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Issue 10
—Spring 2020

Migration

Waiting

Shahram KhosraviDagmawi Yimer
Article DOI: https://doi.org/10.70733/1zydmevka52l

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Waiting is a particular kind of relation to the world. Keeping people waiting is practicing domination and power. Temporal bordering constitutes an army of reserve labour, whose time is regarded as surplus and wasted and therefore easily exploited. Similar to the case of colonial extraction of natural resources, temporal bordering is nothing other than an act of stealing, stealing of time.
WAITING is an experimental film which started from a conversation between a filmmaker and an anthropologist. WAITING explores the theme of waiting through the testimonies of three migrant men in Europe. The testimonies about waiting appear in different forms; letter writing, painting and poetic research. The aim of the film is to integrate academic knowledge into migrant stories and make them accessible to a broader audience by combination of words and images.

Contributors

Shahram Khosravi

Shahram Khosravi is Professor of Social Anthropology at Stockholm University. His research interests include anthropology of Iran and the Middle East, migration, forced displacement, and border studies. Khosravi is the author of Young and Defiant in Tehran (University of Pennsylvania Press, 2008), The Illegal Traveler: an auto-ethnography of borders (Palgrave, 2010), Precarious Lives: Waiting and Hope in Iran (University of Pennsylvania Press, 2017) and editor of After Deportation: Ethnographic Perspectives (Palgrave, 2017). He has been an active writer for the international press and has also written fiction. Currently he is working on an art book on waiting.

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Dagmawi Yimer

Dagmawi was born and grew up in Addis Ababa. He left his country after the 2005 post-election unrest in which hundreds of young people were killed and put in jail. After a long journey across the Libyan desert and the Mediterranean, he came ashore on the island of Lampedusa on 30 July 2006. In Rome, after participating in a video workshop in 2007, he co-authored the film Il deserto e il mare (The desert and the sea) along with five other migrants. Subsequently he co-directed the 2008 documentary film Come un uomo sulla terra (Like a man on earth). He shot the documentary C.A.R.A. ITALIA (Dear Italy, 2009) and Soltanto il mare (Nothing but the sea, 2011), along with several other short films. He directed the film Asmat-Names (2015), coordinated the collective film project Benvenuti in Italia (Welcome to Italy, 2015), and a documentary titled Va’ pensiero (Walking stories, 2013). Dagmawi is the co-founder and vice president of the Archivio delle Memorie Migranti (Migrant Memory Archive).

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Text

A More Than Four-Hundred-Year-Long Event

Kitso Lynn Lelliott

Text

Secrecy and Migration

William Walters

University of Gothenburg

The University of Gothenburg
& Platform for Artistic Research Sweden
ISSN: 2002-0953

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