Irish blessing
Lise Davidsen‘s first Isolde is only one of the highlights of Tristan und Isolde at the Liceu in Barcelona.
| CARVIEW |
Lise Davidsen‘s first Isolde is only one of the highlights of Tristan und Isolde at the Liceu in Barcelona.
A Strauss rarity receives a ravishing concert performance at Seattle Opera.
A classic German fairytale gets a modern update at the Staatsoper Berlin.
“Let me look around once more. Who knows when I shall see this house again?”
Many productions have emphasized Salome’s youth, but few have gone as far as this spectacular and visceral production at the Komische Oper by Evgeny Titov.
Christina Nilsson‘s successful Met debut as Aïda was for me one of the shining highlights of the 2025 season.
Garsington’s new production of The Queen of Spades, directed by Jack Furness, had better become a house staple.
I had the pleasure of attending Manon starring Lisette Oropesa and Benjamin Bernheim at Opernhaus Zürich this past October.
The 20th anniversary revival of Richard Foreman and Michael Gordon‘s What to Wear at the PROTOTYPE Festival showcases a fabulous ensemble.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Part of the annual Festival Illica honoring the city’s native son Luigi Illica, the performance offered a precious opportunity to hear a rare score by an even rarer composer in a gorgeous medieval piazza.
“When there’s so much to get right, unsurprisingly a lot can and, as we all know, does go wrong.”
Esa-Pekka Salonen and The Los Angeles Philharmonic serve a feast for all five senses.
Two recent Paminas feature in concerts at Lincoln Center and Carnegie Hall.
I can’t say 2025 was my best operagoing year; apart from a superb Fille du régiment, most of my good nights at the opera were decidedly mixed affairs.
“Let me look around once more. Who knows when I shall see this house again?”
Many productions have emphasized Salome’s youth, but few have gone as far as this spectacular and visceral production at the Komische Oper by Evgeny Titov.
Christina Nilsson‘s successful Met debut as Aïda was for me one of the shining highlights of the 2025 season.
Garsington’s new production of The Queen of Spades, directed by Jack Furness, had better become a house staple.
I had the pleasure of attending Manon starring Lisette Oropesa and Benjamin Bernheim at Opernhaus Zürich this past October.
Part of the annual Festival Illica honoring the city’s native son Luigi Illica, the performance offered a precious opportunity to hear a rare score by an even rarer composer in a gorgeous medieval piazza.
The oddball pairing of Bernie Williams and Jonathan Tetelman doesn’t quite knock it out of the park at Carnegie Hall.
What do you get when you blend innovative 17th century composition, 1970s family drama, and one of the most sordid tales of the New Testament?
Sarah Kirkland Snider’s Hildegard gives the Middle Ages the Bridgerton treatment at the Prototype Festival.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
A pairing of rarities makes for an inspired evening with the Brooklyn Art Song Society.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
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