| CARVIEW |
By The Mutants
Think about the list strategically. It’s for the rest of your life! What will you watch when you’re sad? When you’re high? When the holidays roll around? When you’ve got the flu? When you need to believe that goodness prevails?
By The Mutants
A few months ago my dad sent me a whole bunch of pictures on a flash drive. This was one of them. It’s my bedroom in 1987. I’m 15…
By The Mutants
The image is important because it captures something desperately tragic about where we’re at and how we see ourselves…
By The Mutants
How do you describe to someone who hasn’t experienced it before exactly how it felt to walk into the record store before the internet? When music was your life.
Blatantly trying to ride the audience numbers of 1973’s The Exorcist, the same year’s Satan’s School for Girls, and 1976’s The Omen and Carrie, The Possessed is, predictably, imbued with the whole period’s ubiquitous post-Watergate feeling of gloom…
Of all the visionary artists to emerge from the illustration boom of the ’60s and ’70s, Bob Fowke must be one of the most unfairly neglected…
Near the end of Richard Nixon’s first term, the forces of conservatism and reaction were in the ascendancy in America. This public resurgence of “traditional values” was itself a counter-revolution against the turmoil unleashed by the young…
An oral history of the Gateshead Music Collective (or GMC) in the words of the young people who started it, ran it, and frequented it in the 1980s…
This Halloween, I decided to give another of Kolchak producer Dan Curtis’s horror TV movies a try. The Norliss Tapes, which aired on NBC in February of 1973, features another favorite of genre sci-fi and horror TV, Roy Thinnes, in the lead role…
By The Mutants
So read on to discover the songs that, despite having no actual connection to the 31st of October, yet produce a frisson of seasonal alarm in the paranormally persecuted inhabitants of mutant mansions…
Under the stewardship of underground filmmaker and curator Craig Baldwin, Other Cinema stands as the vanguard of Baldwin’s personal artistic conviction—what he calls “cinema povera”…
All of the characters in Paul Schrader’s Light of Day (1987) are looking for a way out. They’re stuck in menial nine to five jobs, on the line in factories and behind candy-colored checkout stands in supermarkets…
Having grown up in the 1970s, an era when record shops were a fixture in communities and often served as neighborhood social centers, I became obsessed with a small store located on 146th and Broadway…
American cinema of the 1970s has long been recognized for its downbeat, character-led crime dramas. From Alan J. Pakula’s Klute (1971) to Arthur Penn’s Night Moves (1975) and Ulu Grosbard’s Straight Time (1978)…
If you haven’t heard, we wrote a book! And it’s out right now! Won’t you please buy it and be our best friend?
We Are the Mutants