Tremaine L. Loadholt reviews my novel The Cruelty

Dear Tremaine thank you for this wonderful review.

Every review helps gain some traction for this novel of mine.

Thank you to everyone who has supported it and I look forward to reading more reviews on what you thought.

The Cruelty can be purchased directly from myself for $15 with S&P included. Please contact me candicedaquin@gmail.com if you would like a signed copy.

My Featured poems on The Short Of It by Susi Bocks

Thank you to Susi Bocks, the creator and galvanizer behind The Short Of It on Susi’s I Write Her website. Fellow WordPresser folk will be aware of Susi because of her incredible support of her fellow writers.

In this January post, there is a collection of my short poetry. I’m very grateful to be part of this and thank Susi for her continued and magnificent highlighting of poets.

Scattered Words : Poems for Jernee Timid Loadholt by Tremaine L. Loadholt

Tremaine L. Loadholt / Scattered Words : Poems for Jernee Timid Loadholt

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What does true love and belief look like? Tremaine Loadholt is the one writer I can think of who can answer that question. True love and belief looks like the relationship she had with Jernee Timid Loadholt, her 17 year old family member in a dogs body.

For all of us who follow Tremaine’s writing over the years – we are the lucky ones. The other lucky one was Jernee, who for as long as I have known Tremaine, has been the light of her life and knew it. When she began to ail, we all hoped against hope somehow she would not be taken but in the end her age did catch up with her and despite all efforts, Tremaine knew she had to big goodbye. Because of Tremaine’s writing of Jernee all these years, we all felt the loss, not as palpably but I remember writing to Tremaine the day Jernee was going to be put to sleep and I was crying as I did.

“Is there a name for people

who are not longer whole

without the pets they spent

nearly two decades becoming

one with?” (Sometimes, I just need Poetry).

It says a lot about how much animals can impact lives, including the lives of those around us, who understand they are family and the loss is incalculable and akin to losing another human being. Jernee’s life will never be forgotten and this is where Scattered Words comes into its own. To say this is a eulogy isn’t sufficient. This is a testament to love. It is also filled with light and love, because Tremaine knows, Jernee is waiting for her and not far away.

From the first page where there is an image of Tremaine with Jernee, and it says, “hello rainbow bridge / treat my baby with kindness / she deserves it all” to the last image, which is more of a portrait of Jernee, there is grief and loss and love and hope all wound together in this brave and honest homage and reflection of a life well spent.

It isn’t fair that we only had 17 years with Jernee, but one thing I know is, every one of those years was filled with meaning and the bond between them, inseparable. I remember seeing the photos of Jernee after she died, and also leading up to it, and it opened wounds in me I had forgotten I had. This is not a bad thing, it is a necessary thing. We do feel. We have pain. To pretend otherwise is foolish. I like that about Tremaine, she is unflinching in her examination of what is real.

These poems were written after Jernee’s death and during her life. They are sometimes terribly sad, but for any pet-owner, animal-lover or really, person capable of understanding the bonds we forge, this is a book we wish we all had someone write about our life. I felt choked up reading the first poem ‘Erasing Jernee on paper but not from my heart’ because I still have my cat’s name on my Chewy’s account and he has been dead for five years. So I know how hard it is to remove that name, to click ‘Jernee Timid has passed away.’

There is something about putting a loved animal to sleep that haunted me afterward, not because I thought I’d done something wrong, but just being there, when they die, it stays with you and it should do, you should feel that pain, even as you want to erase it. I think these poems are brave because they refuse to erase the feelings, they share them, not in a suffocating way at all but in a way that reminds us of what matters and how we cannot flinch when the hard decisions come, because they always do.

“I could not have prepared myself for

erasure of this magnitude

Jernee’s not here, but she is.

Jernee’s not here, but she is.”

Tremaine says that “I remember the / best part of my life / no longer exists.” And she doesn’t mean there will not be happiness again, but she acknowledges that all those 17 years spent together, the joy and sharing, mean there is always going to be a large cavern where Jernee should be. On the other hand, there is always hope in Tremaine’s writing and she is mindful to admit she is holding on, despite this loss. I thought it was interesting in the poem ‘Smelling Death’ that she talked of the other dogs possibly smelling Jernee’s impending death. I truly believe this is possible, even with humans, and it’s part of that horror and mystery to life and death, we often don’t examine.

“He’d been greeting her death,

and I just didn’t want to

believe it.”

This opens up the subject of death to wider discourse, in the poem ‘Is Everything Still Ours?’ Tremaine talks of whether she should ‘continue to say “our”’ and how the adjustment to go from “our” to “my” is one of the hardest elements of any loss. She also knows that she shouldn’t “rush the pain away. / I shouldn’t try to kick it out before its time.” These may seem obvious, but we forget so often, and being reminded through this collection of love reminders is a very gentle way of accepting those messages we don’t want to accept.

Jernee was a lifeline at times for Tremaine, and she’s unashamed to admit that, such as the poem Ten: A Senryu (for Jernee’s 10th Birthday) where she says:

“She keeps me from feeling down

when life becomes blue.”

Again, it’s the little things that mean the most, how small pawprints in our souls can truly make that kind of difference. I have read many poetry collections to lost pets and loved animals, this is among the finest of them, for its pure heart and acknowledgement that “you will forever be the best gift / I’ve ever had. (With Honor). I warn you, you will not leave this book without tears, but even as my chest heaved and I was reminded of my own losses and felt for my friends, I left feeling hopeful, because if anyone can be remembered with this much love, there just has to be hope.

“God gifted me with peace in living form

and I will never forget her; not ever.”

You can purchase this book on Lulu here: https://www.lulu.com/shop/tremaine-loadholt/scattered-words/hardcover/product-95j44yn.html?page=1&pageSize=4

Ina Cariño’s Reverse Requiem (Alice James Books)

I review the superb Ina Cariño’s latest poetic offering ‘Reverse Requiem’ by Alice James Books in the Winter 2026 issue of Life and Legends Magazine.

Originally from Baguio City in the Philippines, Ina Cariño’s work has appeared in the American Poetry Review, Poetry Magazine and the Paris Review Daily. She was the winner of the 2022 Whiting Award, a Kundiman fellow and winner of the 2021 Alice James Award for her debut Feast. Cariño has also founded a poetry reading series called Indigena Collective.
For the full review go to:
https://lifeandlegends.com/reverse-requiem/

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Just incase you hadn’t heard …

If you hear that squeaking sound, it is me with my cart, my donkey died. I am hawking my wares (a debut novel) and it’s heavy going uphill as you can imagine, with the Big Five publishers able to place their tenderizing wares in glittering bookstore windows for Xmas, I have only the rag-n-bone cart and my own throat of moths.

This is a good novel. If you know me, you know my saying this is no small thing. I have put a lot of work into it. It is not everyone’s cup of tea, it’s a hard-hitting, unflinching psychological thriller based upon true events. Nevertheless it’s well written, and every single sale, every single review on Amazon or GoodReads goes a LONG way for a small indie author like myself.

I tend to spend most of my time promoting and helping others, with their output, so it is a strange place to be on the other side of the coin. I am selling signed copies and accepting Vemno, Paypal and checks. Otherwise you can purchase The Cruelty through most vendors, including asking for it at your local bookstore. Every single sale helps me enormously and I’m so grateful for the support I’ve received.

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The Cruelty is available via all bookstores.
Direct from publishers Flowersong Press:
AMAZON:
BARNES & NOBLE:
BookShop.Org:
WATERSTONES:
FOYLES:
FishPond (NZ/Australia):
& many more. Or DIRECT from me (USA shipping only) candicedaquin@gmail.com

Lettres jamais envoyées*

You are dead, this letter is for you.

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The kind of paper it’s written on

Chengxintang, or Florentine marble—unknown.

You may delay but time will not;

soot, by-product-of-fire, formation of ink

squid, gold, glass, the pen’s nib, fine, finer

all things that once mattered.

No-one sits on carpets drinking mint-tea anymore

funny how, in just a few hours dreaming

what we knew, what we could rely upon

vaporizes into Samarkand ash.

It’s a living funeral, all kinds of absence

bundled into packages without address

where do we send ourselves? When grief

reveals her ragged heart, where do we go?

When this play has moved on and our letters

go unopened, unsent—dissolving

fig, pulp, tangerine, 4pm sun.

I am the only one who remembers

and I hate that, I really hate that

keeper of naught, keeper of all the things

that matter nothing to anyone else.

Where the little pill box from the roaring twenties

with a Tamara de Lempicka replica is painted

in miniature 30/0 nickel ferrules was

stolen by a friend from a lighthouse, the Île Vierge

that kersantite granite giant, its bright white light

bleaching hours, counting disciples with abacus

who else will cherish those memories, evaporating

in situ, like a watched wound never scabs.

Who cares for the toys with their sorrowful

glass eyes and well stitched sides, who will

make the connections? You’d say about now;

Oh, that reminds me of the quote from Lear.

Are you there? Do you hear? Will you see?

The world stops writing letters, the prices too high—thief

stamps of their lick, everything prefix is an affix

a tumble of errors and delight, beneath thick

cloth, where the world had no assess, we divined

make-believe in costume—masks of feathers

your slow grin, sloe gin, stained teeth

smoking a black cigarette, head tossed back

oh god life was astonishing then, then.

You are dead, this letter is for you.

Unsent, sealed inside me, where I dry,

husk and molt and wilt faire de la confiture

beneath endless gris mote and rote

without you, still, still, gone almost

hanging on for what purposing?

A torment, in fancy-dress, we

clasp leather reins, canter, gallop

smelling of horse and blood-oranges

spilling through heavy doors, here at last! Sorry we’re tardy!

Where it’s never too late, until it is.

Then padlocks become our winter bones

beneath cold water, an odd reflection

Alice stared, until she could neither see

the way out, or the way forward

drink me, they urged, drink me

and she grew so small, so miniature

nothing could hurt her anymore

not even the echo of your laugh

you who did not read any longer

who rested in the sunlight, one ring on your finger

too tight, they said; perhaps soon

they’d have to cut it off.

*Letters never sent.

PINCH

I have had a horrible day

possibly a horrible year

the prompt in the writing retreat is Grief

I feel too much to write anything

the teacher says; be punctual in your writing

don’t tell the reader too much, let them guess

or wonder.

Does anyone feel wonder anymore?

I wonder how I show up when I feel like

tearing down. Folding. Evaporating. Never here.

I wonder how I trust when I feel like

trusting no-one. Goodbye. Closed door. Absent.

I wonder why I try when

it comes out in the same wash.

Whether we try, or lunch-out, we’re all

going to die at a designated time on

this blue-spinning, fickle, lovely planet.

I try not to get devastated by ‘the small stuff’

that doesn’t feel small and hurts like a

series of pinches.

Pinch: Your former boss couldn’t care less about you

despite working closely with them for near a decade

calling each other friends, showing up. Now they

don’t show up. Treat you as after thought

the inequity of your relationship embarrassing

you wish you’d just handled it better by

not caring so much. Fucking fool. Fucking fool

When will you ever learn? To be bullet-proof?

Pinch: Your father is losing his memory

when you didn’t think losing any more

was possible, he strays into a wavey place

where you are not really distinct and he

doesn’t need you as much as you need him

ain’t that the story of your life baby?

Pinch: How many years should you stay

in a place you hate, just because it

‘makes financial sense’ – what if you

are hit by a bus in August, where’s the

sense in having lived unhappily where

neighbors judge you for nothing more than

not attending church and loving the wrong

gender. Where is the sense in being lonely

all the god-damn time? ASK GOD THAT.

A therapist once said: you are only lonely if you choose

to be. Bullshit. I forget to take my pills at

lunch, avoiding how much my bladder

bothers me. I want to push all ailments

to the side, stop being so fucking terrified

of everything: blindness, heart-murmur

bladder problems, death, rejection, indifference

what if it’s cancer? What if it’s not?

From cover-girl to cover-up.

What makes me happy? When

was the last time I cried or laughed?

Really? I had a horrible day and I

can’t drink because I don’t drink but I want

to drink and I don’t drink and I should be

grateful I’m not (dying yet) and I should be

grateful I’m not (dying yet) and I should be

grateful I’m not (dying yet) and I am. I am. I am.

Exhausted. By the is’ms. By myself. By a world

indifferent and cruel, where people who worked

side-by-side for a decade, will look at you with

flat eyes, that glide off you as if you were just

a poster on a wall trying not to scream or a

cat annoyed you didn’t feed them on

time. Hurry up. Chop-Chop.

Please submit to this anthology UnHoused Yearning for Home.

See original post in Carrie Yang’s post Flicker of Thoughts (above)

https://duotrope.com/duosuma/submit/unhoused-yearning-for-home-DgN92

“Unhoused – Yearning for Home” is an anthology, open for submissions, that explores the feeling of being unhoused, both literally and figuratively, through poetry and creative writing. The anthology, published by Prolific Pulse Press LLC, aims to give voice to those who experience displacement, insecurity, and a longing for belonging. It welcomes submissions from a diverse range of perspectives, including those who are unhoused, immigrants, those on insecure visas, and those experiencing other forms of displacement or sense of isolation and not belonging / not safe where they live / insecure housing / temporary accommodation or poverty causing dangerous living conditions. It can also relate to not being at home because of war, famine, poverty, exile, politics or anything similar. Pieces can be written past-tense or fictionally if you feel strongly about the subject and have first-hand exposure to these kinds of experiences.

Here’s a more detailed breakdown: 

  • What it is: The anthology, edited by Carrie Yang and Candice Louisa Daquin, focuses on the theme of “yearning for home” in the context of being unhoused. Publishing by the excellent Prolific Pulse Press in early 2026.
  • Who it’s for: It welcomes submissions from a wide range of individuals, including those who are unhoused, immigrants, those on insecure visas, the working poor, and those experiencing other forms of displacement.
  • Content: The anthology will feature poetry and creative writing, including flash fiction, and accompanying artwork.
  • Purpose: The editors aim to create a platform for underrepresented voices and to challenge common perceptions of homelessness, focusing on the human experience and social challenges associated with displacement, not belonging, insecurity, unsafety and houselessness in some form.
  • Submission Details: Submissions are open and can be made through Duotrope. The anthology is non-paying but does not charge for submissions and will donate any money make to homeless charities. Its goal is highlighting how many people experience this in one form or another
  • https://duotrope.com/duosuma/submit/unhoused-yearning-for-home-DgN92

Submit to a free Anthology: ‘Unhoused: Yearning for Home’ – a Prolific Pulse publication

I’m working on this anthology as co-editor and we’d love to see your submissions. The concept of being ‘unhoused’ can include being a Dreamer, on a migrant visa, a refugee, immigrant illegal or legal, living abroad, speaking a different language to the host country, anything that makes you feel you are yearning for home because of your current or past situation, or that you do not feel you are safe in your home or it is fragile and temporary. Please click here to submit: https://duotrope.com/anthology/unhoused-yearning-for-home-39057

Unhoused Yearning for Home

 A project of Prolific Pulse Press

About

Prolific Pulse Press announces an anthology call for submissions: UNHOUSED – Yearning for Home

Prolific Pulse Press’s background in publishing social justice anthologies, continues with Unhoused – Yearning for Home – an anthology of poetry and flash-writing on the current epidemic of unhoused, homeless, stateless, and country-less people and how this lack of safety affects generations. We seek to highlight the writer’s resiliance and determination to survive and thrive whilst sharing their truth and experience(s).

This project shines a light on: Migration, asylum-seeking, illegal-and-legal-immigration, and other factors resulting in being without a home, national-identity, country, or security net. Whether you have immigrated and found yourself isolated and unable to fit into your adopted country’s identity, or lost status in a country you identify with, been out-of-status, living-below-the-radar, a Dreamer or undocumented, or forced to flee your homeland because of discrimination, war or other destabilizing forces, this is your opportunity to share your experiences on the hardships and often invisible struggles so many endure

Country of Publication & Year Established

US flag United States

Established in 2025

Publication Medium & Frequency

Print Publication Print PublicationOne-time publication

Collapse sectionFiction Temp Closed

Audience:

Open to a broad Audience.

Genres:

 General.

Lengths:

 Flash Fiction: Up to 300 words; Up to 3 pieces.

Styles:

Open to all/most Styles, including: Literary.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionNonfiction Temp Closed

Audience:

Open to a broad Audience.

Lengths:

 Essay: Up to 300 words; Up to 3 pieces.
 Narrative Nonfiction: Up to 300 words; Up to 3 pieces.

Styles:

Open to all/most Styles, including: Literary, Personal.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionPoetry Temp Closed

Audience:

Open to a broad Audience.

Genres:

 General.

Lengths:

 Poem: Up to 75 lines; Up to 3 pieces.

Poetry Forms:

Open to all/most Forms.

Styles:

Open to all/most Styles, including: Literary.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Text format submissions Text.

Collapse sectionVisual Art Temp Closed

Audience:

Open to a broad Audience.

Lengths:

 Artwork: Up to 3 pieces.

Art Media:

 Open to all/most Art Media.

Art Styles:

Open to all/most Art Styles.

Topics:

 Open to all/most Topics including…
 Society/Culture: Current events, Ethnicity/Race, Social issues, See guidelines.
 Other: See guidelines.

Payment:

No monetary payment No monetary payment.

Submissions:

Method:
Reprints:  Reprints are NOT allowed.
Simultaneous submissions:  Unknown.
Multiple entries:  Unknown.
Media: Image format submissions Image.

Always check guidelines for details and restrictions. If you aren’t familiar with these terms, see our  glossary.

No recent cover image available for Unhoused: Yearning for Home

 Go to project webpage

Report:
 Submission/Response
 Correction/Update
 New Cover Art

Social:
Bluesky @prolificpulsepress.bsky.social
Facebook Facebook
Instagram @prolificpulsepressllc

For the Editor(s):
 Link to Duotrope

Support this Publisher:
 Buy Book(s)

Unhoused Submission Statistics Free Preview!

The statistics in this section are compiled from submission reports sent to us through our submission tracker. They are not provided by the publication’s editors/staff or by Duotrope’s admins. Information in this section is updated a few times per day. Learn more about the statistics.

We have not received any submission reports for this listing in the past 12 months.

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Before Submitting

We cannot guarantee that the information on this page is correct. It is not unusual for publications to evolve or close without notice. We do our best to keep up, but it isn’t always possible. Duotrope listings do not imply endorsement or recommendation of the project being listed. Before submitting, you should use your own judgment to determine whether the project meets your standards.

  • Always read the full guidelines provided by the publisher.
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