Category Archives: editing

How do you deal with first drafts?

How do you deal with first drafts?

I just write…. and write and write and write. I figure, it’s the first draft, who cares? I don’t want to stop the creative flow. I don’t stop for anything. I don’t correct typos, grammar mistakes or spelling errors, I just write. Who cares if the first draft is 90% crap and full of errors, it is after all, just the first draft and I can edit it later. Editing time is the time for worrying about making it good. Well, anyways that’s how I deal with first drafts.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
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How do you deal with first drafts?

How do you deal with first drafts?

I just write…. and write and write and write. I figure, it’s the first draft, who cares? I don’t want to stop the creative flow. I don’t stop for anything. I don’t correct typos, grammar mistakes or spelling errors, I just write. Who cares if the first draft is 90% crap and full of errors, it is after all, just the first draft and I can edit it later. Editing time is the time for worrying about making it good. Well, anyways that’s how I deal with first drafts.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

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Join Associated Content

How do you deal with first drafts?

black birdfall leaves centerblack bird

How do you deal with first drafts?

I just write…. and write and write and write. I figure, it’s the first draft, who cares? I don’t want to stop the creative flow. I don’t stop for anything. I don’t correct typos, grammar mistakes or spelling errors, I just write. Who cares if the first draft is 90% crap and full of errors, it is after all, just the first draft and I can edit it later. Editing time is the time for worrying about making it good. Well, anyways that’s how I deal with first drafts.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

black birdfall leaves centerblack bird

Page copy protected against web site content infringement by Copyscape

Join Associated Content

>How do you deal with first drafts?

>
black birdfall leaves centerblack bird

How do you deal with first drafts?

I just write…. and write and write and write. I figure, it’s the first draft, who cares? I don’t want to stop the creative flow. I don’t stop for anything. I don’t correct typos, grammar mistakes or spelling errors, I just write. Who cares if the first draft is 90% crap and full of errors, it is after all, just the first draft and I can edit it later. Editing time is the time for worrying about making it good. Well, anyways that’s how I deal with first drafts.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

black birdfall leaves centerblack bird

Page copy protected against web site content infringement by Copyscape

Join Associated Content

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The Slush Pile

I just read this:

The shocking truth about the slush pile, where she tells her horror story of having to read the junk that makes up what editors call the slush pile.

Here is my answer:

I know what you mean. I own a publishing house. Our books are all written in-house (by staff members) so we never had to worry about having a slush pile of submissions before. Two years ago we planned on adding a fiction magazine. To date we have yet to start the magazine. Why? Because of the hundreds of emails we get, we have yet to get a single submission that:

1) meets our guidelines

and

2) is legable enough to publish

I’t’s pitiful really. We had such hopes for our fiction magazine. If only we had enough good stories submitted so we could go to press with it.

The problem I’m seeing is that most writers start out with:

<i>”I posted this on my blog and my readers loved it so I’m sending it in for your to publish.”</i>

or

<i>”I write for this great RPG and I can do stupendous first person accounts for my super great characters, that I just know you’ll love, even though they are from Harry Potter, I’m sure it’ll be alright if you publish my story.”</i>

Okay, first off, we don’t publish fan-fiction and secondly, how many people read your blog? Your mom and a few friends, right?

The problem I see (at least in our slush pile) is that every Tom, Dick, and Harry who owns a blog, thinks they are a writer, and, though they can post on a blog, they have a long ways to go before what they are blogging, can even begin to pass off as a great novel.

The hardest part of being an editor (for me anyways), is haveing to tell people this. I mean, I know what it’s like to get rejection slips from editors, I’ve got a stack of them myself. I was writing long before I was editing, I know how much it hurts to hear the truth about what you’ve written. Now I find myself being the one writing those rejection letters, and believe me, it’s not fun.

~~EK

Narration for Writers Explained

Attention writers! Have you ever wondered what’s the differance between one type of narration and another? Look no farther, I shall explain them all here. Check it out.

https://www.squidoo.com/Narration-for-Writers/

Self Publish? Vanity Press? Traditonal Publisher? Something Else?

A question I see time and time again is: Is *name of business here* a self publisher, vanity press, or traditional publisher? How do I tell the differance?

While there are many branches of the publishing tree, these 3 are the big limbs, from which all the branches shoot off of. Here is how to tell them apart:
a self publisher, is an author who gets a business license, buys the ISBN #s, hires a printing press (print shop/printer) to print the books, than sells them themself… the author keeps 100% of the profits, because no one pays royalities; you keep 100% of the copyright (which btw, does not cost a penny)… you market the book and distribute it through local bookstores and Amazon.com

a vanity press is a print shop/printer/printing press, that does that for you, they usually ask you to pay money for them to edit your MS, they also chagre you if you want a color cover, (often they charge you for such things as “the right to keep your copyright”, or the ISBN #, in addition to the cost of everything else they chage) and than pays you a percentange (royalty), after you first pay them for the books… the royalty they pay, though it may sound high, is actually very low, because you don’t see that money until after they have deducted what you “owe them” for printing the books… in short, they make money, while you go broke, and you may or may not get to keep the rights to your book, depending on how much money you paid to buy your own rights back from them… you market the book and distribute it through local bookstores and Amazon.com

a traditional publisher, hires editors who read your MS which you send to them; they recive thousands of MSs each week, so it may take up to 2 years before they get around to reading it; after they read it, they either reject it or accept it; if they accept it, you well be sent a contact (and often with a recommendation that you go over it with your literay agent/lawyer before you sign it). Once you sign the contract and send it back, than the publisher’s laywer checks it to be certain that all is in order (and done legally). The publisher is given the tempory copyright allowing them to print and distribute your book to the public… they hire and editor to type set and spell check your MS, than they hire an artist to create the cover art, they distribute the book to bookstores worldwide, you never own them a cent, they pay you royalties

in other words:

self publishing is you starting your own business (a publishing house) and earning an income

vanity press is you doing a lot of hard work, getting your book printed, and getting scammed out of the money that should be yours, while they get rich and leave you with nothing

traditional publishing is you hireing a business to to the work for you and you both earn an income

I hope this helps

~~EK

The Slush Pile

I just read this:

The shocking truth about the slush pile, where she tells her horror story of having to read the junk that makes up what editors call the slush pile.

Here is my answer: 

I know what you mean. I own a publishing house. Our books are all written in-house (by staff members) so we never had to worry about having a slush pile of submissions before. Two years ago we planned on adding a fiction magazine. To date we have yet to start the magazine. Why? Because of the hundreds of emails we get, we have yet to get a single submission that:

1) meets our guidelines

and

2) is legable enough to publish

I’t’s pitiful really. We had such hopes for our fiction magazine. If only we had enough good stories submitted so we could go to press with it.

The problem I’m seeing is that most writers start out with:

<i>”I posted this on my blog and my readers loved it so I’m sending it in for your to publish.”</i>

or

<i>”I write for this great RPG and I can do stupendous first person accounts for my super great characters, that I just know you’ll love, even though they are from Harry Potter, I’m sure it’ll be alright if you publish my story.”</i>

Okay, first off, we don’t publish fan-fiction and secondly, how many people read your blog? Your mom and a few friends, right?

The problem I see (at least in our slush pile) is that every Tom, Dick, and Harry who owns a blog, thinks they are a writer, and, though they can post on a blog, they have a long ways to go before what they are blogging, can even begin to pass off as a great novel.

The hardest part of being an editor (for me anyways), is haveing to tell people this. I mean, I know what it’s like to get rejection slips from editors, I’ve got a stack of them myself. I was writing long before I was editing, I know how much it hurts to hear the truth about what you’ve written. Now I find myself being the one writing those rejection letters, and believe me, it’s not fun.

~~EK

Too Many Ideas!

Yesterday I wrote above and beyond my daily 1000 – 2000 words a day. Only problem is, what I wrote was not for my current book project! I had this idea for an older project I was working on a few years back, and just sat down and wrote and wrote and wrote. I got a lot done, but for the wrong project for this challenge! eek!

Than today rolls in and I find my self writeing away, and making good time… on a third project!

If I keep going like this I’ll never get to the end of any of them! I need motivation to stick to just one book at a time!

Twighlight Manor Research: Two Heads

Those who know my Twighlight Manor series,  know that it’s prime villain, The Red Dragon (as he calls himself) is a man with 2 faces and 4 arms; a conjoined twins born during the 1600’s and treated like animals, who as adults became the mass murder (s) behind the bloodbath that took place within the walls of The Manor, forever marking it as a cuesed house. While the series’ most notorious and bloody villain, I do not use him very often in my stories. I am currently working on editing “Love, Lust, Madness” , and (spoiler) The Red Dragon has resurfaced in this story, after not being used in a Twighlight Manor story, since Sir Roderic’s “accident” in 1984.

Well, seeing how I’ll being useing the Red Dragon once again, after so long of not writing about him, I decided to do some research into his “deformity”  in hopes of learning possibly why he was born as he was, and to thus better write about him. Well, in 1984 I had not the internet, so I was very limited in my research about his birth. In the end I was only able to find referances to this type of birth happening twice, both in Russia, and both in the early 1900’s, and this info came to me from Guiness World Records. Now I have the internet and just seconds into my search I cam across info about Abigail and Brittany Hensel. OMG! I have never seen real pictures of anyone like this before! When I created the Red Dragon, I had no idea that it was even possible that anyone could be born like this! I don’t know why, but seeing these girls, just changed my way of thinking about The Red Dragon. I have had a hard time writing him into my stories, becaused his deforminty seemed so unplusible. I think I may start useing him more often

~~EK

What Does “Non-Genre” Mean?

Many publications say they only accept “Non-Genre Fiction”. A common question writers ask is: “What is Non-Genre Fiction? Doesn’t all fiction have a genre?” I had just read this post and noticed a debate over what is the meaning of Genre Fiction VS Non-Genre Fiction had begun on it’s comments.  Being an editor, I think I can be of help here. So, here is my answer to that question. I hope that some of you find it helpful when submitting your future stories to publishers.When a publication says, “they’re non-genre focused”, they mean that they only want literary fiction and will automatically refuse all stories that a genre driven. A genre driven story is one that falls under the following:

Romance

Fantasy

Sci-fi

Horror

(and the many other such genres out there)

Genre driven stories are focused largely on promotion of their genre and the story focuses totally on that genre. I.e., a romance focuses on a girl’s romantic infatuation; a fantasy will focus on the life of elves wizards and he-men type characters fighting evil in a epic quest; sci-fi focuses on alien life forms traveling from one planet to the next and other such sci-fi type things; horror focuses on scaring the pants off the reader

When a publisher say “they’re non-genre focused” they want to see a slice-of-life story about the day (or week or year) in the life of so-and-so… this is what is known as non-genre or literary fiction. The story focuses on real-life type characters in real life type situations; stories that real like they could be the life of the guy next door or the girl down the road. Non-genre stories tell a story that is not dependant on a fantasy quest or the eloquent narration describing the alien landscape or the steamy sex-scenes. They simply tell a story about life and thus have no genre.

Well, that’s what I see it to mean. Feel free to comment on your own veiws as to the meaning of “non-genre”.

~~EK

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A List of POD Publishers

I found this list of Print On Demand publishers and found it quite interesting as I had only heard of a few of them before. Well, you know me, now I must go check them all out and compare them against each other. I am compelled to do nothing less. I haven’t had a chance to study up on these yet, so I can’t vouch for them, but feel free to check them out for yourselves and see what you think of them.

Here’s the complete list of Publishers covered in the Guide:  

(links added by me, as the article contained no links ~~EK)

For those interested in POD self-publishing, I also recomend that you first read this:

For the sake of referance, I pasted the first paragraph below:

PRINT ON DEMAND

 Print on demand (POD) is the commonly-used term for the digital printing technology that allows a complete book to be printed and bound in a matter of minutes. POD technology makes it easy and cost-effective to produce books one or two at a time or in small lots, rather than in larger print runs of several hundred or several thousand.POD has a number of applications. Commercial and academic publishers use it to print advance reading copies, or when they can’t justify the expense of producing and warehousing a sizeable print run–for instance, to keep backlist books available. Some independent publishers use it as a more economical fulfillment method, trading lower startup costs against smaller per-book profits (due to economies of scale, digitally printed books have a higher unit production cost than books produced in large runs on offset presses). Last but not least, there are the POD-based publishing service providers, which offer a fee-based service that can be described, depending on one’s bias, as either vanity publishing or self-publishing….

To read the rest of the article CLICK HERE.

Except for graphics, and where specifically indicated, all Writer Beware contents copyright © 1998-2007 Victoria Strauss

 

Attack of the POD People! They are not evil.

Are you a self publisher? Maybe you have a manuscript you want published, but you are not sure if self-publishing is right for you? I’m a self publisher myself and I’m always looking for ways to improve, so as you can expect I spend a lot of my “blog reading time” looking for blogs that help writers in general and self-publishers esp. Well, today I came across a new blog I hadn’t found before. My search lead me to this post:

POD is not Vanity is not Self Publish

April 1st, 2007 · No Comments

POD is a technology. It’s a way to print books. It’s quite useful for printing small quantities, particularly if there is intermittent demand. LOTS of publishers who are not vanity houses or scam mills use POD technology. University presses spring to mind, as do very small limited runs of very tightly focused books. POD is not evil.

Vanity presses can use POD technology OR they can use webfeed technology. Vanity presses are essentially printers with some support staff. They’ll help you print up nice editions of whatever you want. You pay for this. It’s called vanity because they don’t acquire the book. Acquire means there is an editorial staff choosing particular books to publish. Vanity houses do not maintain lists, issue catalogs or sell books in bookstores. Vanity presses are not evil

Self publishers can use POD technology or webfeed technology. Self publishers are not vanity presses in the everyday sense of the word. They are “vanity” in the sense that there isn’t an acquisition but the two phrases are used to mean different things in publishing. Lots of people self publish for a lot of reasons. Self publishing is not evil.

POD/scam mills are companies set up to persuade you, the author, that printing your book with their company is the equivalent to having it acquired by a publisher. They charge you money. Unlike a respectable vanity press, they don’t copy edit or produce high quality products. They are out to make money on volume. They prey on author’s insecurities and lack of knowledge. POD/scam mills are the scum of the earth.

Whether a company is the scum of the earth depends on how they run their business, not how they print their books.

There are several POD companies that do not try to persuade you that you have but to print up books with them to be on your way to fame and glory. Lulu and CafePress come to mind. There are others I’m sure.

Miss Snark, the literary agent

[via To Publish a Book]

→ No CommentsTags: Self-Publishing · Articles · Books

to the authour of this post, I say:

bravo!

*insert clapping smilie here*

every one with a manuscript should read this post, if you know someone with a manuscript pass this on to them.

~~EK

SPAM???

(¯`•Stormraven•._) wrote: define spam?

on my board im puttin a spam board, and most people that are joined to my forum dont know what spam is, so i wanna put an announcment about ‘what is spam’, can someone help me out and write me the announcment?EDIT: please P

So you want to know about SPAM? All right.

Did you know?

The word SPAM is not an acronym at all. It comes from a famous “Monty Python” sketch wherein a customer at a cafe is bombarded with SPAM, the only item on the menu. A chorus of Vikings revel with the song: “SPAM, SPAM, SPAM, SPAM, SPAM, lovely SPAM, wonderful SPAM.”

Additionally, SPAM is a Hormel product named after “spicy ham” that served as the basis of the sketch.

So what exactly is this thing called SPAM on places like email, blogs, and message boards?

What is SPAM?

That depends on what you are really asking.

SPAM is illeagle, not only is it illeagle, but it is a criminal act, an FBI reportable offense, that can result in a $25,000 fine, and for the worst offenders a prison sentance.

What is SPAM?

SPAM is the posting of links to illeagle web-sites, such as those promoting Porn or drugs; usually through emails, blog comments, or “guest posts” on message boards.

HOWEVER:

SPAM has come to mean many other things as well… and today is used very losely to discribe a wide variaty of interrnet activities.

Most of us today, know SPAM as the posting of multi-links to a single web site…SEE THIS POST HERE FOR AN EXAMPLE… this type of SPAM is usually done by Bloggers hoping to raise their blog ranks through pingbacks and inbound links… like the “true” SPAM it too, is an FBI reportable offence (admins getting this type of posting on their site can go to the FBI website, and file a report of “online harasment”)

the type of SPAM you are refereing to is known as “friendly” SPAM… this is when an admin of a blog or forum invites members to post comments that are totally pointless and usually only one or two words such as:

LOL!

)

Got Ya!

I Won!

so… does that answer your question?

~~EK

Writing Tip of the Day: March 28, 2007: Editing

Never resist editing. Your writing isn’t etched in stone and can always be improved for the reader. Some of you are now throwing stones, and type hate emails for me. I know, I hate editing just as much as any other writer, but fact is, it must be done, so you might as well drop that stone and get editing. Think about it this way: If your writing is as perfect as you think it is already, than editing well only make it that much better, right?

Why do you resist writing? Fear? Fear of what? Maybe you ought to write a story about a writer with a phobia of editing. Point out how crazy his phobia is and how it disrupts his writing career. This’ll do wonders for changing the way you edit your stories.

If you really have a problem with editing, there are people whose job it is to edit your work… they are known as: editors. Editors are not a thing to fear. Editors are people who love books just as much as you do, and they  want to see a great piece of fiction get printed. So wither you do your own editing or you get an editor to do it for you, never resist the art of editing. Your readers well be glad you did.