“Read with purpose” is one of the three pillars of DIY MFA, but it’s often the most overlooked. It’s easy to see how writing and community can contribute to our literary development, but sometimes reading can fall by the wayside. Today I wanted to talk about the importance of reading with purpose, what exactly it… Read more »
This time I thought I’d do an analysis of Murder, She Wrote, one of my all-time favorite TV shows. If you’re not familiar with it, it’s about Jessica Fletcher, a retired schoolteacher-turned-mystery-author who goes around solving murders. Some of those murders take place in her beloved hometown of Cabot Cove, while others occur when she… Read more »
For some writers, point of view (POV) comes naturally. They hear their character’s voice in their head and know exactly whose perspective the story needs to be in. For other writers, POV can be a minefield where it’s impossible to know which point of view to choose. In fact, it might feel like you have… Read more »
I’ve been doing these three-act analyses for many months now, and it recently occurred to me that I hadn’t yet tried the model out on allegorical fiction. This is why today I thought I’d do an analysis of Animal Farm by George Orwell. Not familiar with the three-act structure? No worries. Read this article for… Read more »
I’ll admit, at first I was skeptical about dictation. To be honest, the idea kind of intimidated me. But after taking a Dictation Boot Camp led by my friend Sarah Elisabeth Sawyer, I decided to give it a try. In fact, I’m actually doing it right now as I write this Writer Fuel. I think… Read more »
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