Fluid stamps for open seas

https://almostmeaningful.com/fluid-stamps-for-open-seas/ | Reading Ulysses in Montana #546 | Oil Painting in the style of Edgar Degas of a canoe on the sea with George swimming along side.

Reading Ulysses in Montana #546

When leaving the Danube for the open seas, Ginger alighted on the idea of fluid stamps.

Blushing, the unconsoled taxes on solemn paper brushed aside the splendid, silent clerk. Ginger paused. Sorting out the strained tunnels and shuffled phantoms of guilt, warped skulls mounted a phrase, as though it were a horse, and called their lack of direction challenged.

Heralds packed George a pack of pudding and found a whistling jug to shake the herring from his ears. Ginger had always considered such things buffoonery, but buffoonery prevailed in tense conquests where the instruments of contempt consented to whimsical modes of science and bee keeping.

Ginger told George Duck. George told Ginger Goose. The boom knocked George into the sea where he swam the length (not width) of the Hellespont, besting both Leander and Byron at one go and proving once and for all the Hellespont was the birth canal of Western Civilization.

Silhouette of an elephant walking, depicted in a solid black color.

The imminence of prehistoric verse

https://almostmeaningful.com Reading Ulysses in Montana #430: Oil painting in the style of Whistler of a pterodactyl over a city with a souffle circled by potatoes on the desert ground.

Reading Ulysses in Montana #430

Her poetry was like the skies of the dinosaur age: full of terrible dactyls.

But without a nuance or two to share with the neighbors down the road, Ginger could get no closer to a solution to the problem of what to get George for his birthday. Not that his birthday was pending, but it was wending its way through the corridors of time and place and would arrive as frivolously late as though unexpected–and she would certainly not be prepared.

Egg on her face was the most likely outcome, although game theory and albumen masks were not in the habit of joining in shared existence in anyone’s mind, let alone Ginger’s, who had a deep antipathy for doing such things since her mother had collapsed the three-meter souffle her father had constructed three days before that fateful New Year’s party.

Ginger collapsed into a heap of scrambled potatoes and wrote three more meters of over hard, terrible dactyls.

Silhouette of an elephant walking, depicted in a solid black color.

Bukowski’s method for disposing a forgotten liver

Visit https://almostmeaningful.com Reading Ulysses in Montana #37. The Bukowski Method for Disposing of a Forgotten Liver. Oil painting in the style of Georges Braque of a postal box at the foot of the Pont Alexandre III bridge.

Reading Ulysses in Montana #37

Picking up the phrases that other phases of other matters whimsically deplore, Angie entered the station once more.

Another seven years would pass before another seven years would pass, and the fourteen years would turn into twenty-one and then all that’s left is getting old, growing mold, and reaping what you’ve sold. Were blenders more forgiving, the height of modesty would deter nothing more than a bore at a disco party, doing the quiver with a forgotten liver–living it up till all hours of the most recent special on network teevee.

And yet, there’s more. More fardels to bear, more weary lives to grunt over and sweat through, more dread of undiscovered countries such that Kirk would have no end of extravagant gallivanting in store, even to the end of the third universe from the most local post box, invented by Trollope in concert with Bukowski–a finer pairing never pared before or shared since.

Angie told Kirk to carry on, so he did as he does and he slept to the end of her twenty-one years at the station.

Silhouette of an elephant walking, depicted in a solid black color.

Maintenance schedule for a muted exit

https://almostmeaningful.com | Reading Ulysses in Montana #670 | Oil painting in the style of Hammershoi of a girl in a black dress sitting on a brown horse, holding a small owl, surrounded by swirling flower petals and a bright blue sky with fluffy clouds.

Reading Ulysses in Montana #670

Heavy hands make empty works of Shakespeare and Marlowe (with and without the “e”), capitalized and uninspired eyes with civilized perspectives not included.

Imbued with the kind of ink made by kind hands, Holly hitched a ride to the edge of town and, standing on the corner, she lifted the hood and tinkered with the solenoid and said try it now. Click. Zoom. Room for improvement notwithoutstanding, the next room down the hall was free for some jai alai practice, the fronton of her heart being occupied a dozen more days for extensive remodel. Or was it the way the red settled into black into nothing? Nothing would do for an hour each day, but the flowers of followers consumed their tidy toast in due course. Overdue, of course.

Horses for courses and chicks with fleas were fleeing the falling skies–the weltering skies.

Silhouette of an elephant walking, depicted in a solid black color.

Reading Ulysses in Montana #343

Oil painting in the style of Paul Cezanne of a three bags of groceries with smiles dangling from the Moyie River bridge with a battleship churning upriver.

Fibs in the forecast proved too daunting for Darlene to carry through the back door while carrying three bags of groceries, smothered in southern gravy.

Navies of Davies shipped the whorled peas into seas of infinite regress without redress to the commander in leaves of grassy knolls, John having been sequestered in questions of fruit of parlays since the incident of the tree branch and broken legs. Separate peas were all the rage with pages of pages requesting higher wages in ages gone by when sages corrupted the cages of gold upon stones untold when Vegas was but a train stop on the highway to greater destinies.

The matinee was over before Darlene had discovered John hadn’t written about Ginger and George since the bridge over the Moyie Gorge had assembled into a fraud of a million little pieces, all told.

Reading Ulysses in Montana #209

Forbidden wings gathered in collective vacancies to dispel the myth of the mists of purple time, reluctantly.

Beguiled in their feathers and heathers, the Venerable Ones achieved the notoriety only Dionysus had intended–masked for a dearth of deaths unencumbered, like the cucumbers in cummerbunds at a Chippendale’s Christmas party–minus Alvin, having taken Alf to the famous Lady Lovelace who, despite her reputation, was in fact the first to say her father could have his poems–and eat them too. Delving into Delphi, what reasons blew with the untamed pride of passion, gilded these thirty-seven years–not counting every-other leap year.

The sacrament of wired songs exploded with the gravity of forbidden wings dispelled reluctantly. Reluctantly.

Reading Ulysses in Montana #211

Or among the wholesalers, possessed by her anguish, enlightened by his charm, and dappled by their chromaticism, Angel flew out the window and up the street.

The street had been paved these past ten years, having been a gravel road for three generations and a century-old two-track before that. Hogs fed on the rapier weed in the meridian at precisely one-o’clock post meridian, as it were, or sometimes weren’t. Songbirds fed on the chains of daisies going their own way along the landslide of silver tulips sliding up the land, landing on the slide, fleeting, in their own manner, absolved by the rain that forgot no one’s name. Cathedrals of roses let it be known how far the zinnias could go, but little did they know, they knew new flights of Angels winging them to their rest.

And the rest was silence. Or was it history? Or both?

Reading Ulysses in Montana #16

Ahoy! The joy of one arm waving entirely out the window at sixty-seven miles-per-hour on a summer day in Sumner.

Summer said if she could only return to Sumer then she would really know how to write with a stick and clay tablets, damp clay tablets–and if only there were places to dry those damp tablets–where it was hot for days on end to bake the living words into the annals of permanent history. Rosetta said what would you do with all the ink and papyrus left over after the fire in the library of Alexandria consumed the ins and outs of recorded history. Summer said but information is conserved across massive conflagrations, and that will be proven in two millennia.

Rosetta said roll that window up, the AC just turned on. Summer smiled the smile of righteous entropy with glowing enthusiasm and watched the wayside flowers fade.

Reading Ulysses in Montana #608

The memory began to stir, the cattails along the lake shore.

The memory unfurled, Papa’s flag of permanent defeat. The memory began to sag, to sag under the weight of a hundred loves, a hundred deaths. The memory faltered, choked with the sludge at the heart of a dying archer (Cupid), diseased and then deceased. The memory was already forgotten by the time the lime trees see the dismantled image of an altar to the god of cloak and daggers, time better spent shivering from the cold of a forgotten memory remembered too late to save the way of all flesh-eating tigers of the fly-garnished scaffolding holding up the facade of the face that lunched with a hundred shipping clerks.

The cattails became coattails in the moment Harold dreamed them, and he lay awake dreaming forevermore.

Reading Ulysses in Montana #31

Mingled foxes agreed to bear giddy bears, feeling the mutable consumption wilt with glad bacon and lousy loafs.

Numbers and letters, numbers of letters, numbed the lettuce and blood between the horse and the giddy whale, with unstable, birdlike form and function. But that’s not what she meant. Room for Bertram to roam warranted cultured treasures of awakening, fortified by chambered regions and spontaneous spontaneity–striking with strife. But that’s still not what she meant. Pledge-bound citizens and prudent fleets of sunken rags pilled the fleece with contrary motion, but sometimes parallel fifths of her favorite whiskey come lately.

Bitter experience on the quay gave three quid to the giddy status quo. And that was exactly what she meant.