Category Archives: creative

Is Buying a Costume Instead of Sewing It Considered Cheating?

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Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

    [QUOTE=Danzikumaru;1807749]*

    It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

    *[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Is Buying a Costume Instead of Sewing It Considered Cheating?

pawpawpawpawpaw

Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

    [QUOTE=Danzikumaru;1807749]*

    It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

    *[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Is Buying a Costume Instead of Sewing It Considered Cheating?

pawpawpawpawpaw

Ahh… making AND embroidering a custom kimono…. now you are talking my language! I’m an embroiderer, and for me, making my costumes is not so that I can say I made the costume so much as it is so I can say:[I] “OMG! I can’t believe I actually embroidered every inch of this thing myself!”[/I]. I am currently in the process of hand embroidering antique silk to make Lord Sesshomaru’s Pink flower furisode kimono (from the movie), and I’m doing it in 16th century Noh Theater style covering every inch of the cloth with embroidery… it’s going to take me at least 4 months to embroider, and could take 8 or 9 months.

If you are going for a historically accurate embroidered and layered kimono… OMG! Those things can take up to 4 years to make! Some of the detail work that goes into them are amazing, but hand embroidery is just the slowest thing you could ever try to do. Embroidered kimonos are usually done by 5 or 6 people all sitting around it and embroidering sections of it, and even than it takes 4 or 5 months to finish. If you are talking 16th century embroidery in the Noh style, you are talking a majorly advanced project that you’ll really have a hard time finding a seamstress willing to do. Those things are a real pain to make… I know, because, I’m doing one right now.

Weird thing about this is, I’m not doing it to enter any Cons or contests, and I’ll probably never go to a Con (haven’t been to one yet, but that never stopped me from CosPlaying). I will however wear this as part of my street cloths, as I do with all of my CosPlay stuff.

I do this because I just love to sew and embroider things. For me, personally, CosPlay is all about the actual construction of the costume… the designing, the planning, the hours spent in fabric stores looking for just the right fabric, than the months spent sewing.

However, as I said, that me. Everyone is different. And you know what? You do not have to make it yourself to CosPlay!

In fact the best most detailed costume I ever wore, was one of the ones I did not make myself. It was way to advanced, and I knew my sewing skills would not cut it, so I had a seamstress make it up instead and she did an amazing job on it. It was Miss Piggy from the Muppet Show, and it had a full head mask, that looked EXACTLY like the Miss Piggy puppet on the show, the whole thing was made out of sculpted felt and was utterly amazing. I could have done the dress, but I just let her do the whole thing. It was the mask that really stumped me, because I just can’t sculpt fabric and make it look like anything.

A agree with this statement here:

    [QUOTE=Danzikumaru;1807749]*

    It isn’t cheating to buy a costume. It IS cheating to enter a costume contest with a bought costume and claim you made it.

    *[/QUOTE]

For me personally, I’d feel like I was cheating if I wore a bought costume, because I’m so damn good at sewing that I’d run myself through a guilt trip over it (unless it was so advanced that I couldn’t make it myself). But that would be me judging me, not me judging someone else. I started sewing at age 6, because my mom was a seamstress. I grew up sewing costumes, it’s just second nature to me, so for me to buy a costume would just [I]feel [/I]wrong.

On the other hand though, I would never accuse any one of cheating for buying a costume. I know first hand just how much time and money and long hard work goes into sewing a costume, and I also know it’s not something every can or wants to do. It takes a lot of work to make a costume, and even people who have the skill, may not have the time, what with school-jobs-family, for a lot of folks, sewing a costume, just really is not an option, even if they did want to sew it themselves.

To me, I feel it’s really snobby, for anyone to tell you that yo are cheating it you didn’t sew it yourself.

CosPlay = Costume Play, nothing more and nothing less. CosPlay does not mean Sewed Costume Myself Play, it doesn’t dictate that you MUST sew the costume yourself. All it dictates is that you wear a costume, not how you came by said costume.

So, my feelings are that you are only cheating if you bought the costume and than said you sewed it.

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

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Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

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Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Lord Sesshomaru’s Kimono: Alternate Kimono #2 (Manga Only)

pawpawpawpawpaw

Alternate Kimono #2:

Sesshomaru’s Alternate Kimono #2, is a very ceremonial style, of solid white, with full swinging sleeves that sweep in lengths just above his ankles. The lower quarter of each sleeve is dyed blue, and the left shoulder is also dyed blue.

On the front and back of each sleeve, near the boarder of the dye are embroidered three family crests (twelve in all). The crest is repeated on the neck and shoulder of the left side.

Each crest consists of a triple hexagon with a six petaled white plum/cherry blossom in the center of each blue hexagon, surrounded by a white boarder.

Beneath his Kimono Sesshomaru wears a white (or sometimes blue flower print) Nagajuban.

With this version we see Sesshy wearing either his black armor or his purple armor.

This is a rarely seen alternate version of Lord Sesshomaru’s kimono, however, once it surfaced, it quickly became the most beloved one used by fans, as when wearing blue, Sesshomaru seems less fierce than when wearing red. This is the most commonly drawn version featured in non-cannon daijishi manga.


(my art from my fashion design costume portfolio)

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Advanced

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Advanced Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Advanced

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Advanced level documentation should have a thorough discussion of the components of the item, explains the rationale behind methods, materials, skills and tools, provides illustrations (if available), references and notes, as well as any original research or experimentation. Any conscious compromises should be explained. A summary page is helpful if the documentation is exceptionally in-depth, and more detailed work can also be put in appendices. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Thorough knowledge or discussion of materials and skills used to complete the project

    *Thorough knowledge or discussion of methods and tools used to complete the project

    *Research and reference: very complete sources and visual or descriptive references, includes a bibliography and cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Advanced level, keeping in mind any deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare) must be plausible and explained. Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Advanced level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Advanced level, based on the following:

    *Effective use of tools, methods, and techniques

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Advanced

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Advanced Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Advanced

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Advanced level documentation should have a thorough discussion of the components of the item, explains the rationale behind methods, materials, skills and tools, provides illustrations (if available), references and notes, as well as any original research or experimentation. Any conscious compromises should be explained. A summary page is helpful if the documentation is exceptionally in-depth, and more detailed work can also be put in appendices. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Thorough knowledge or discussion of materials and skills used to complete the project

    *Thorough knowledge or discussion of methods and tools used to complete the project

    *Research and reference: very complete sources and visual or descriptive references, includes a bibliography and cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Advanced level, keeping in mind any deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare) must be plausible and explained. Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Advanced level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Advanced level, based on the following:

    *Effective use of tools, methods, and techniques

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Advanced

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Advanced Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Advanced

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Advanced level documentation should have a thorough discussion of the components of the item, explains the rationale behind methods, materials, skills and tools, provides illustrations (if available), references and notes, as well as any original research or experimentation. Any conscious compromises should be explained. A summary page is helpful if the documentation is exceptionally in-depth, and more detailed work can also be put in appendices. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Thorough knowledge or discussion of materials and skills used to complete the project

    *Thorough knowledge or discussion of methods and tools used to complete the project

    *Research and reference: very complete sources and visual or descriptive references, includes a bibliography and cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Advanced level, keeping in mind any deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare) must be plausible and explained. Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Advanced level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Advanced level, based on the following:

    *Effective use of tools, methods, and techniques

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Intermediate

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Intermediate Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Intermediate

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Intermediate level documentation should have at least minimal discussion of the components involved. More in-depth discussion or period practices or conscious compromises is encouraged and should receive higher points. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and some discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Some discussion of materials and skills used to complete the project

    *Some discussion of methods and tools used to complete the project

    *Research and reference: cites more than one source and one visual or descriptive reference, includes a reference sheet (bibliography) or cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Intermediate level, keeping in mind any plausible/explained deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare). Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Intermediate level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Intermediate level, based on the following:

    *Effective use of tools, methods, and execution

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Intermediate

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Intermediate Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Intermediate

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Intermediate level documentation should have at least minimal discussion of the components involved. More in-depth discussion or period practices or conscious compromises is encouraged and should receive higher points. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and some discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Some discussion of materials and skills used to complete the project

    *Some discussion of methods and tools used to complete the project

    *Research and reference: cites more than one source and one visual or descriptive reference, includes a reference sheet (bibliography) or cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Intermediate level, keeping in mind any plausible/explained deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare). Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Intermediate level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Intermediate level, based on the following:

    *Effective use of tools, methods, and execution

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

SCA Judging Critera: Embroidery, Counted and Free Form: Intermediate

pawpawpawpawpaw

I was looking up embroidery competitions, cause I’m thinking of entering my kimono’s in one after I get them finished, which is maybe a year or so down the road, but if I want to enter I need to know the rules before I start! Well, I’m copying the rules here to my blog, from their web site so that I’ll be able to reference them. Here is the Intermediate Rules:

SCA Judging Criteria: Embroidery, Counted and Free Form: Intermediate

    DOCUMENTATION 0-8 pts. Judging and scoring for Documentation is based on a graduated level of knowledge and discussion of the components of the item. Intermediate level documentation should have at least minimal discussion of the components involved. More in-depth discussion or period practices or conscious compromises is encouraged and should receive higher points. Verbal feedback during the judging, how well the entrant understands the period practice and process of the creation of their item beyond what is written, can enhance the Documentation score. Give score based on the following:

    *Description and some discussion of entry including the following: country of origin, period of origin, characteristics of style for that period.

    *Some discussion of materials and skills used to complete the project

    *Some discussion of methods and tools used to complete the project

    *Research and reference: cites more than one source and one visual or descriptive reference, includes a reference sheet (bibliography) or cites sources in a standard format (endnotes, footnotes, parenthetical, MLA, etc.).

    AUTHENTICITY 0-8 pts. Judge this at the Intermediate level, keeping in mind any plausible/explained deviations or substitutions from authentic period equivalents (reasonable substitutions for elements that are too toxic, too expensive or too rare). Efforts to achieve a completely authentic item (except those items that are unsafe) will score best.
    * Form/function—is it a period item and does it work in a period way (apparent knowledge or application of period practice)
    * Methods of creation— handwork vs. machine work, any charting, transfer, pattern, etc.

    * Materials used—stitches, pattern, backing and thread material (linen, silk, wool, vs. DMC floss, etc.)

    *Design, style–period design or style or gives a period effect

    COMPLEXITY 1-5 pts Rank the ambition of the entry, not the workmanship, based on the following. Judge the entrant at the Intermediate level, keeping in mind that not all period items are complex.

    *Scope of endeavor (# of pieces, size of work in relation to amount of detail, etc.)

    *Difficulty/variety of design elements used—variety of motifis/ how they are combined

    *Difficulty/variety of techniques attempted—elements/motifs/stitches

    *Difficulty/variety of media, materials, tools used—e.g. velvet, metallics, handspun, etc., are harder)

    *Extent of original work or ideas

    WORKMANSHIP 1-5 pts. Rank the quality of execution and success of the entry. Judge the entrant at the Intermediate level, based on the following:

    *Effective use of tools, methods, and execution

    *Techniques, handling of materials, etc.—tension, starts, ends, neatness, evenness, finishing

    *Design: period aesthetics, motifs, design (note: period sense of balance and proportion is not necessarily the same as modern) etc

    *Form/Function: does it do what it should do and look as it should look?

    *Period styling or personalization or special embellishment

    OVERALL QUALITY 1-4 pts. Evaluate the work as a whole, rating the aesthetic effect and appeal beyond the mere technical proficiency. Consider how you react to the entry (intuitive response) and other items not previously addressed. This is the ‘wow’ factor; following are some examples to consider, but the category is not limited to these.

    *Completely authentic from the ground up

    -OR-

    *Unique or outstanding display or attempt at period presentation

    -OR-

    *Logical creative endeavor within a period methodology (creativity/individuality)

    -OR-

    *You want to take it home because it is really outstanding

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

pawpawpawpawpaw

————-
If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Page copy protected against web site content infringement by Copyscape

Blingo

Are You Creative?

I was just on a discussion board, where the topic of the day was: What do you do that is creative? We were supposed each post a list of creative things that we do.

Here is my list of all the creative things I do:

– write fiction
– write non-fiction
– paint (acrylic, pastel and watercolors)
– draw (fashion illustration)
– fashion design: art
– fashion design: pattern making
– fashion design: sewing
– sewing: needlepoint, embroidery, cross-stich, crazy quilting, crochet
– feral cat rescue
– farming: poultry
– farming: food (vegie & fruit)
– framing: flower
– theater: playwrite
– theater: stage design
– theater: costume design

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

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Are You Creative?

I was just on a discussion board, where the topic of the day was: What do you do that is creative? We were supposed each post a list of creative things that we do.

Here is my list of all the creative things I do:

– write fiction
– write non-fiction
– paint (acrylic, pastel and watercolors)
– draw (fashion illustration)
– fashion design: art
– fashion design: pattern making
– fashion design: sewing
– sewing: needlepoint, embroidery, cross-stich, crazy quilting, crochet
– feral cat rescue
– farming: poultry
– farming: food (vegie & fruit)
– framing: flower
– theater: playwrite
– theater: stage design
– theater: costume design

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

Page copy protected against web site content infringement by Copyscape

Are You Creative?

black birdfall leaves centerblack bird

I was just on a discussion board, where the topic of the day was: What do you do that is creative? We were supposed each post a list of creative things that we do.

Here is my list of all the creative things I do:

– write fiction
– write non-fiction
– paint (acrylic, pastel and watercolors)
– draw (fashion illustration)
– fashion design: art
– fashion design: pattern making
– fashion design: sewing
– sewing: needlepoint, embroidery, cross-stich, crazy quilting, crochet
– feral cat rescue
– farming: poultry
– farming: food (vegie & fruit)
– framing: flower
– theater: playwrite
– theater: stage design
– theater: costume design

What’s your take on this? I’d love to hear what you have to say about this post. Leave a comment and share your views!

————-

Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral

black birdfall leaves centerblack bird

Page copy protected against web site content infringement by Copyscape