November 20, 2019
Tom Spurgeon, 1968-2019
By Douglas Wolk
Tom Spurgeon, the writer and editor of
The Comics Reporter, died November 13, at the age of 50. For the second half of his life, he was an extraordinary presence in American comics, as a chronicler of the medium and the industry around it, a critic, a convention organizer, and a nexus point for the comics community.
Born December 16, 1968, Spurgeon grew up in a media-immersed household in Muncie, Indiana: his father was a newspaper editor and reporter, and his mother ran a public-relations business. In high school, Spurgeon was his class president; in college, at Washington and Lee University in Virginia, he was a lineman on the football team. According to the cartoonist Dan Wright, his friend for over 40 years, Spurgeon initially planned to go to law school after he graduated, but decided to attend Illinois' Garrett-Evangelical Theological Seminary instead. He never went into the ministry, but the pastoral impulse stayed with him.
After several years at seminary and a brief stint working for QVC in Pennsylvania, Spurgeon moved to Seattle, Washington, in 1994, to become the managing editor (and later executive editor) of
The Comics Journal. Eric Reynolds, then the magazine's news editor and now the associate publisher of Fantagraphics Books, says he and Spurgeon bonded quickly, and remained close ever after: "He was probably my best friend in the comic book business. He was a really good conceptual thinker, and had a really good eye for hiring talent for the Journal, but he was also a procrastinator. I was the reporter, and more detail-oriented than he was. But we complemented each other really well."
The
Journal won four consecutive Eisner Awards for Best Comics-Related Periodical, from 1996 through 1999, and Spurgeon quickly gained a reputation in the comics community as a mensch and a wit. ("He pretty much won Halloween every year," Reynolds recalls. "One year, he was Big Boy, from Bob's Big Boy--he somehow made an actual giant hamburger that he took to a party.") Spurgeon could be difficult, and liked to argue, but seems to have rarely fallen out with anyone for good. If he challenged you, it probably meant he trusted you to rise to the challenge.
In that spirit, he convinced a number of his friends to make creative and professional leaps. As Dan Wright was approaching 30 and working as a graphic designer, he says, "I told Tom that I wanted to do something beyond a provincial approach to art. Tom said, 'you know, Dan, you should think about syndicated cartooning. You might have to learn how to write, but you've got the chops to do it.'" After Spurgeon mailed Wright books of classic comic strips to study, Wright developed a Christian-themed funny animal strip, initially titled
Bobo's Progress and later
Wildwood, and brought Spurgeon in to write it with him. It was syndicated by King Features from 1999, the year Spurgeon left the
Journal, to 2002.
Spurgeon collaborated on the 2003 biography
Stan Lee and the Rise and Fall of the American Comic Book with Jordan Raphael, who had met him as a summer intern at
The Comics Journal in 1995. Once the book was published, Raphael built this web site as a vehicle for Spurgeon's writing, funded by advertising.
The Comics Reporter launched
October 11, 2004, with Spurgeon's thoughts on a recent bestseller chart, an annotated pointer to a news announcement, an obituary for Christopher Reeve, and some slyly worded links to stories elsewhere ("Edmonton Paper Celebrates Four-Page Graphic Novel; Dave Sim Develops Face Tic").
The Comics Reporter is where Spurgeon really made his mark, and he continued to post here almost every day for the rest of his life: news items, reviews, commentary, provocations, announcements of comics shows, and birthday congratulations to seemingly everyone associated with the medium. Some of his best writing here was personal writing, about the intersection of
comics with his own life. In his
interviews, he asked tough, complicated questions that almost invariably drew out long and thoughtful answers. Even his service journalism (
holiday shopping guides, tips for
enjoying Comic-Con International) was often a delight to read.
Spurgeon had strong opinions--his writing could flicker from withering dismissal to infectious awe in a few lines--and open eyes. He had a bottomless reserve of knowledge about and enthusiasm for every kind of comics he could get his hands on, including newspaper strips and editorial cartoons. When he mentioned creators on
The Comics Reporter, or linked to their work, they felt seen and championed. In particular, he made a habit of advocating for promising cartoonists who were just starting out, connecting them with gigs and raising their profile. He reserved some of his most stinging comments for his assessments of his own work, including
The Comics Reporter; nonetheless, it won Eisner Awards for Best Comics-Related Periodical/Journalism in 2010, 2012 and 2013.
While
The Comics Reporter was running, Spurgeon continued to write elsewhere, sometimes about comics and sometimes not. (For a while, he wrote business articles for a pharmaceutical trade magazine edited by his friend Gil Roth.) Spurgeon began work on an oral history of Fantagraphics Books,
We Told You So: Comics as Art, in the mid-2000s; it spent around a decade in limbo before it finally appeared in 2016, co-credited to Michael Dean. ("That book was a great testament to our friendship," Eric Reynolds says, "because I think it would have ruined a lot of less strong friendships.") He also wrote the text for the 2011 art book
The Romita Legacy, about the artists John Romita, Sr., and John Romita, Jr., but noted in 2013 that he'd "never seen a copy of that Romita Legacy book--long story, all my fault."
For most of the early years of
The Comics Reporter, Spurgeon was living in Silver City, New Mexico, relatively physically isolated but a prolific correspondent. "Tom kept in touch with everyone--people from kindergarten and seminary and his college fraternity, and all the different lives that he'd lived," says Caitlin McGurk, Associate Curator and Assistant Professor at the Billy Ireland Cartoon Library and Museum. McGurk also credits her own career path to Spurgeon's encouragement: "Tom took me seriously, and the fact that he took me seriously meant that other people took me seriously."
In 2011, Spurgeon had a near-fatal medical crisis, about which he wrote a remarkable
essay on this site. His friends observe that his brush with death had a profound effect on him, and that after he recuperated, he became more serious about what he wanted to accomplish with his life. He moved to Columbus, Ohio, in March 2015, to take a job as executive director of the annual convention Cartoon Crossroads Columbus; he had friends waiting there to help him unload his U-Haul truck full of longboxes.
Almost immediately, Spurgeon became a fixture of the city's comics community. "Showing up was important to him," McGurk says. "Tom showed up to everything. If there was an obscure Turkish comics scholar giving a brown-bag lunch talk on a Tuesday, Tom would show up. At parties, he would find his place to sit for the evening, and he would just hold court."
Spurgeon had a broad range of enthusiasms he could discuss with the same robust, informed intelligence he brought to comics--history, movies, basketball, theater, horse-racing--but he was most interested in the people he was talking to. "No matter what the conversation was," McGurk says, "he would interrupt at some point and say 'how are you doing, though?' Emphasis on the you. He wanted to know about people's lives, even if he didn't know them very well."
In the Columbus years, Spurgeon wrote somewhat less for
The Comics Reporter; often, it was mostly links and images. One feature he took care to update, though, was "Comics By Request," in which he catalogued and commented on projects and creators in need of money. And, even more than before, he devoted his gifts to watching out for comics creators' health and well-being. An unrealized goal he often brought up with friends was starting a union for cartoonists.
Back in 2012, Tom asked me if I would write a short obituary for him if he were to die while
The Comics Reporter was still running ("like if I got eaten by a shark on my way to San Diego Con 2015," he wrote). It's strange to have words that aren't Tom's as the first ones readers encounter at a site whose voice was so completely and extensively his. It was a relief, though, to learn that
The Comics Reporter will be preserved by several different online archives. You may be reading this a few weeks after Tom Spurgeon's death, or years later, or long after everyone who knew him is gone. If you're coming to this site for the first time, I urge you to explore it, so you can see for yourself why we have reason to envy each other. You have our future, but we had Tom.
Photo Credit: Photo by Tony Amat Copyright 2013 SDCC
posted 5:00 am PST |
Permalink
November 13, 2019
The Never-Ending, Four-Color Festival: Shows And Events
By Tom Spurgeon
posted 3:25 pm PST |
Permalink
If I Were In NYC, I’d Go To This
posted 3:20 pm PST |
Permalink
Happy 61st Birthday, Edd Vick!
posted 3:00 pm PST |
Permalink
Happy 46th Birthday, Anders Nilsen!
posted 3:00 pm PST |
Permalink
Happy 36th Birthday, Jen Vaughn!
posted 3:00 pm PST |
Permalink
Happy 51st Birthday, Brad Mackay!
posted 3:00 pm PST |
Permalink
November 12, 2019
If I Were In Seattle, I’d Go To This
posted 3:20 pm PST |
Permalink
Random Comics News Story Round-Up
* for no particular reason, to the left is a panel from the old Claremont/Byrne/Austin run on late 1970s/early 1970s X-Men comics, with Wolverine in his all-encompassing Fonz phase. Those were frequently effective comics.
posted 3:05 pm PST |
Permalink
Happy 72nd Birthday, Doug Murray!
posted 3:00 pm PST |
Permalink
Happy 48th Birthday, Sara Ryan!
posted 3:00 pm PST |
Permalink
November 11, 2019
Bundled, Tossed, Untied, Stacked: Publishing News
posted 3:25 pm PST |
Permalink
If I Were In Berkeley, I’d Go To This
posted 3:20 pm PST |
Permalink
Random Comics News Story Round-Up
*
here's an interview with that nice man and skilled comic-book writer Brian Michael Bendis about the current attempt to reboot
Legion Of Super-Heroes. That's one of DC's broadly appealing and easy to grasp concepts, and should be something the company does well in the same way that the X-Men books should be a strength for Marvel. I am a spectacularly bad customer for its standard mix of nostalgic reverie for traditional square-jaw super-heroics and kids-culture values of the broadest sort, but I sured like reading optimistic super-kid stories when I was a young man and would imagine a lot of kids could make use of something like that now that the future has become conceivably shorter and potentially more depressing.
* finally: it's hard for me to figure out the benefit of
making stand-alone creative efforts into their own "universe" of stories. I know some people believe these companies shouldn't be precious about this kind of thing, but it always seems to dissipate some of the energy those wider storylines bring to the table. Seems like sloppy resource management.
posted 3:05 pm PST |
Permalink
Happy 67th Birthday, Carl Potts!
posted 3:00 pm PST |
Permalink
November 10, 2019
Comics By Request: People, Places In Need Of Funding
By Tom Spurgeon
* names you may have heard of, at varying levels of initial success:
Brian Pulido,
Chuck Dixon,
Michael Jantze.
* here's another cartoonist of repute:
Ted Rall.
* two long-running campaign followed by this site feature
Larry Shell and
Jim Wheelock.
* finally:
people continue to donate to Gahan Wilson's care.
posted 3:25 pm PST |
Permalink
Go, Look: Children’s Rights At Cartoon Movement
posted 3:20 pm PST |
Permalink
Go, Look: Why It’s Got To Be Bernie
posted 3:10 pm PST |
Permalink
Random Comics News Story Round-Up
*
this Gretchen Felker-Martin essay about the appeal of the Marvel movies coming from elements of their creation that are less than exemplary has received a great deal of attention and has something to say about that enormously successful series of films. They inform the
perception of the comics, at the very least. It's interesting to read analysis tht makes a strong distinction about elements unique to the film because I think the comics have a completely different set of virtues.
*
here's an excerpt from Daybreak, Brian Ralph's graphic novel that inspired a TV show of the same now. I don't know anyone that recognizes the comic in the TV show, but I know a lot of people that Ralph makes as much money as possible from the show.
* J. Caleb Mozzocco on
War Bears. Eddie Campbell on
Screwball! The Cartoonists Who Made The Funnies Funny. Leonard Pierce on
This Is What Democracy Looks Like. Noah Berlatsky on
Wonder Woman Volume One: The Just War.
* finally:
Bill Leak's son Johnnes will fill the cartoonist position at The Australian.
posted 3:05 pm PST |
Permalink
Happy 39th Birthday, Will Dinski!
posted 3:00 pm PST |
Permalink
Happy 42nd Birthday, Derek M. Ballard!
posted 3:00 pm PST |
Permalink
Happy 43rd Birthday, Steve Ekstrom!
posted 3:00 pm PST |
Permalink
Happy 50th Birthday, James Owen!
posted 3:00 pm PST |
Permalink
November 9, 2019
Go, Look: Bill Sienkiewicz Imagery
posted 3:30 pm PST |
Permalink
If I Were In Seattle, I’d Go To This
posted 3:20 pm PST |
Permalink
Daily Blog Archives
November 2019
October 2019
September 2019
August 2019
July 2019
Full Archives
