin to cower.


Cigarette stubs and empty cans litter

Life like indifference without power.


The long walk back to the start goes awry

As the path vanishes before my eyes.


Keep them open, keep on walking because

It is all so short, are their anguished cries.


Pleasantries and patience, all I extolled

As I dreamed of reaping returned rewards.


Yet here I sit empty-handed as I

Realise that we all fall on our own swords.

***

***

FRANCIS REILLY: is a reluctant final year Journalism student in DCU. Once he has completed his degree he intends to do everything in his power to not become a journalist, while still finding a way to get his writing out to the world. He and his poetry can be found here day and night, waiting for somebody to strike up an interesting conversation: https://peaceinacrackden.blogspot.com/

Fantasies

All my fantasies are filled with people

who are not me, controlling my heartbeat

as if it was their own with actions I

could never even dream of achieving

by myself because I am simply not

able nor worthy. They carry hopes of

nations upon shoulders incredibly

broad, and they do so with the freedom

and movement of children gracing us with

the presence of their imagination.

And it makes me sad that some are younger

than I, and so much more gifted too, with

a grand stage to exhibit their talents

on; and it only serves to remind me

of my own inadequacy and my

own failings in my own life, here, in the

real world, where real things happen or do not

happen, depending on whether one can

speak up or sit down when the time is right

or wrong or never to be; and it soon

becomes apparent that my fantasies

are actually living nightmares that haunt

me night and day, and morning and evening,

tearing me to pieces to put me back

together, just to pull me apart once

more, just to piece me back together again,

like some sort of sick jigsaw puzzle which

has a jagged part that does not quite fit

because it is never allowed to end.