The Best Reason to Buy a Camera
January 19th, 2026Show People What You See When You Look at Them
I was spending a lot on cameras and lenses, and right in the middle of it, I blew $900 on what is ungenerously referred to as a point-and-shoot camera, the Canon Powershot V1. A lot of people would say this was an immature, impulsive move, rooted in the juvenile belief that buying equipment makes up for being too lazy to work and develop skill and knowledge; a belief I hold dear due to my character issues.
But look at this:
I don’t like putting photos of my family on the web, but I am making an exception here.
It looks a lot better in full resolution. It is difficult to run things through Photolab and Topaz AI and then reduce them without killing the sharpness. I haven’t solved the problem yet.
This shot is interesting, because like Moses, Yeshua, or Tim Tebow, it had a lot of things working to prevent it from being born. At first, I thought it was going to have to be deleted due to lack of potential.
I am very bad at dealing with exposure. I can take magnificent photos when the subject is helpful and the lighting is just right, but any kind of challenging light results in embarrassing shots fit only for deletion. If the light is a little low, I get brown photos with blobs that should be people. If the light comes from behind the subject, I get shadow puppets.
The Powershot is derisively referred to as a point-and-shoot camera because it’s small and handy, and the built-in zoom lens is considered mediocre. It also has a sensor a little smaller than a 4/3 camera, which is another opening for critics. On the other hand, it shoots raw files. It has a ton of settings. You can make it shoot continuously. It has settings to prevent highlight blowouts. You can get zebra stripes to judge exposure. You can set an exposure ceiling. It has AI metering. It will operate a sophisticated on-camera flash. I could go on.
That’s not point-and-shoot. Point-and-shoot is a 1969 Kodak Instamatic that has zero adjustments and a lens worthy of Dollar Tree reading glasses.
I have been stubborn about exposure, which is amazing, since stubbornness is so unlike me.
Be quiet.
I have been convinced that I needed to learn manual exposure, because that’s the way people did it when I was a kid and there were no internal combustion engines or telephones. I have been telling myself I could not learn to deal with exposure without setting ISO, shutter speed, and f-stop every time I shot a photo. But this was a misapprehension. I also fell into the trap of believing I needed to set my color temperature (“white balance”) all the time.
This camera, which experts put in the category of minimal-feature, low-budget products, has all sorts of settings that allow you to get the benefits of controlling exposure, minus a lot of the effort and wasted time, along with other settings that act as safety nets.
I can use automatic white balance in nearly every situation as long as I shoot raw, so forget dealing with that setting. I can use automatic ISO with a ceiling my camera lets me choose, so forget that setting. I have two levels of a setting that reduces highlight blowouts, so that helps. I have zebra stripes to help me avoid going too bright. I have continuous or “pray and spray” shooting, so I am able to take a lot of shots quickly, giving me a much better chance of capturing things worth keeping. I have AI light metering to give me a much better chance of getting a useful meter reading.
With these helpful settings to serve as guard rails and do-overs, all I have to worry about are shutter speed and f-stop. Those are easily set on the touch screen, or I could program the ring around the lens to handle one of them.
I also have Photolab 9, which has much better noise reduction than Lightroom, so I can set my ISO a lot higher and worry less about having enough light. I have stabilization for stills, and while it’s not top-notch IBIS, it is helpful for making the most of light.
I got myself set up today and went to Costco with my family. I took shots before I left. I took shots at the store. I took shots at the grocery later. I took 126 photos, and I ended up with maybe three dozen that were legitimately excellent and worth editing. That’s a fantastic ratio. It’s more than I can really keep up with in post.
When we were on the way out, I kept telling my wife to stop here and there for photos, and that’s how I got the shot you see above. I told myself I needed to see exactly what the new settings could do, and although I had grave doubts about shooting a dark-skinned woman with the sun behind her head, I figured I had nothing to lose, so I should try. The sky was gorgeous. The light was beautiful. Why not try? I wasn’t paying for film or development.
I got home and looked at the shots in this series. I was thought there wasn’t much hope, but I picked the one that looked like it was most likely to clean up in post. I worked on it in Photolab. I sent the JPG to Topaz AI, a program I had thought I was foolish and wasteful to buy. The image kept getting better.
I realized I needed to send the raw file to Topaz so Topaz would have as much help as possible in fixing it. In addition to using the face-restoration AI feature, I found out I could use a brush to paint an area I wanted to brighten, so I painted my wife’s face, neck, and left hand. Topaz took over and brought out her features by increasing the exposure locally.
At first, when I looked at the final product, I thought, “Well, that was fun, and I learned a lot, but the photo is a failure.” But the more I looked, the more I realized it was a keeper; a photo my son would treasure. A shot he would look at when he was 90, to remind himself what a wonderful mother he had and how easy she made his life while he was small and unable to look after himself.
It has serious technical issues. The facial features are hard to see. The baby is looking away. It’s not as sharp as it could be. Those things don’t matter. Sharpness is usually not very important, and the other flaws add to the story the photo tells.
In the photo, it’s a glorious day. In real life, it was cold and somewhat gloomy, but never mind. The sun made a cameo and made things look a lot better. The light in the photo says life, vitality, joy, and love.
The lines in the photo radiate away from my wife and son as though they were the sun. It’s like they radiate life, energy, optimism, and every good thing. It also makes it look like God is zeroing in on them for a long, loving gaze.
My son is looking away, fascinated by trivial things that are exciting to him because of his age. He isn’t thinking about his mom or what she does for him.
My wife is tired but happy. She has sacrificed a lot for him, and she is glad. She knows he doesn’t get it, and she doesn’t care. He’ll get it some day.
The way the sun tries to push its way past her to hog the attention is helpful. It makes her look unappreciated. This is the way all mothers dream of looking. Especially the Jewish ones. But she has the right. Our baby brings her joy and love every day, but she is pouring a lot of effort into him, and he is not at the stage where he can even begin to reciprocate.
The woman behind my wife seems to jostling her during a moment of intimacy and reflection, as though my wife and the moment were unimportant. It sharpens the feeling that my wife is unappreciated yet continues doing what she does for love.
The picture is optically flawed, but it works artistically. My wife took one look at it and said what I was thinking. She said, “It tells a story.” It’s a tribute to her. What mom could resist that?
I spit on the $900. I can’t believe it ever concerned me.
There are very few photos of me as a child. All are technically bad. Nearly all are artistically inept. Many are depressing. The same could be said of photos of my mother. Our home movies were eaten by mold. I was born before ordinary people shot videotape. My wife and son are in a different situation. They will be buried in photos and videos. At least hundreds will be technically excellent. At least hundreds will be artistically sound. If the rapture is delayed long enough, my great-grandchildren will have all these images and videos. What is $900 compared to that? I once spent $1500 on stereo speakers I didn’t need. I paid over $12,000 for a metal lathe I rarely use. I spent $500 on a pair of loafers. Actually, I did that twice, and one pair eventually went to charity because they looked weird.
This $900 camera is a steal, and so are my more-expensive cameras.
I’m waiting for a specialized DJI video camera to be released, and I plan to buy that, too. I have two sets of wireless mikes, and I plan to buy a third for the DJI because it will be easier to use and less likely to cost me audio due to the difficulty of matching DJI cameras to other brands of microphone.
I am a bad photographer, but things are getting better, and I am encouraged because I see the value of the expenditures and effort.
If photography is this rewarding now, I have to think it will be much more so when I know what I’m doing.
I have learned from a lot of Internet photo gurus, and I am losing respect for them. They obsess on all the wrong things. They compare lenses. Is this lens marginally better than that lens? They explain why expensive cameras are better than cameras that cost less. They help people fix their exposure problems.
They talk very little about art. They don’t tell people how important it is to create images that resonate with people who see them. They don’t talk much about gesture, symbolism, and storytelling. They rarely tell us it’s better to have mediocre equipment and get the shot than to sit around waiting for the best and do nothing at all.
I can’t recall any of them saying things like, “If your baby is taking is first steps, just get the shot. Get the video. Use the worst lens imaginable if that’s all you have. Just get the job done.”
A lot of these people are just trying to sell equipment or trying to amass subscribers in order to bring in more cash.
After you die, no one you care about is going to feel anything because you shot the best landscapes or owned the best lenses. They will be more impressed with images of meaningful memories than they will be with your lens’s bokeh or sharpness.
If you can produce shots that are optically sound, by all means, you should, but don’t do it at the expense of the things that matter.
I have a new lens coming in on Tuesday. I will stop shopping when shopping stops paying off.












