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Jan 30
NO ICE
BUILD THE GENERAL STRIKE
This is a variety bill, featuring psych-rock, free improvisation and various hybrids. Things kick off with the new improvising trio, Terraform, featuring Jon Jackson, Sami Calamity and Martin Schiller. Weird and wooly Somthing brings their sonic splatter-rock vibes and mixed-genre jams to Trinosophes' stage for the first time. Frizz delves into their ever-amassing repertoire of dance songs, mind-melting jams, catchy ear-worms — and anything else that fits the evening.
TICKETS NOW ON SALE
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Saturday, February 7
Robert Dick, Stephan Haluska, James IlgenfritzDoors 7:30 pm
“A flutist whose technical resources and imagination seem limitless.” –The New York Times
“Dick held the audience in rapt attention with his spellbinding virtuosity” –Washington Post
Robert Dick is a flutist, composer, teacher, inventor, and author. World renowned as the leader in contemporary music for flute, Robert Dick embodies the ideal of the Renaissance artist. With equally deep roots in classical music old and new and in free improvisation and new jazz, he has established himself as an artist who has not only mastered, but redefined the instrument. In 2014, the National Flute Association honored Robert Dick with its Lifetime Achievement Award.
Cleveland-based improviser, harpist, and composer, Stephan Haluska draws from the instrument’s unique textural, percussive, physical, and kinetic qualities. Viewing the harp as a frequently misunderstood and underrepresented instrument in contemporary music, he often rejects conventional modes of playing in favor of finding new ways to expand his sound palette. Stephan plays with an advanced vocabulary of extended techniques and preparations, which explore the use of various tools, materials, gadgetry, and household objects, interweaving elements of found sound, collage, sound art, and movement into his artistic practice. Since 2021, Stephan leads Cleveland Uncommon Sound Project (CUSP) as Managing Director. CUSP is dedicated to strengthening the artistic engagement of the Northeast Ohio community by championing the creation and performance of new and experimental music through concert programming and other events.
Composer and bassist James Ilgenfritz is recognized in the New Yorker for his “characteristic magnanimity” and his “invaluable contributions to New York’s New Music community." James presented residencies at John Zorn’s The Stone in 2015, 2017 and 2018. In 2019 James performed in Anthony Braxton’s Composer Portrait concert at Columbia University’s Miller Theater. James’s notable performances include work with composer/improvisers Pauline Oliveros, Roscoe Mitchell, Rufus Reid, Anthony Braxton, “Blue” Gene Tyranny, and many others. James began New York’s first Suzuki Bass program at Brooklyn Conservatory of Music in 2011, and continued there until 2019, when he left to pursue a PhD in music composition at University of California Irvine. James splits his time between Brooklyn, NY and southern California.
RECURRING SERIES
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Every Tuesday
Trinosophes Projects is a 501(c)3 non-profit organization in the state of Michigan that supports live programming, exhibitions, research and publishing. We are an independent, artist-operated entity located in the city of Detroit. Contributed and earned income goes directly into the hands of the artists we work with, so if you appreciate our efforts, consider making a donation to support our ongoing mission. Click here for a Paypal link.
How does your support help? Your donations go directly to our programming, publishing, media manufacturing, archival work, artist commissioning, project collaborations and regranting in the form of artist prizes, awards and emergency assitance. While we prefer to operate mostly anonymously and we’re always hesitant to ask for financial support, we recognize that now more than ever our work is important to the cultral health of our community, both through supporting, highlighting and perserving our region’s cultural legacy and by keeping it in dialogue with devlopments in the rest of the country and the world.
Jan 30 NO ICE BUILD THE GENERAL STRIKEFriday, January 30
Frizz | Somthing |Terraform
Doors 7:30 pm, $10 Frizz | Somthing |Terraform
ALL REVENUE FROM CONCESSION SALES AT THIS EVENT WILL BE DONATED TO IMMIGRANT LAW CENTER OF MINNESOTA.
CAN’T MAKE IT TO THE SHOW? EARMARK AN ONLINE DONATION BY CLICKING HERE. [RECEIPTS WILL BE PROVIDEDUPON REQUEST.]
CAN’T MAKE IT TO THE SHOW? EARMARK AN ONLINE DONATION BY CLICKING HERE. [RECEIPTS WILL BE PROVIDEDUPON REQUEST.]
This is a variety bill, featuring psych-rock, free improvisation and various hybrids. Things kick off with the new improvising trio, Terraform, featuring Jon Jackson, Sami Calamity and Martin Schiller. Weird and wooly Somthing brings their sonic splatter-rock vibes and mixed-genre jams to Trinosophes' stage for the first time. Frizz delves into their ever-amassing repertoire of dance songs, mind-melting jams, catchy ear-worms — and anything else that fits the evening.
TICKETS NOW ON SALE
Saturday, February 7
Robert Dick, Stephan Haluska, James Ilgenfritz
“A flutist whose technical resources and imagination seem limitless.” –The New York Times
“Dick held the audience in rapt attention with his spellbinding virtuosity” –Washington Post
Robert Dick is a flutist, composer, teacher, inventor, and author. World renowned as the leader in contemporary music for flute, Robert Dick embodies the ideal of the Renaissance artist. With equally deep roots in classical music old and new and in free improvisation and new jazz, he has established himself as an artist who has not only mastered, but redefined the instrument. In 2014, the National Flute Association honored Robert Dick with its Lifetime Achievement Award.
Cleveland-based improviser, harpist, and composer, Stephan Haluska draws from the instrument’s unique textural, percussive, physical, and kinetic qualities. Viewing the harp as a frequently misunderstood and underrepresented instrument in contemporary music, he often rejects conventional modes of playing in favor of finding new ways to expand his sound palette. Stephan plays with an advanced vocabulary of extended techniques and preparations, which explore the use of various tools, materials, gadgetry, and household objects, interweaving elements of found sound, collage, sound art, and movement into his artistic practice. Since 2021, Stephan leads Cleveland Uncommon Sound Project (CUSP) as Managing Director. CUSP is dedicated to strengthening the artistic engagement of the Northeast Ohio community by championing the creation and performance of new and experimental music through concert programming and other events.
Composer and bassist James Ilgenfritz is recognized in the New Yorker for his “characteristic magnanimity” and his “invaluable contributions to New York’s New Music community." James presented residencies at John Zorn’s The Stone in 2015, 2017 and 2018. In 2019 James performed in Anthony Braxton’s Composer Portrait concert at Columbia University’s Miller Theater. James’s notable performances include work with composer/improvisers Pauline Oliveros, Roscoe Mitchell, Rufus Reid, Anthony Braxton, “Blue” Gene Tyranny, and many others. James began New York’s first Suzuki Bass program at Brooklyn Conservatory of Music in 2011, and continued there until 2019, when he left to pursue a PhD in music composition at University of California Irvine. James splits his time between Brooklyn, NY and southern California.
RECURRING SERIES
Every Tuesday
Zekkereya El-magharbel presents “Tuesdays at Trinosophes”
Doors 7:30 pm | Sliding scale, suggested donations may vary.Detroit Trombonist Zekkerya El-magharbel present four different series on a rotational basis, every Tuesday at Trinosophes ...
- 1st Tuesday: Maqam Workshop "Detroit Maqam Workshop," which features studying and learning classic Arabic melodies.
- 2nd Tuesday: Creative Music Group Community band! We will be composing and improvising music all about possibility and engaging the unknown.
- 3rd Tuesday: Meet the Composer(s) Concert/interview series. The first iteration features @taqsim.live as our subject for this "Meet the Composer" session.
- 4th Tuesday: Tuesday Nights Showcase Zekkereya's first monthly residency in the city, with a rotating ensemble of Detroit's finest, curated by the artist.
Trinosophes Projects is a 501(c)3 non-profit organization in the state of Michigan that supports live programming, exhibitions, research and publishing. We are an independent, artist-operated entity located in the city of Detroit. Contributed and earned income goes directly into the hands of the artists we work with, so if you appreciate our efforts, consider making a donation to support our ongoing mission. Click here for a Paypal link.
How does your support help? Your donations go directly to our programming, publishing, media manufacturing, archival work, artist commissioning, project collaborations and regranting in the form of artist prizes, awards and emergency assitance. While we prefer to operate mostly anonymously and we’re always hesitant to ask for financial support, we recognize that now more than ever our work is important to the cultral health of our community, both through supporting, highlighting and perserving our region’s cultural legacy and by keeping it in dialogue with devlopments in the rest of the country and the world.