The Latest

In this short fiction from Kuwait, the central character and his author are in a standoff over a telephone call.

Short fiction by Mohammed Hussein Heikal (1888 – 1956) about marriage and money in early twentieth century Egypt.

What happens on New Year’s Eve when a conservative (and naive) father comes to his son’s front door, in Cairo, and hears something he never expected? A holiday classic from Egyptian writer Ibrahim Abdelkader Al-Mazni (1889–1949).

“The temperature dipped a little / but the country’s still burning—”

“I survived—came out of yesterday / alive, carried out on the shoulders / of the wind.”

“I’ve said it before, and I say it now on this London evening / before it’s too late: / I am the last communist!”

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Zia Ahmed discuss approaching Arabic translation via English and Urdu, the layers of “outsider-ness” in translation, and the boom of narrative fiction in Oman.

In this conversation over e-mail, Sinan Antoon talks about the novel, the fraught nature of collective memory, the process of self-translation, and the sort of “security checkpoints” a book must pass through in the process of translation.

In this “BETWEEN TWO ARABIC TRANSLATORS” conversation, Yasmeen Hanoosh and Jonathan Wright discuss Wright’s start in literary translation, its divergence from the sort of translation he practiced as a journalist, and his ideas about what he calls Arabic polyglossia.

” Jaziri wrote poetry with one set of alphabets which at that time were used in four languages: Kurdish, Ottoman Turkish, Persian, and Arabic. Sometimes, he used the four languages in one couplet. His poems are still recited and sung by Kurds. That coexistence of languages was quite natural, the alluring music was convincing, although I sometimes understood almost nothing.”