Category Archives: magazines

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The Slush Pile

I just read this:

The shocking truth about the slush pile, where she tells her horror story of having to read the junk that makes up what editors call the slush pile.

Here is my answer:

I know what you mean. I own a publishing house. Our books are all written in-house (by staff members) so we never had to worry about having a slush pile of submissions before. Two years ago we planned on adding a fiction magazine. To date we have yet to start the magazine. Why? Because of the hundreds of emails we get, we have yet to get a single submission that:

1) meets our guidelines

and

2) is legable enough to publish

I’t’s pitiful really. We had such hopes for our fiction magazine. If only we had enough good stories submitted so we could go to press with it.

The problem I’m seeing is that most writers start out with:

<i>”I posted this on my blog and my readers loved it so I’m sending it in for your to publish.”</i>

or

<i>”I write for this great RPG and I can do stupendous first person accounts for my super great characters, that I just know you’ll love, even though they are from Harry Potter, I’m sure it’ll be alright if you publish my story.”</i>

Okay, first off, we don’t publish fan-fiction and secondly, how many people read your blog? Your mom and a few friends, right?

The problem I see (at least in our slush pile) is that every Tom, Dick, and Harry who owns a blog, thinks they are a writer, and, though they can post on a blog, they have a long ways to go before what they are blogging, can even begin to pass off as a great novel.

The hardest part of being an editor (for me anyways), is haveing to tell people this. I mean, I know what it’s like to get rejection slips from editors, I’ve got a stack of them myself. I was writing long before I was editing, I know how much it hurts to hear the truth about what you’ve written. Now I find myself being the one writing those rejection letters, and believe me, it’s not fun.

~~EK

My Website ranks at 32!!!!!

OMG! My Squidoo lense now ranks in at 32 on the Squidoo top 100 list! 32 out of 220,000 lenses! I can’t believe it!

Here it is if you want to check it out:

https://www.squidoo.com/PublishingMethods/

My Website ranks at 32!!!!!

OMG! My Squidoo lense now ranks in at 32 on the Squidoo top 100 list! 32 out of 220,000 lenses! I can’t believe it!

Here it is if you want to check it out:

https://www.squidoo.com/PublishingMethods/

Self Publish? Vanity Press? Traditonal Publisher? Something Else?

A question I see time and time again is: Is *name of business here* a self publisher, vanity press, or traditional publisher? How do I tell the differance?

While there are many branches of the publishing tree, these 3 are the big limbs, from which all the branches shoot off of. Here is how to tell them apart:
a self publisher, is an author who gets a business license, buys the ISBN #s, hires a printing press (print shop/printer) to print the books, than sells them themself… the author keeps 100% of the profits, because no one pays royalities; you keep 100% of the copyright (which btw, does not cost a penny)… you market the book and distribute it through local bookstores and Amazon.com

a vanity press is a print shop/printer/printing press, that does that for you, they usually ask you to pay money for them to edit your MS, they also chagre you if you want a color cover, (often they charge you for such things as “the right to keep your copyright”, or the ISBN #, in addition to the cost of everything else they chage) and than pays you a percentange (royalty), after you first pay them for the books… the royalty they pay, though it may sound high, is actually very low, because you don’t see that money until after they have deducted what you “owe them” for printing the books… in short, they make money, while you go broke, and you may or may not get to keep the rights to your book, depending on how much money you paid to buy your own rights back from them… you market the book and distribute it through local bookstores and Amazon.com

a traditional publisher, hires editors who read your MS which you send to them; they recive thousands of MSs each week, so it may take up to 2 years before they get around to reading it; after they read it, they either reject it or accept it; if they accept it, you well be sent a contact (and often with a recommendation that you go over it with your literay agent/lawyer before you sign it). Once you sign the contract and send it back, than the publisher’s laywer checks it to be certain that all is in order (and done legally). The publisher is given the tempory copyright allowing them to print and distribute your book to the public… they hire and editor to type set and spell check your MS, than they hire an artist to create the cover art, they distribute the book to bookstores worldwide, you never own them a cent, they pay you royalties

in other words:

self publishing is you starting your own business (a publishing house) and earning an income

vanity press is you doing a lot of hard work, getting your book printed, and getting scammed out of the money that should be yours, while they get rich and leave you with nothing

traditional publishing is you hireing a business to to the work for you and you both earn an income

I hope this helps

~~EK

The Slush Pile

I just read this:

The shocking truth about the slush pile, where she tells her horror story of having to read the junk that makes up what editors call the slush pile.

Here is my answer: 

I know what you mean. I own a publishing house. Our books are all written in-house (by staff members) so we never had to worry about having a slush pile of submissions before. Two years ago we planned on adding a fiction magazine. To date we have yet to start the magazine. Why? Because of the hundreds of emails we get, we have yet to get a single submission that:

1) meets our guidelines

and

2) is legable enough to publish

I’t’s pitiful really. We had such hopes for our fiction magazine. If only we had enough good stories submitted so we could go to press with it.

The problem I’m seeing is that most writers start out with:

<i>”I posted this on my blog and my readers loved it so I’m sending it in for your to publish.”</i>

or

<i>”I write for this great RPG and I can do stupendous first person accounts for my super great characters, that I just know you’ll love, even though they are from Harry Potter, I’m sure it’ll be alright if you publish my story.”</i>

Okay, first off, we don’t publish fan-fiction and secondly, how many people read your blog? Your mom and a few friends, right?

The problem I see (at least in our slush pile) is that every Tom, Dick, and Harry who owns a blog, thinks they are a writer, and, though they can post on a blog, they have a long ways to go before what they are blogging, can even begin to pass off as a great novel.

The hardest part of being an editor (for me anyways), is haveing to tell people this. I mean, I know what it’s like to get rejection slips from editors, I’ve got a stack of them myself. I was writing long before I was editing, I know how much it hurts to hear the truth about what you’ve written. Now I find myself being the one writing those rejection letters, and believe me, it’s not fun.

~~EK

What Does “Non-Genre” Mean?

Many publications say they only accept “Non-Genre Fiction”. A common question writers ask is: “What is Non-Genre Fiction? Doesn’t all fiction have a genre?” I had just read this post and noticed a debate over what is the meaning of Genre Fiction VS Non-Genre Fiction had begun on it’s comments.  Being an editor, I think I can be of help here. So, here is my answer to that question. I hope that some of you find it helpful when submitting your future stories to publishers.When a publication says, “they’re non-genre focused”, they mean that they only want literary fiction and will automatically refuse all stories that a genre driven. A genre driven story is one that falls under the following:

Romance

Fantasy

Sci-fi

Horror

(and the many other such genres out there)

Genre driven stories are focused largely on promotion of their genre and the story focuses totally on that genre. I.e., a romance focuses on a girl’s romantic infatuation; a fantasy will focus on the life of elves wizards and he-men type characters fighting evil in a epic quest; sci-fi focuses on alien life forms traveling from one planet to the next and other such sci-fi type things; horror focuses on scaring the pants off the reader

When a publisher say “they’re non-genre focused” they want to see a slice-of-life story about the day (or week or year) in the life of so-and-so… this is what is known as non-genre or literary fiction. The story focuses on real-life type characters in real life type situations; stories that real like they could be the life of the guy next door or the girl down the road. Non-genre stories tell a story that is not dependant on a fantasy quest or the eloquent narration describing the alien landscape or the steamy sex-scenes. They simply tell a story about life and thus have no genre.

Well, that’s what I see it to mean. Feel free to comment on your own veiws as to the meaning of “non-genre”.

~~EK

testing tags

having a problem getting posts to show up… testing to see if tags are working yet

A List of POD Publishers

I found this list of Print On Demand publishers and found it quite interesting as I had only heard of a few of them before. Well, you know me, now I must go check them all out and compare them against each other. I am compelled to do nothing less. I haven’t had a chance to study up on these yet, so I can’t vouch for them, but feel free to check them out for yourselves and see what you think of them.

Here’s the complete list of Publishers covered in the Guide:  

(links added by me, as the article contained no links ~~EK)

For those interested in POD self-publishing, I also recomend that you first read this:

For the sake of referance, I pasted the first paragraph below:

PRINT ON DEMAND

 Print on demand (POD) is the commonly-used term for the digital printing technology that allows a complete book to be printed and bound in a matter of minutes. POD technology makes it easy and cost-effective to produce books one or two at a time or in small lots, rather than in larger print runs of several hundred or several thousand.POD has a number of applications. Commercial and academic publishers use it to print advance reading copies, or when they can’t justify the expense of producing and warehousing a sizeable print run–for instance, to keep backlist books available. Some independent publishers use it as a more economical fulfillment method, trading lower startup costs against smaller per-book profits (due to economies of scale, digitally printed books have a higher unit production cost than books produced in large runs on offset presses). Last but not least, there are the POD-based publishing service providers, which offer a fee-based service that can be described, depending on one’s bias, as either vanity publishing or self-publishing….

To read the rest of the article CLICK HERE.

Except for graphics, and where specifically indicated, all Writer Beware contents copyright © 1998-2007 Victoria Strauss

 

Writer’s Debate Team: Magazines VS Social Change

How has the magazine industry evolved in response to social change and technological development?

Have you ever compaired those from the 1940’s to those today?


What about the 1970’s vs today?
Are magazines from the 1990’s differant from what’s being sold now in the 2000’s?

How are the magazines from each of these eras differant?

How has the social lives of citizens affected the way magazines have chaged over the years?

How has technological development affected the way magazines have chaged over the years?

Where these changes for better or for worse?

How well the magazine industry change in the future?

What are your thoughts on this matter?