Did You Hear? Does Not Feel

Last week, Roy Ira Moats and the Moats Dogs dropped their debut album “All Packed Up.” It was literally a moment 50 years in the making. Roy Moats, the songwriter who has spent the last few years building a presence on the local music scene in Southeastern Virginia, is 71. He has been playing and writing, and planning to make an album, since he was a teenager.

I know the story because — full disclosure — Roy Moats is my father. The album was produced by my brother Zach. But it’s a good story (don’t take my word for it, read about it here), with even better songs. There are decades of influences felt, ranging from early skiffle and Chicago blues, to the Beatles, Highway 61 Dylan and Steely Dan, to showtunes, Wilco and even Mel Brooks. As he says on the title track, “I’ve got a hundred different people in my head today.”

I’ve been listening to many of these songs my whole life. I’m glad everyone else has that chance now.

Buy the album.

 

 

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Fiction Advocate of the Day: Science

giphy (1)

Everyone knows that readers of literary fiction are more emotionally intelligent. This explains the widespread social popularity of people who spend their time buried in 800-page experimental novels. You can see it in our ascent in the professional world, as well as in the consistent marital bliss of those who read literary fiction and, especially, those who write it.

Thankfully, science has come along to formalize what everyone knows from experience. Researchers have found that “familiarity with literary fiction — in contrast to genre fiction (mystery, sci-fi, romance, and the like) — is associated with greater emotional intelligence.” Their contention is that reading literature enhances your ability to “read” people.

Seems a little dubious, but I’ll take it. Now I’m off to explain to my friends why reading Infinite Jest makes me better than them. I just know they’re going to love hearing about it.  

-Michael Moats

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The Boomstick Film Club: Welcome to the Punch

Welcome to the Punch

The Boomstick

Watch it with us: Netflix streaming

One of my favorite movies in terms of sheer rewatchability is The Fugitive. Anything that involves a cop and a criminal (innocent or otherwise) joining forces to fight a common enemy is my catnip. The Netflix description of Welcome to the Punch (2013) promises just that, plus James McAvoy and Mark Strong, so I was all in. McAvoy plays the cop, Lewinsky, and Strong plays the criminal, Sternwood (not innocent at all, in this case). The movie opens with Lewinsky setting up a sting operation, defying orders to wait for backup, and going after Sternwood alone. Sternwood shoots him in the knee and escapes, and Lewinsky gets reprimanded for his recklessness. Several months later, following the shooting death of a young thug, Sternwood’s son turns up with a gunshot wound to the stomach from what turns out to be the same unidentified gun, as well as a bag full of money. By now Lewinsky is jaded and bitter, and he just wants to do his work and keep his head down. But his partner Hawks (Andrea Riseborough) convinces him that they need to keep asking questions. At the same time, Sternwood comes out of hiding to find out who shot his son and exact his own vengeance. When their paths cross again, Sternwood and Lewinsky join forces out of necessity, and they’re both forced to reevaluate their old animosity in light of the greater dangers they both face.

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Napoleon’s Other Waterloo

The Death of Napoleon

The 200th anniversary of the Battle of Waterloo is coming up on June 18. If you are a history buff, and you want to understand this momentous occasion a little better, there are plenty of books to choose from. If you are a fiction buff, there is only one: The Death of Napoleon by Simon Leys, first published in French in 1986 and newly reissued by NYRB Classics in a translation by Patricia Cleary.

It’s not hard to imagine that Emperor Napoleon, with his network of military loyalists, could have smuggled himself out of exile on the island of St. Helena by sneaking in a body double to take his place. And, further, it’s not hard to imagine his plan going terribly wrong in one way or another, leaving an elderly Napoleon stranded on the European mainland under a false identity, roaming the new world that his conquests have created, trying desperately to get himself back in the game. That’s the plot of The Death of Napoleon, anyway. Continue reading

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Great Moments from the Sunday Book Review

FA Gilbert

David Gilbert’s opening line in his review of Aleksandar Hemon’s The Making of the Zombie Wars:

The Summer of Love rolled into town and left behind an S.T.D. otherwise known as 1968.

Read the rest of the review at the New York Times online.

David Gilbert is the author of & Sons, which we reviewed (with fewer great lines).

 

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Did You Hear? Beat It (Demo)

New music! Sometimes old music. Music that we love!

This week I’m doubling down with another song that everyone has already heard.

Apparently Michael would completely arrange his songs in his head, and since his voice was the only instrument he could play, he used it to transcribe what he came up with. The precision of his a cappella isn’t all that surprising, but the completeness of the arrangement is what gets me. Assuming this was the first incarnation of this song, it’s remarkably similar to the final version we all know.

What a crazy, messed up super-genius that guy was.

– Brook Reeder

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5 Questions for Angela Readman

Don't Try This at Home - Angela Readman

“I cut my boyfriend in half” are the first words in Angela Readman’s debut collection of stories. From there it only gets weirder. In “There’s a Woman Works Down the Chip Shop,” a mother turns—inexplicably—into Elvis. A girl helps her father with bizarre taxidermy in order to save the family in “The Keeper of the Jackalopes.”

Don’t Try This at Home includes the story that landed Angela Readman on the short list for the Costa Short Story Award in 2012, and the story that won it for her in 2013. You can read some of her best work here and here.

We asked the author 5 questions.

What do you think your readers think of you? Are they right? Continue reading

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The Beauty and the Horror

The Beauty and the Horror

Stunning Sentences

There’s a song on the radio, and so quickly it burrows in, all the way in, the low notes and high notes. They are strumming along to some innate rhythm in your brain, or maybe your heart, but you don’t mind. You love this song, like a companion, a best friend, murmuring right along with the swish of your blood, the inhale and exhale of your breath. It makes you happier to be singing this song, even though, when you listen to the words, you realize it’s incredibly sad.

This is how I feel reading Melanie Rae Thon’s writing. Her sentences possess the quality of a beloved, great song, with an almost alchemic quality of tunneling in. You carry them around for days and days, happily, because something is happening: you are more open, exposed, feeling the world profoundly.

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