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Matthew G. Kirschenbaum
University of MarylandBio
Matthew G. Kirschenbaum is Professor of English and Digital Studies at the University of Maryland, and Director of the Graduate Certificate in Digital Studies. He is also an affiliated faculty member with the College of Information Studies at Maryland, and a member of the teaching faculty at the University of Virginia’s Rare Book School. He served previously as an Associate Director of the Maryland Institute for Technology in the Humanities (MITH) for over a decade. He has been a Guggenheim and NEH Fellow.
His most recent book, Track Changes: A Literary History of Word Processing, was published by Harvard University Press’s Belknap Press in 2016; with Pat Harrigan, he also co-edited the collection Zones of Control: Perspectives on Wargaming from the MIT Press (2016). His public-facing writing has appeared in the Chronicle of Higher Education, Slate, LA Review of Books, Paris Review Daily, War on the Rocks, The Conversation, and Public Books. His research has been covered by the New York Times, The Atlantic, The New Republic, The Guardian, National Public Radio, Boing Boing, and WIRED, among many other outlets. In 2016 he delivered the A.S.W. Rosenbach Lectures in Bibliography, a written version of which are under contract to the University of Pennsylvania Press as Bitstreams: The Future of Digital Literary Heritage.
Currently he works as a printer’s devil at the Department of English’s BookLab, a hands-on space for exploring the arts and futures of the book that he co-facilitates. Kirschenbaum’s other interests include the history of writing and authorship, textual and bibliographical studies, serious games, and military media and technologies. His first book, Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008) won multiple prizes, including the 16th annual Prize for a First Book from the Modern Language Association. He was also the lead author on the Council on Library and Information Resources report Digital Forensics and Born-Digital Content for Cultural Heritage Collections (2010), recognized with a commendation from the Society of American Archivists. See mkirschenbaum.net or follow him on Twitter as @mkirschenbaum for more.
About Me
Also Me
- Mechanisms: New Media and the Forensic Imagination Blog in support of my 2008 book from the MIT Press
- Play the Past Group blog on meaningful play and cultural heritage
- Track Changes Book Tumblr News and updates related to my book on the literary history of word processing
- Zone of Influence Game studies hobby blog (mostly tabletop)
By Me
- Am I a Digital Humanist? Confessions of a Neoliberal Tool A personal piece. (My backchannel.)
- An Executable Past: The Case for a National Software Registry In Preserving.exe: Toward a National Strategy for Preserving Software. Library of Congress (2013).
- Approaches to Managing and Collecting Born-Digital Literary Materials for Scholarly Use 12,000-word white paper from an NEH-funded project I directed
- Bookscapes: Modeling Books in Electronic Space HCIL short paper, 2008
- Choreographing the Dance of the Vampires Tom Clancy’s Red Storm Rising as Procedural Fiction
- Digital Forensics and Born-Digital Content in Cultural Heritage Collections A report published by CLIR.
- Digital Materiality: Preserving Access to Computers as Complete Environments Refereed paper from iPres 2009 proceedings
- Distant Mirrors and the LAMP MLA Presidential Forum, 2013
- Hello Worlds Why humanities students should learn to program
- History.exe Slate essay on preserving software history (2013)
- No Round Trip: Two New Primary Sources for AGRIPPA Essay describing recovery of lost vidoe footage and emulation of the original software
- Preserving Virtual Worlds Final Report Multi-authored project report.
- The .Txtual Condition Essay in DHQ special issue on The Literary
- The Book-Writing Machine Slate essay on the first novel written with a word processor (2013)
- What is "Digital Humanities" and Why are They Saying Such Terrible Things About It? Essay for differences special issue on In the Shadows of the Digital Humanities (2014)
- What is an @uthor? Essay in LA Review of Books
- What is Digital Humanities? Article that appeared in the Association of Departments of English Bulletin 150 (2010).
MeTube
- Digital Forensics and Cultural Heritage CNI Fall Membership Meeting, December 2010
- How Has Technology Changed Writing and Literature University of Colorado Boulder, 2012 (requires SilverLight)
- Plucking Fluxes: Media Archaeology of the Floppy Disk Media Archaelogy event at NYU, March 2013
- Software Studies as Preservation SoftWhere, UC San Diego, 2008
- Software, It's a Thing Keynote for Library of Congress the 2014 annual meeting of the National Digital Information Infrastructure and Preservation Program.
- The .txtual Condition Why Books? Radcliffe Institute, 2010 [starting ~37:00]
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Affiliations
- College of Information Studies Affiliate Faculty, University of Maryland
- Department of English Associate Professor of English, University of Maryland
- Maryland Institute for Technology in the Humanities (MITH) Associate Director, Maryland Institute for Technology in the Humanities (MITH)
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Tweets by mkirschenbaumMechanisms
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Opinions expressed on this blog (including the embedded Twitter feed) are my own, and not those of the University of Maryland or any other institution or employer.
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