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MovieNet
MovieNet
A holistic dataset for movie understanding

Massive Data
1.1K Movies, 60K trailers, 375K meta etc., all freely avaliable at
MovieNet.

Rich Annotation
Various annotations
of actors, scene and cinematic styles are provided.

Diverse Tasks
Support several vision and language
tasks, from low-level to high-level.

Opensource Toolbox
Easy-to-use toolbox designed for
experiments and data processing.
Explore MovieNet
Data in MovieNet
๐ฌ  Movie
There are 1100 movies in MovieNet. We select the movie that covers a wide range
of years, countries and genres.
Examples & Statistics
View Example on Desktop
๐๏ธ  Trailer
There are 60K trailers from 33K unique movies in MovieNet.
The url links of the trailers are provided.
Examples & Statistics
View Example on Desktop
๐ธ   Photo
There are 3.9M photos from 7 types in MovieNet.
We provide all the photos as well as the processed results.
Examples & Statistics
View Example on Desktop
๐  Text
There are 3 main types of texts in MovieNet, namely
Subtitle,
Synopsis
and
Script.
Examples & Statistics
View Example on Desktop
๐  Meta Data
MovieNet contains meta data of 375K movies. Each meta data is written
in a json file.
Examples & Statistics
View Example on Desktop
Annotation in MovieNet
๐โโ๏ธ  Character BBox & ID
Character plays an important role in movie anlysis, we annotate 1.1M instances of
3087 unique credited cast.
See Examples
View Example on Desktop
๐  Scene Segmentation
We annotate scene boundaries to support the researches on scene
segmentation, resulting in 42K scenes.
See Examples
View Example on Desktop
๐  Action & Place Tags
We annotate 42K
segments with 19.6K place tags and 45K action tags. There are 80 action classes
and 90 place classes.
See Examples
View Example on Desktop
๐ฝ๏ธ   Shot Cinematic Style
We annotated the commonly used two kinds of cinematic tags of a shot,
shot scale and shot movement.
See Examples
View Example on Desktop
๐ฐ   Movie & Synopsis
To support the movie segment retrieval task, we manually associate movie
segments and synopsis paragraphs.
See Examples
View Example on Desktop
Benchmarks
Detection & Identification
Scene Segmentation
Scene Tag Prediction
Cinematic Style Prediction
Movie Synopsis Association
Easy-to-Use Toolbox
We provide the following easy-to-use toolbox and codebase
for accessing, processing and managing the dataset, extracting features and
conducting experiments. (View All)
movienet-tools (View on
GitHub)
Basic Toolbox for movie understanding reasearch.
movienet-tools provides tools for:
1. Crawler of movie related websites. For example, IMDb.
2. Useful tools for video/image/audio preprocessing, e.g. shot detector.
3. Multimodality feature extractors (e.g. action feature extractor) for experiment preparation.
1. Crawler of movie related websites. For example, IMDb.
2. Useful tools for video/image/audio preprocessing, e.g. shot detector.
3. Multimodality feature extractors (e.g. action feature extractor) for experiment preparation.
movienet-core (View on
GitHub)
The python package
1. Core representation and parsers for data and annotation in MovieNet.
2. Python extension utilities for movie analysis.
movienet-core contains multiple modules for processing
the dataset, including:
1. Core representation and parsers for data and annotation in MovieNet.
2. Python extension utilities for movie analysis.
movienet-host (View on
GitHub)
The python package
movienet-host is a flexiable MovieNet data manager
that help you deploy MovieNet data server remotely or locally.
Tutorial and Documentation
To help anyone quickly starts with researches on MovieNet, we provided
detailed
tutorial and documentations
including:
1. Wiki: Foundamental knowledges of movie analysis and details about MovieNet.
2. documents for codebases like
1. Wiki: Foundamental knowledges of movie analysis and details about MovieNet.
2. documents for codebases like
movienet-tools, movienet, etc.
Download MovieNet
Detected that you are browsing
this site on mobile, please download the data on desktop.
Basic Download
Download all the data (excluding
movies), annotation and pretrained features
through OpenDataLab.
You will need to register an account and download the data under User Service Agreement and Privacy Policy.
Specifically, it contains the following:
1. Annotation (Last updated on 02/08/2020,
size: 53MB, after unzip: 881MB)
2. Meta (Last updated on 06/08/2020,
size: 537MB, after unzip: 2.3GB)
3. Movie per-shot keyframes (240P) (Last
updated on 29/08/2020, size: 161GB, after unzip: 161GB)
4. Movie List (1100) (Last
updated on 29/08/2020, size: 10KB)
5. Movie1K train/val/test split (Last
updated on 29/08/2020, size: 30KB)
6. Poster4M image meta information (Last
updated on 02/09/2020, size: 1.3GB, one could download images from the urls provided in the json file.)
7. Subtitles (815 files) from movie1K (Last
updated on 05/09/2020, size: 29.9MB, after unzip: 84.4MB)
8. Script (479 files) from movie1K (Last
updated on 05/09/2020, size: 27.9MB, after unzip: 101.8MB)
9. Shot detection result for movie1K (Last
updated on 05/09/2020, size: 20.9MB, after unzip: 50.7MB)
10. Audio feature for movie1K (Last
updated on 06/09/2020, size: 89.7GB)
11. Place feature for movie1K (Last
updated on 06/09/2020, size: 11GB)
12. Video info for movie1K movies, including fps,
frame_count, etc (Last
updated on 09/09/2020, size: 118KB)
13. Trailer 30K URLs (Last
updated on 17/10/2020, size: 2.155MB)
Download Movies
According to copyright restrictions, we plan to release movies under
very strict conditions. If you would like to download the movies, please see the instruction.
See Instruction and apply now (coming
soon)
FAQ: When do you plan to release the movies?
We've prepared the agreements for users to sign.
The lawyers have polished the agreement.
Currently we are waiting for approval from the university (CUHK) legal team.
Extra Download
If you would like to download the corresponding data of a perticualr
MovieNet related paper (e.g. Cast In Movies Dataset, CVPR18), please find the download option in
the project page of the paper.
(See
Project
Section)
MovieNet Projects
Holistic Movie Understanding Dataset
MovieNet: A Holistic Dataset for Movie Understanding
Qingqiu Huang*, Yu Xiong*, Anyi Rao, Jiaze Wang, Dahua Lin
European Conference on Computer Vision (ECCV), 2020
(Spotlight)
Movie Cinematic Style Analysis
A Unified Framework for Shot Type Classification Based on Subject Centric Lens
Anyi Rao, Jiaze Wang, Linning Xu, Xuekun Jiang, Qingqiu Huang, Bolei Zhou, Dahua Lin
European Conference on Computer Vision (ECCV), 2020
Unsupervised Face Recognition
Caption-Supervised Face Recognition: Training a State-of-the-Art Face Model without
Manual
Annotation
Qingqiu Huang, Lei Yang, Huaiyi Huang, Tong Wu, Dahua Lin
European Conference on Computer Vision (ECCV), 2020
Online Person Search
Online Multi-modal Person Search in Videos
Jiangyue Xia, Anyi Rao, Qingqiu Huang, Linning Xu, Jiangtao Wen, Dahua Lin
European Conference on Computer Vision (ECCV), 2020
Movie Scene Temporal Segmentation
A Local-to-Global Approach to Multi-modal Movie Scene Segmentation
Anyi Rao, Linning Xu, Yu Xiong, Guodong Xu, Qingqiu Huang, Bolei Zhou, Dahua Lin
Computer Vision and Pattern Recognition (CVPR), 2020
Also appear at LUV 2020
Workshop (15-min talk)
and Sight and Sound 2020 Workshop (5-min talk)
Movie Synopsis Association
A Graph-based Framework to Bridge Movies and Synopses
Yu Xiong, Qingqiu Huang, Lingfeng Guo, Hang Zhou, Bolei Zhou, Dahua Lin
International Conference in Computer Vision (ICCV), 2019 (Oral)
Person Search
Person Search in Videos with One Portrait Through Visual and Temporal Links
Qingqiu Huang, Wentao Liu, Dahua Lin
European Conference on Computer Vision (ECCV), 2018
Person Recognition
Unifying Identification and Context Learning for Person Recognition
Qingqiu Huang,
Yu Xiong, Dahua Lin
Computer Vision and Pattern Recognition (CVPR), 2018
Trailer Analysis
From Trailers to Storylines: An Efficient Way to Learn from Movies
Qingqiu Huang, Yuanjun Xiong, Yu Xiong, Yuqi Zhang, Dahua Lin
Arxiv:1806.05341, 2018
News
Jul. 2020
movienet-tools
v0.0.1 is released.Jul. 2020 MovieNet
Dataset v0.1 is released.
Contact Us
We find that some e-mails sent to ie.cuhk.edu.hk will be identified as
spam mail and directly deleted by our department mail system.
So if we do not reply your e-mail, please contact movienet.mmlab@gmail.com
since the original e-mail
sent to the above addresses maybe invisible to us without any notification.
© 2020, OpenMMLab, by MMLab, CUHK. Last Update in July 2020.
BibTeX for
MovieNet: A Holistic Dataset for Movie Understanding
@inproceedings{huang2020movienet,
title={MovieNet: A Holistic Dataset for Movie Understanding},
author={Huang, Qingqiu and Xiong, Yu and Rao, Anyi and Wang, Jiaze and Lin, Dahua},
booktitle = {The European Conference on Computer Vision (ECCV)},
year={2020}
}
BibTeX for
A Unified Framework for Shot Type Classification Based on Subject Centric Lens
@inproceedings{rao2020unified,
title={A Unified Framework for Shot Type Classification Based on Subject Centric Lens},
author={Rao, Anyi and Wang, Jiaze and Xu, Linning and Jiang, Xuekun and Huang, Qingqiu and Zhou, Bolei and Lin, Dahua},
booktitle = {The European Conference on Computer Vision (ECCV)},
year={2020}
}
BibTeX for
Caption-Supervised Face Recognition: Training a State-of-the-Art Face Model without Manual
Annotation
@inproceedings{huang2020caption,
title={Caption-Supervised Face Recognition: Training a State-of-the-Art Face Model without Manual Annotation},
author={Huang, Qingqiu and Yang, Lei and Huang, Huaiyi and Wu, Tong and Lin, Dahua},
booktitle = {The European Conference on Computer Vision (ECCV)},
year={2020}
}
BibTeX for
Online Multi-modal Person Search in Videos
@inproceedings{xia2020online,
title={Online Multi-modal Person Search in Videos},
author={Xia, Jiangyue and Rao, Anyi and Xu, Linning and Huang, Qingqiu and Wen, Jiangtao and Lin, Dahua},
booktitle = {The European Conference on Computer Vision (ECCV)},
year={2020}
}
BibTeX for
A Local-to-Global Approach to Multi-modal Movie Scene Segmentation
@inproceedings{rao2020local,
title={A Local-to-Global Approach to Multi-modal Movie Scene Segmentation},
author={Rao, Anyi and Xu, Linning and Xiong, Yu and Xu, Guodong and Huang, Qingqiu and Zhou, Bolei and Lin, Dahua},
booktitle={Proceedings of the IEEE/CVF Conference on Computer Vision and Pattern Recognition},
pages={10146--10155},
year={2020}
}
BibTeX for
A Graph-based Framework to Bridge Movies and Synopses
@InProceedings{Xiong_2019_ICCV,
author = {Xiong, Yu and Huang, Qingqiu and Guo, Lingfeng and Zhou, Hang and Zhou, Bolei and Lin, Dahua},
title = {A Graph-Based Framework to Bridge Movies and Synopses},
booktitle = {The IEEE International Conference on Computer Vision (ICCV)},
month = {October},
year = {2019}
}
BibTeX for
Person Search in Videos with One Portrait Through Visual and Temporal Links
@inproceedings{huang2018person,
title={Person Search in Videos with One Portrait Through Visual and Temporal Links},
author={Huang, Qingqiu and Liu, Wentao and Lin, Dahua},
booktitle={Proceedings of the European Conference on Computer Vision (ECCV)},
pages={425--441},
year={2018}
}
BibTeX for
Unifying Identification and Context Learning for Person Recognition
@InProceedings{Huang_2018_CVPR,
author = {Huang, Qingqiu and Xiong, Yu and Lin, Dahua},
title = {Unifying Identification and Context Learning for Person Recognition},
booktitle = {The IEEE Conference on Computer Vision and Pattern Recognition (CVPR)},
month = {June},
year = {2018}
}
BibTeX for
From Trailers to Storylines: An Efficient Way to Learn from Movies
@article{huang2018trailers,
title={From Trailers to Storylines: An Efficient Way to Learn from Movies},
author={Huang, Qingqiu and Xiong, Yuanjun and Xiong, Yu and Zhang, Yuqi and Lin, Dahua},
journal={arXiv preprint arXiv:1806.05341},
year={2018}
}
Example of movies in MovieNet
Example Video
Example clip "flying" from movie Titanic.
Statistics
We show the distribution of release year, countries and genres for the 1, 100 movies in
MovieNet (y-axis of country and genre in log scale).
Example of trailers in MovieNet
Example Video
Here we show three different trailers from movie Titanic.
Statistics
The distribution of durations are shown below:
Examples and statistics of photots in MovieNet
Statistics
There are 7 types of photos in MovieNet, namely,
publicity,
still frame,
event,
poster,
behind scene,
product,
production art.
The statistics of these photos are shown below:
Example Photo
Here we show samples for different types of photos in MovieNet.
Examples of script, scynopsis and subtitle in MovieNet
Example
Here we show the fast forward clip of "you jump, I jump" and the related
subtilte, synopses and script. The highlighted color is the corresponding
text content of the clip.
380
00:34:05,282 --> 00:34:06,601
I'm Tommy Ryan.
381
00:34:06,682 --> 00:34:08,081
- Jack Dawson.
- Hello.
382
00:34:08,162 --> 00:34:09,641
- Fabrizio.
- Hi.
383
00:34:10,562 --> 00:34:13,076
Do you make any money
with your drawings?
...
395
00:37:02,877 --> 00:37:04,196
Don't do it.
396
00:37:04,677 --> 00:37:05,951
Stay back.
397
00:37:06,917 --> 00:37:08,669
Don't come any closer.
398
00:37:09,517 --> 00:37:12,030
Come on. Just give me your hand,
I'll pull you back over.
399
00:37:12,117 --> 00:37:13,947
No! Stay where you are.
400
00:37:14,476 --> 00:37:15,796
I mean it.
401
00:37:16,356 --> 00:37:17,675
I'll let go.
402
00:37:28,476 --> 00:37:29,909
No, you won't.
...
411
00:37:55,035 --> 00:37:56,866
The fall alone will kill you.
412
00:37:56,955 --> 00:37:59,594
It would hurt.
I'm not saying it wouldn't.
413
00:38:00,195 --> 00:38:02,186
To tell you the truth,
I'm a lot more concerned ...
414
00:38:02,275 --> 00:38:04,345
about that water being so cold.
...
452
00:40:30,030 --> 00:40:31,429
Help, please!
453
00:40:34,270 --> 00:40:37,307
- Please, help me!
- Listen to me. I've got you.
454
00:40:37,590 --> 00:40:39,069
I won't let go.
455
00:40:39,150 --> 00:40:41,266
Now pull yourself up. Come on!
456
00:40:43,990 --> 00:40:45,787
Come on. That's right.
457
00:40:46,430 --> 00:40:47,863
You can do it.
458
00:40:52,190 --> 00:40:53,509
I got you.
459
00:40:58,909 --> 00:41:00,467
What's all this?
460
00:41:05,869 --> 00:41:08,463
You stand back!
And don't move an inch!
461
00:41:10,789 --> 00:41:12,268
Fetch the master-at-arms.
462
00:41:14,269 --> 00:41:16,499
This is completely unacceptable.
463
00:41:16,789 --> 00:41:20,304
What made you think you could
put your hands on my fiancรฉe?
464
00:41:20,669 --> 00:41:22,261
Look at me, you filth!
465
00:41:22,349 --> 00:41:24,385
- Cal.
- What do you think you were doing?
466
00:41:24,469 --> 00:41:26,584
Cal, stop. It was an accident.
467
00:41:27,708 --> 00:41:29,061
An accident?
468
00:41:29,708 --> 00:41:30,858
It was.
469
00:41:32,028 --> 00:41:33,427
Stupid, really.
In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team aboard the research
vessel Keldysh search the wreck of RMS Titanic for a necklace with a rare diamond,
the
Heart of the Ocean. They recover a safe containing a drawing of a young woman
wearing
only the necklace. It is dated April 14, 1912, the day the ship struck the iceberg.
Rose
Dawson Calvert (Gloria Stuart), claiming to be the person in the drawing, visits
Lovett
and tells of her experiences aboard the ship.
In 1912 Southampton, 17-year-old first-class passenger Rose DeWitt Bukater (Kate Winslet), her fiancรฉ Cal Hockley (Billy Zane), and her mother Ruth (Frances Fisher) board the Titanic. Also boarding the ship at Southampton are Jack Dawson (Leonardo DiCaprio), a down-on-his-luck sketch artist, and his Italian friend Fabrizio (Danny Nucci). Young Rose, angry and distraught that her mother has apparently arranged the marriage, considers committing suicide by jumping from the stern; Jack manages to pull her back over the rail after she loses her footing & nearly falls into the propellers. Discovered with Jack, Rose tells Cal that she was peering over the edge and Jack saved her from falling. Cal is indifferent, but when Rose indicates some recognition is due, he offers Jack a small amount of money.
After Rose asks whether saving her life meant so little, he invites Jack to dine with them in first class the following night, along with several prominent first-class passengers - including the Countess of Rothes, Archibald Gracie (Bernard Fox), Thomas Andrews (Victor Garber), Molly Brown (Kathy Bates), and John Jacob Astor (Eric Braeden) & his wife. Jack and Rose develop a tentative friendship, though Cal and Ruth are wary of him.
Following dinner, Rose secretly joins Jack at a party in third class. During the party Cal's butler, Spicer Lovejoy (David Warner) stealthily sneaks down the third class staircase to spy on her. After a very tense breakfast the following morning, in which Cal shows an inclination towards violence, Rose becomes even more apprehensive about her upcoming marriage. Ruth emphasizes that Rose's marriage will resolve the DeWitt Bukaters' financial problems. After spotting Rose, Cal and Ruth out on the Boat Deck, Jack stealthily sneaks back into First Class and tries to warn Rose about what she may be facing. Rose rebuffs Jack's advances, but later realizes that she prefers him over Cal.
After meeting on the bow at sunset, Rose takes Jack to her state room and displays Cal's engagement present: the Heart of the Ocean. At her request, Jack sketches Rose posing nude wearing it. Meanwhile, in the First-Class Smoking Room, Cal's butler informs him that none of the stewards have seen Rose at all that night. Cal orders the butler to find her. Rose & Jack manage to evade Cal's bodyguard and have sex in an automobile inside the cargo hold. They later visit the forward well deck, and while on it, the lookouts spot an iceberg directly in the ship's path.
Orders are given to turn the ship hard a-starboard and run the engines full astern, but the ship takes too long to make the turn and the starboard side scrapes along the iceberg, causing substantial damage to the watertight compartments, including the cargo hold where Jack & Rose had been having sex in the automobile. Jack & Rose witness the collision with the iceberg and overhear the officers and designer discussing its seriousness.
On the bridge, builder Thomas Andrews, Captain Smith (Bernard Hill), the ship's officers and White Star Line Managing Director Bruce Ismay (Jonathan Hyde) discuss the damage. The water has reached 14 feet above the keel in 10 minutes and has flooded 5 watertight compartments. Mr. Andrews warns that because of a design flaw, the water will spill over the tops of the bulkheads at E Deck, and this will cause the ship to sink. He gives an hour, two at most, for the ship to remain afloat.
Cal discovers Jack's sketch of Rose and a mocking note from her in his safe along with the necklace. When Jack and Rose attempt to tell Cal of the collision, he has his butler slip the necklace into Jack's pocket and accuses him of theft. He is arrested, taken to the Master-at-arms' office, and handcuffed to a pipe.
Cal puts the necklace in his own coat pocket. With the ship sinking, Rose is desperate to free Jack. She flees Cal and her mother, who has boarded a lifeboat, and rescues him. They return to the boat deck, where Cal and Jack encourage her to board a lifeboat; Cal claims he can get himself and Jack off safely. After Rose boards one, Cal tells Jack the arrangement is only for himself.
As her boat lowers, Rose decides that she cannot leave Jack and jumps back on board. Jack confronts her, angrily at first, but his angers soon turns to affection and they share a series of kisses at the bottom of the Grand Staircase. Cal, seeing this, takes his butler's pistol and chases Rose and Jack into the flooding first class dining saloon. After using up his ammunition, Cal realizes he gave his coat and consequently the necklace to Rose.
Jack & Rose are forced to flee below decks to escape Cal, and narrowly escape drowning themselves. They become trapped behind a locked gate, but Jack manages to free them just as the rising water reaches their heads. Out on the Boat Deck, Cal decides to make his own escape. He reminds the First Officer of the arrangement made earlier, but the officer angrily turns on Cal and refuses to allow him boarding. When he spots a lost child hiding behind a winch, he takes the child and is subsequently allowed into a collapsible lifeboat by Chief Officer Wilde.
As Cal and others board the collapsible, the water surges into the bridge & wheelhouse, drowning Captain E.J. Smith and causing Cal's boat to start floating off the deck. By now the stern is staring to rise out of the water and the remaining passengers are running farther & farther aft. After braving several obstacles, Jack and Rose return to the boat deck.
All the lifeboats have departed and passengers are falling to their deaths as the stern rises out of the water. Water now crashes through the huge dome over the Grand Staircase, drowning those passengers trapped inside. Jack & Rose reach the very stern - where they had first met - and take up positions on it by climbing over the rail, next to Chief Baker Charles Joughin.
The ship breaks in half, causing the stern to crash down into the water and killing Lovejoy, the butler. As the bow breaks off it pulls the stern back into the air, leaving it sitting there for a minute. Jack and Rose ride it into the ocean as it fills with water and then plunges to the bottom.
As Jack & Rose let go of the stern, the Titanic disappears into the darkness below them, and they both swim to the surface to find themselves in a massive mob of passengers and crew. Within minutes, Rose & Jack find a piece of paneling from the Grand Staircase, and he helps her onto the wooden panel only buoyant enough for one person. Holding the edge, he assures her that she will die an old woman, warm in her bed. He dies of hypothermia but she is saved when Fifth Officer Lowe & some crewmen return to try to find survivors.
With Rose hiding from Cal en route, the RMS Carpathia takes the survivors to New York. There she gives her name as Rose Dawson. She later learns that Cal committed suicide after losing everything in the 1929 Wall Street Crash.
Lovett abandons his search after hearing Rose's story. Alone on the stern of the Keldysh, Rose takes out the Heart of the Ocean - in her possession all along - and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, photos on her dresser depict a life of freedom and adventure, partly inspired by Jack. A young Rose returns to the ship - at first, a gloomy wreck on the bottom - but as Rose reaches the Promenade Deck the ship begins to glow with light. As she enters the Grand Staircase she is greeted by those who perished on the ship - including the Titanic's band, First Officer Murdoch, Thomas Andrews, Jack's friends Fabrizio & Tommy Ryan, and standing at the clock is Jack himself. He extends a hand and they reunite, to the happy cheers of the perished passengers & crew.
In 1912 Southampton, 17-year-old first-class passenger Rose DeWitt Bukater (Kate Winslet), her fiancรฉ Cal Hockley (Billy Zane), and her mother Ruth (Frances Fisher) board the Titanic. Also boarding the ship at Southampton are Jack Dawson (Leonardo DiCaprio), a down-on-his-luck sketch artist, and his Italian friend Fabrizio (Danny Nucci). Young Rose, angry and distraught that her mother has apparently arranged the marriage, considers committing suicide by jumping from the stern; Jack manages to pull her back over the rail after she loses her footing & nearly falls into the propellers. Discovered with Jack, Rose tells Cal that she was peering over the edge and Jack saved her from falling. Cal is indifferent, but when Rose indicates some recognition is due, he offers Jack a small amount of money.
After Rose asks whether saving her life meant so little, he invites Jack to dine with them in first class the following night, along with several prominent first-class passengers - including the Countess of Rothes, Archibald Gracie (Bernard Fox), Thomas Andrews (Victor Garber), Molly Brown (Kathy Bates), and John Jacob Astor (Eric Braeden) & his wife. Jack and Rose develop a tentative friendship, though Cal and Ruth are wary of him.
Following dinner, Rose secretly joins Jack at a party in third class. During the party Cal's butler, Spicer Lovejoy (David Warner) stealthily sneaks down the third class staircase to spy on her. After a very tense breakfast the following morning, in which Cal shows an inclination towards violence, Rose becomes even more apprehensive about her upcoming marriage. Ruth emphasizes that Rose's marriage will resolve the DeWitt Bukaters' financial problems. After spotting Rose, Cal and Ruth out on the Boat Deck, Jack stealthily sneaks back into First Class and tries to warn Rose about what she may be facing. Rose rebuffs Jack's advances, but later realizes that she prefers him over Cal.
After meeting on the bow at sunset, Rose takes Jack to her state room and displays Cal's engagement present: the Heart of the Ocean. At her request, Jack sketches Rose posing nude wearing it. Meanwhile, in the First-Class Smoking Room, Cal's butler informs him that none of the stewards have seen Rose at all that night. Cal orders the butler to find her. Rose & Jack manage to evade Cal's bodyguard and have sex in an automobile inside the cargo hold. They later visit the forward well deck, and while on it, the lookouts spot an iceberg directly in the ship's path.
Orders are given to turn the ship hard a-starboard and run the engines full astern, but the ship takes too long to make the turn and the starboard side scrapes along the iceberg, causing substantial damage to the watertight compartments, including the cargo hold where Jack & Rose had been having sex in the automobile. Jack & Rose witness the collision with the iceberg and overhear the officers and designer discussing its seriousness.
On the bridge, builder Thomas Andrews, Captain Smith (Bernard Hill), the ship's officers and White Star Line Managing Director Bruce Ismay (Jonathan Hyde) discuss the damage. The water has reached 14 feet above the keel in 10 minutes and has flooded 5 watertight compartments. Mr. Andrews warns that because of a design flaw, the water will spill over the tops of the bulkheads at E Deck, and this will cause the ship to sink. He gives an hour, two at most, for the ship to remain afloat.
Cal discovers Jack's sketch of Rose and a mocking note from her in his safe along with the necklace. When Jack and Rose attempt to tell Cal of the collision, he has his butler slip the necklace into Jack's pocket and accuses him of theft. He is arrested, taken to the Master-at-arms' office, and handcuffed to a pipe.
Cal puts the necklace in his own coat pocket. With the ship sinking, Rose is desperate to free Jack. She flees Cal and her mother, who has boarded a lifeboat, and rescues him. They return to the boat deck, where Cal and Jack encourage her to board a lifeboat; Cal claims he can get himself and Jack off safely. After Rose boards one, Cal tells Jack the arrangement is only for himself.
As her boat lowers, Rose decides that she cannot leave Jack and jumps back on board. Jack confronts her, angrily at first, but his angers soon turns to affection and they share a series of kisses at the bottom of the Grand Staircase. Cal, seeing this, takes his butler's pistol and chases Rose and Jack into the flooding first class dining saloon. After using up his ammunition, Cal realizes he gave his coat and consequently the necklace to Rose.
Jack & Rose are forced to flee below decks to escape Cal, and narrowly escape drowning themselves. They become trapped behind a locked gate, but Jack manages to free them just as the rising water reaches their heads. Out on the Boat Deck, Cal decides to make his own escape. He reminds the First Officer of the arrangement made earlier, but the officer angrily turns on Cal and refuses to allow him boarding. When he spots a lost child hiding behind a winch, he takes the child and is subsequently allowed into a collapsible lifeboat by Chief Officer Wilde.
As Cal and others board the collapsible, the water surges into the bridge & wheelhouse, drowning Captain E.J. Smith and causing Cal's boat to start floating off the deck. By now the stern is staring to rise out of the water and the remaining passengers are running farther & farther aft. After braving several obstacles, Jack and Rose return to the boat deck.
All the lifeboats have departed and passengers are falling to their deaths as the stern rises out of the water. Water now crashes through the huge dome over the Grand Staircase, drowning those passengers trapped inside. Jack & Rose reach the very stern - where they had first met - and take up positions on it by climbing over the rail, next to Chief Baker Charles Joughin.
The ship breaks in half, causing the stern to crash down into the water and killing Lovejoy, the butler. As the bow breaks off it pulls the stern back into the air, leaving it sitting there for a minute. Jack and Rose ride it into the ocean as it fills with water and then plunges to the bottom.
As Jack & Rose let go of the stern, the Titanic disappears into the darkness below them, and they both swim to the surface to find themselves in a massive mob of passengers and crew. Within minutes, Rose & Jack find a piece of paneling from the Grand Staircase, and he helps her onto the wooden panel only buoyant enough for one person. Holding the edge, he assures her that she will die an old woman, warm in her bed. He dies of hypothermia but she is saved when Fifth Officer Lowe & some crewmen return to try to find survivors.
With Rose hiding from Cal en route, the RMS Carpathia takes the survivors to New York. There she gives her name as Rose Dawson. She later learns that Cal committed suicide after losing everything in the 1929 Wall Street Crash.
Lovett abandons his search after hearing Rose's story. Alone on the stern of the Keldysh, Rose takes out the Heart of the Ocean - in her possession all along - and drops it into the sea over the wreck site. While she is seemingly asleep in her bed, photos on her dresser depict a life of freedom and adventure, partly inspired by Jack. A young Rose returns to the ship - at first, a gloomy wreck on the bottom - but as Rose reaches the Promenade Deck the ship begins to glow with light. As she enters the Grand Staircase she is greeted by those who perished on the ship - including the Titanic's band, First Officer Murdoch, Thomas Andrews, Jack's friends Fabrizio & Tommy Ryan, and standing at the clock is Jack himself. He extends a hand and they reunite, to the happy cheers of the perished passengers & crew.
...
63 INT. ROSE'S BEDROOM - NIGHT
She enters the room. Stands in the middle, staring at her reflection in the
large vanity mirror. Just stands there, then--
With a primal, anguished cry she claws at her throat, ripping off her pearl
necklace, which explodes across the room. In a frenzy she tears at herself,
her clothes, her hair... then attacks the room. She flings everything off
the dresser and it flies clattering against the wall. She hurls a
handmirror against the vanity, cracking it.
CUT TO:
64 EXT. A DECK PROMENADE, AFT - NIGHT
Rose runs along the B deck promenade. She is dishevelled, her hair flying.
She is crying, her cheeks streaked with tears. But also angry, furious!
Shaking with emotions she doesn't understand... hatred, self-hatred,
desperation. A strolling couple watch her pass. Shocked at the emotional
display in public.
CUT TO:
65 EXT. POOP DECK - NIGHT
Jack is kicked back on one of the benches gazing at the stars blazing
gloriously overhead. Thinking artist thoughts and smoking a cigarette.
Hearing something, he turns as Rose runs up the stairs from the well deck.
They are the only two on the stern deck, except for QUARTERMASTER ROWE,
twenty feet above them on the docking bridge catwalk. She doesn't see Jack
in the shadows, and runs right past him.
TRACKING WITH ROSE as she runs across the deserted fantail. Her breath
hitches in an occasional sob, which she suppresses. Rose slams against the
base of the stern flagpole and clings there, panting. She stares out at the
black water.
Then starts to climb over the railing. She has to hitch her long dress way
up, and climbing is clumsy. Moving methodically she turns her body and gets
her heels on the white-painted gunwale, her back to the railing, facing out
toward blackness. 60 feet below her, the massive propellers are churning
the atlantin into white foam, and a ghostly wake trails off toward the
horizon.
IN A LOW ANGLE, we see Rose standing like a figurehead in reverse. Below
her are the huge letters of the name "TITANIC".
She leans out, her arms straightening... looking down hypnotized, into the
vortex below her. Her dress and hair are lifted by the wind of the ship's
movement. The only sound, above the rush of water below, is the flutter and
snap of the big Union Jack right above her.
JACK
Don't do it.
She whips her head around at the sound of his voice. It takes a second for
her eyes to focus.
ROSE
Stay back! Don't come any closer!
Jack sees the tear tracks on her cheeks in the faint glow from the stern
running lights.
JACK
Take my hand. I'll pull you back in.
ROSE
No! Stay where you are. I mean it. I'll let go.
JACK
No you won't.
ROSE
What do you mean no I won't? Don't presume to tell me what I will and will
not do. You don't know me.
JACK
You would have done it already. Now come on, take my hand.
Rose is confused now. She can't see him very well through the tears, so she
wipes them with one hand, almost losing her balance.
ROSE
You're distracting me. Go away.
JACK
I can't. I'm involved now. If you let go I have to jump in after you.
ROSE
Don't be absurd. You'll be killed.
He takes off his jacket.
JACK
I'm a good swimmer.
He starts unlacing his left shoe.
ROSE
The fall alone would kill you.
JACK
It would hurt. I'm not saying it wouldn't. To be honest I'm a lot more
concerned about the water being so cold.
She looks down. The reality factor of what she is doing is sinking in.
ROSE
How cold?
JACK
(taking off his left shoe)
Freezing. Maybe a couple degrees over.
He starts unlacing his right shoe.
JACK
Ever been to Wisconsin?
ROSE
(perplexed)
No.
JACK
Well they have some of the coldest winters around, and I grew up there,
near Chippewa Falls. Once when I was a kid me and my father were
ice-fishing out on Lake Wissota... ice-fishing's where you chop a hole in
the--
ROSE
I know what ice fishing is!
JACK
Sorry. Just... you look like kind of an indoor girl. Anyway, I went through
some thin ice and I'm tellin' ya, water that cold... like that right down
there... it hits you like a thousand knives all over your body. You can't
breath, you can't think... least not about anything but the pain.
(takes off his other shoe)
Which is why I'm not looking forward to jumping in after you. But like I
said, I don't see a choice. I guess I'm kinda hoping you'll come back over
the rail and get me off the hook here.
ROSE
You're crazy.
JACK
That's what everybody says. But with all due respect, I'm not the one
hanging off the back of a ship.
He slides one step closer, like moving up on a spooked horse.
JACK
Come on. You don't want to do this. Give me your hand.
Rose stares at this madman for a long time. She looks at his eyes and they
somehow suddenly seem to fill her universe.
ROSE
Alright.
She unfastens one hand from the rail and reaches it around toward him. He
reaches out to take it, firmly.
JACK
I'm Jack Dawson.
ROSE
(voice quavering)
Pleased to meet you, Mr. Dawson.
Rose starts to turn. Now that she has decided to live, the height is
terrifying. She is overcome by vertigo as she shifts her footing, turning
to face the ship. As she starts to climb, her dress gets in the way, and
one foot slips off the edge of the deck.
She plunges, letting out a piercing SHRIEK. Jack, gripping her hand, is
jerked toward the rail. Rose barely grabs a lower rail with her free hand.
QUARTERMASTER ROWE, up on the docking bridge hears the scream and heads for
the ladder.
ROSE
HELP! HELP!!
JACK
I've got you. I won't let go.
Jack holds her hand with all his strength, bracing himself on the railing
with his other hand. Rose tries to get some kind of foothold on the smooth
hull. Jack tries to lift her bodily over the railing. She can't get any
footing in her dress and evening shoes, and she slips back. Rose SCREAMS
again.
Jack, awkwardly clutching Rose by whatever he can get a grip on as she
flails, gets her over the railing. They fall together onto the deck in a
tangled heap, spinning in such a way that Jack winds up slightly on top of
her.
Rowe slides down the ladder from the docking bridge like it's a fire drill
and sprints across the fantail.
ROWE
Here, what's all this?!
Rowe runs up and pulls Jack off of Rose, revealing her dishevelled and
sobbing on the deck. Her dress is torn, and the hem is pushing up above her
knees, showing one ripped stocking. He looks at Jack, the shaggy steerage
man with his jacket off, and the first class lady clearly in distress, and
starts drawing conclusions. Two seamen chug across the deck to join them.
ROWE
(to Jack)
Here you, stand back! Don't move an inch!
(to the seamen)
Fetch the Master at Arms.
CUT TO:
66 EXT. POOP DECK - NIGHT
A few minutes later. Jack is being detained by the burly MASTER AT ARMS,
the closest thing to a cop on board. He is handcuffing Jack. Cal is right
in front of Jack, and furious. He has obviously just rushed out here with
Lovejoy and another man, and none of them have coats over their black tie
evening dress. The other man is COLONEL ARCHIBALD GRACIE, a mustachioed
blowhard who still has his brandy snifter. He offers it to Rose, who is
hunched over crying on a bench nearby, but she waves it away. Cal is more
concerned with Jack. He grabs him by the lapels.
CAL
What made you think you could put your hands on my fiancee?! Look at me,
you filth! What did you think you were doing?!
ROSE
Cal, stop! It was an accident.
CAL
An accident?!
ROSE
It was... stupid really. I was leaning over and I slipped.
Rose looks at Jack, getting eye contact.
ROSE
I was leaning way over, to see the... ah... propellers. And I slipped and I
would have gone overboard... and Mr. Dawson here saved me and he almost
went over himself.
CAL
You wanted to see the propellers?
...
Examples of meta data in MovieNet
Example Meta Data
Here we show meta data of movie Titanic.
{
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"tmdb_id": "597",
"douban_id": "1292722",
"title": "Titanic (1997)",
"genres": [
"Drama",
"Romance"
],
"country": "USA",
"version": [
{
"runtime": "194 min",
"description": ""
}
],
"imdb_rating": 7.7,
"director": [
{
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"name": "James Cameron"
}
],
"writer": [
{
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"character": "Chief Engineer Bell"
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"character": "Leading Stoker Barrett"
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{
"id": "nm0039263",
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"character": "Carpenter John Hutchinson"
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{
"id": "nm0626119",
"name": "Sean Nepita",
"character": "Elevator Operator (as Sean M. Nepita)"
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{
"id": "nm0175267",
"name": "Brendan Connolly",
"character": "Scotland Road Steward"
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{
"id": "nm0188836",
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"character": "Crewman"
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"character": "1st Class Waiter"
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{
"id": "nm0481918",
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"character": "Promenade Deck Steward"
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{
"id": "nm0289211",
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"character": "Steward #1"
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{
"id": "nm0575164",
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{
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{
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{
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"character": "Mother at Stern (as Rebecca Jane Klingler)"
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"name": "Tricia O'Neil",
"character": "Woman"
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"id": "nm0242649",
"name": "Kathleen S. Dunn",
"character": "Woman in Water (as Kathleen Dunn)"
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{
"id": "nm0290302",
"name": "Romeo Francis",
"character": "Syrian Man"
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"id": "nm0547808",
"name": "Mandana Marino",
"character": "Syrian Woman"
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"id": "nm0512746",
"name": "Van Ling",
"character": "Chinese Man"
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{
"id": "nm0647600",
"name": "Bj\u00f8rn Olsen",
"character": "Olaf (as Bj\u00f8rn)"
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{
"id": "nm0678562",
"name": "Dan Pettersson",
"character": "Sven"
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"character": "Pubkeeper"
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{
"id": "nm0254862",
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"character": "News Reporter"
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"character": "I Salonisti Violin"
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"id": "nm0299809",
"name": "Thomas F\u00fcri",
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],
"overview": "84 years later, a 101-year-old woman named Rose DeWitt Bukater
tells the story to her granddaughter Lizzy Calvert, Brock Lovett, ... And she
explains the whole story from departure until the death of Titanic on its first
and last voyage April 15th, 1912 at 2:20 in the morning.",
"storyline": "84 years later, a 100 year-old woman named Rose DeWitt Bukater
tells the story to her granddaughter Lizzy Calvert, Brock Lovett, ... And she
explains the whole story from departure until the death of Titanic on its first
and last voyage April 15th, 1912 at 2:20 in the morning.",
"plot": "In 1996, treasure hunter Brock Lovett and his team aboard the
research vessel Akademik Mstislav Keldysh search the wreck of RMS Titanic for a
necklace with a rare diamond, the Heart of the Ocean. ... A young Rose reunites
with Jack at the Titanic's Grand Staircase, applauded by those who died.",
"synopsis": "In 1996, treasure hunter Brock Lovett (Bill Paxton) and his
team aboard the research vessel Keldysh search the wreck of RMS Titanic for a
necklace with a rare diamond, the Heart of the Ocean. ...e extends a hand and
they reunite, to the happy cheers of the perished passengers & crew."
}
Examples and statistics of photots in MovieNet
Example Photo
Here we show samples for different types of photos in MovieNet.
Charcter ID: Matt Damon (nm0000354)
Charcter ID: Kate Winslet (nm0000701)
Charcter ID: Hugh Jackman (nm0413168)
Example shot cinematic style annotation
Shot Scale Annotation
Shot scale depict the portion of subject within the frames in a shot.
Shot scale has 5 categories:
1. Extreme close-up shot: it only shows a very small part of a subject, e.g., an eye or a mouth of a person;
2. Close-up shot: it concentrates on a relatively small part of a subject, e.g., the face of the hand of a person;
3. Medium shot: it contains part of a subject e.g., a figure from the knees or waist up;
4. Full shot: it includes the full subject;
5. Long shot: it is taken from a long distance and the subject is very small within the frames.
1. Extreme close-up shot: it only shows a very small part of a subject, e.g., an eye or a mouth of a person;
2. Close-up shot: it concentrates on a relatively small part of a subject, e.g., the face of the hand of a person;
3. Medium shot: it contains part of a subject e.g., a figure from the knees or waist up;
4. Full shot: it includes the full subject;
5. Long shot: it is taken from a long distance and the subject is very small within the frames.
Example of shot scale annotation
Shot Movement
Shot movement describe the camera movement or the lens change of a shot.
There are 4 categories of shot movement:
1. Static shot: the camera is fixed but the subject is flexible to move;
2. Pans and tilts shot: the camera moves or rotates;
3. Zoom out shot: the camera zooms out for pull shot;
4. Zoom in shot: the camera zooms in for push shot.
1. Static shot: the camera is fixed but the subject is flexible to move;
2. Pans and tilts shot: the camera moves or rotates;
3. Zoom out shot: the camera zooms out for pull shot;
4. Zoom in shot: the camera zooms in for push shot.
Example of shot movement annotation
Example of movie synopsis association annotation
Example pair
Here we show an example pair of synopsis paragraph and movie segment under
the scene of playing basketball. The video is fast-forwarded from original
length 220s to 12s.
Steven goes to the gym to play basketball with some friends, and
Chip awkwardly shows up. Chip inserts himself into the game,
and plays in a very aggressive manner, knocking down other players
and eventually break the basketball board. Steven is obviously
mad at Chip and walks off.
Example of scene segmentation annotation
Examples
Examples of the annotated scenes from two movies. The two lines in
the middle correspond to the whole movie time line where the dark blue and
light blue regions represent different annotated scenes, while the representative
frames sampled from some scenes are also shown.
Example of scene tags annotation
There are 80 action classes in MovieNet, here we show some of the examples.
Tag: eat
Tag: kiss
Tag: play guitar
Tag: shoot gun
There are 90 scene classes in MovieNet, here we show some of the examples.
Tag: inside car
Tag: pier
Tag: airport
Tag: space ship