Gagosian

The Winter 2025 issue of Gagosian Quarterly is now available, featuring Jeff Koons’s Kissing Lovers (2016–25) on the cover.

In this video, musical ensemble Sō Percussion performs Steve Reich’s “Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.

With an exhibition of all-new work at Gagosian, New York, in November, Jeff Koons met with Alison McDonald at his New York studio to discuss the processes, inspirations, and metaphysical underpinnings of his latest sculptures and paintings.

They All Came to Barneys: A Personal History of the World’s Greatest Store (Viking) is Gene Pressman’s new memoir about the meteoric rise of Barneys New York, from his grandfather Barney’s founding of the store in 1923, to his father Fred’s development of it into a high-end retail space for menswear, all the way to his own time there in the 1970s, ’80s, and ’90s, when the specialty store became a nexus in the city’s cultural renaissance. Here, Pressman speaks with the Quarterly’s Derek C. Blasberg about Barneys’s incredible journey and the power of its legacy.

Francesca Wade’s new biography of Gertrude Stein sifts through the writer and collector’s layered life and legacy. Here, Wade speaks with the Quarterly’s Gillian Jakab.

Harris Dickinson was launched into the public eye as a phenomenal actor in films like Beach Rats, Triangle of Sadness, and Babygirl, but he was always a director at heart. This fall sees the release of his debut feature film, Urchin, about an unhoused young man named Mike who cycles in and out of jobs and a system ostensibly there to help him. Dickinson talked to Miriam Bale just after the film screened at the Telluride Film Festival, revealing that biographically, politically, and imaginatively, the movie is intensely personal. Funny, warm, and unusual, Urchin marks the birth of a new auteur’s vision.