‘INVADER’ Dives into the Chaos of Domestic Invasion
“A home invasion occurs every 30 seconds in America.” So opens Mickey Keating’s latest, which just landed on Shudder this month. Keating has proven to be one of my favorite creators working in horror over the last several years, thanks in no small part to his twisting narratives that often…
‘SWEET REVENGE:’ JASON VOORHEES IS BACK, BABY…
On February 13th, 2009, I left my local multiplex mostly satisfied with Platinum Dunes’s rendition of FRIDAY THE 13th. I had some qualms with the forgettable score (this series just hits different without Harry Manfredini’s iconic themes and motifs), but it was an otherwise strong effort that did…
‘ALL ALONE TOGETHER’ IS A LOW-FI SPARK OF INSPIRATION TO FILMMAKERS EVERYWHERE!
Throughout the uncertainty, fear, and turmoil of the Covid pandemic, the only thing I created was a questionable online footprint. It was a completely different story, however, for the four student filmmakers behind 4085 Productions, who took their isolation and boredom and turned it into art. Their debut feature,…
KING OF THE BLOCKBUSTERS: ‘JAWS’ AT 50! BY BRETT GALLMAN
When JAWS debuted in 1975, it so thoroughly revolutionized the movie industry that its effects continue to reverberate 50 years later. So much ink has been spilled about it that it hardly warrants rehashing, but it can’t be stated enough just how monumental this unassuming adaptation of a…
[MOVIES OF THE FUTURE] DANIELLE HARRIS AND MICHAEL IRONSIDE JOIN TRUE-CRIME HORROR THRILLER ‘MARROW’
Congratulations to Daily-Grindhouse-contributor-of-the-past Preston Fassel on his Movie-Of-The-Future, MARROW, which costars HALLOWEEN IV‘s Danielle Harris and Michael Ironside, among others! Preston wrote the script with two colleagues, one of whom stars in the movie and the other of whom is directing. This sounds like a really cool project….
[UNNAMED FOOTAGE FESTIVAL Vol. 8] ‘THE REBRAND’ IS A QUEER HORROR MOCKUMENTARY THAT WILL HAVE YOU SCREAMING!
THE REBRAND (2024) is an ultra-queer, ultra-smart, darkly hilarious horror mockumentary that will have you screaming in more ways than one. Director Kaye Adelaide’s first feature, co-written with Nancy Webb, is the kind of low-budget in-world-camera miracle that could have sabotaged itself a million different ways in…
