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HTTP/2 200 server: nginx/1.24.0 (Ubuntu) content-type: text/html last-modified: Fri, 13 Jun 2025 21:21:12 GMT etag: "684c9648-21bd" via: 1.1 varnish, 1.1 varnish accept-ranges: bytes age: 0 date: Sun, 28 Dec 2025 19:20:08 GMT x-served-by: cache-sjc10021-SJC, cache-bom-vanm7210081-BOM x-cache: HIT, MISS x-cache-hits: 9648, 0 strict-transport-security: max-age=900 content-length: 8637 ELISABETH NICULA // interdisciplinary artist

Elisabeth Nicula
San Francisco Review of Whatever is a magazine, 2025–.
I wrote a love poem :)))))))), for Angel Food, 2025.
I wrote about a possible way forward for artists and writers and the people we live among, for The Back Room, 2024.
How to describe something that isn't there? WWWWEB.SITE, 2023–.
I tried to become a Pablo Picasso completist, for Momus, 2023.
Smooth Friend is an experimental publishing project, 2021–.
With Zoë Taleporos, Pointing Respectfully is for artists going on walks together, 2023–.
I read a collection of bad art reviews and wrote about that, and about why I like being an artist, for Momus, 2023.
"The Artist Is the Void" is an essay about Land Art and NFTs, for Momus, 2022.
I wrote three poems about decomposition and art as a columnist for SFMOMA's Open Space: "A Figure That Decomposes," "Ghost Story," and "Notes From Our Last Meeting," 2021.
"Frank's Corpus" is an essay about my photographic archive of bird bodies, for SFMOMA's Open Space, 2021. Robin Sloan wrote about it in his Reading Room newsletter <3.
frank.fan, 2017–.
"Under the Road" is a depaving fantasy with GIFs and armadillo memories, for Silica Magazine, 2020.
"March 27, 2020" is a blog excerpt about an unexpected intimacy of quarantine, in Urgency Reader 2, 2020.
"Have You Seen This Bird" is an essay about being friends with a free wild bird, in New Life Quarterly, 2019.
I gave a visual lecture about Tidewater, my beautiful sinking homeland, at PLACE TALKS at the Prelinger Library, 2019.
dioramas.space is a website for tending to the emotional landscape amidst climate disaster, 2018–.
Earlier I made Dioramas, an installation about looking, at Black & White Projects, 2017.
And before that, "Dioramas," an account of my walks around San Francisco weather, for SFMOMA's Open Space, 2017.
"California" is about moving to geological time, for Silica Magazine, 2017.
"NATUREGIFMANIFESTO" is an attempt to make sense of my art practice, for LRLX 02, State Change, 2017.
Aspects of Geological Time is a project about the long scale of the universe, on the internet and IRL, 2016–2017.
geologicaltime.net: step into the river as often as you want, 2016.
My diary about Aspects of Geological Time for Paper Magazine, 2016.
Sense Memories, 2015–2016.
I made cut- and fold-your-own GIFs for LRLX 01, 2015.
This is all the work I made on Newhive, 2013–2017.
abjectsubli.me is a blog.
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Elisabeth Nicula // interdisciplinary artist