Daily Haiku Special, Jan. 20, 2026: Vladislav Hristov

front line

from both sides

human voices

World Haiku Review, Spring 2025

 

cold morning

I greet every bird

I meet

Presence, Issue 80, 2025

 

by Vladislav Hristov (Bulgaria)

Posted in Bulgaria, Creativity, Daily Haiku, Haiku, Japanese-style poems, Language Arts, Senryu, Short Poems, Vladislav Hristov | Tagged birds, micro-poetry, nature, war | Leave a comment

Don’t Miss These Interviews with Noted Haiku Poets/Educators

 

Don’t miss my recent interviews for The Haiku Foundation with noteworthy

educators. You will learn more about haiku and about teaching it effectively: 

 

Interview with Ce Rosenow:

 

https://thehaikufoundation.org/interview-with-a-haiku-educator-charlotte-digregorio-talks-to-ce-rosenow/

 

Interview with John Zheng:

 

https://thehaikufoundation.org/living-a-haiku-life-in-the-mississippi-delta-an-interview-with-john-zheng-by-charlotte-digregorio/

 

Interview with Regina Harris Baiocchi:

 

https://thehaikufoundation.org/an-interview-with-a-haiku-educator-charlotte-digregorio-talks-with-regina-harris-baiocchi/

 

 

Posted in Ce Rosenow, Haiku, haiku educators, John Zheng, regina harris baiocchi | Tagged Japanese-style poems, poetry education, Poets | 1 Comment

Daily Haiku Special, Jan. 19, 2026: Robert Ertman and S.M. Kozubek

bitter cold –

on the beach, fossils frozen

in the sand

by Robert Ertman (USA)

     A Splash of  Water

Haiku Society of America Members’ Anthology, 2015

above the bay

swallows skim the surface–

first draft

by S.M. Kozubek (USA)

Now This: Contemporary Poems of Beginnings, Renewals, and Firsts, 2013

Posted in beach, birds, Daily Haiku, Haiku, imagery, Language Arts, Robert Ertman, s.m. kozubek, Short Poems | Tagged Creativity, Japanese-style poems, micro-poetry, writing | 2 Comments

Daily Haiku Special, Jan. 18, 2026: Mary Jo Balistreri and Tom Painting – and a Tanka by Tom Clausen

fugue in E Major

among blooms in the garden

a conversation

by Mary Jo Balistreri (USA) 

Frogpond, Vol. 48:2, Spring/Summer 2025

sedge wren

so little goes

a long way

by Tom Painting (USA)

Frogpond, Vol. 48:2, Spring/Summer 2025

Tanka:

every few bounces

the robin pauses on the lawn

to look and listen;

as if that were all

there was to do

by Tom Clausen (USA)

Wind Five Folded: An Anthology of English-Language Tanka, August 1994

Posted in Daily Haiku, Haiku, Mary Jo Balistreri, nature poems, Short Poems, Tanka, Tom Clausen, Tom Painting | Tagged Creativity, Language Arts, micro-poetry, Poets | 2 Comments

Daily Haiku Special, Jan. 17, 2026: Aparna Pathak

late autumn . . .
the weight of being
unburdened
 
Blithe Spirit, 2018
 
 
hill-walking
he knows all the ways
to go missing with me
 
 
Honorable Mention
6th Matsuyama Photo Haiku Contest, 2017
by Aparna Pathak (India)
Posted in Aparna Pathak, Daily Haiku, Haiku, human nature, India, Senryu, Short Poems | Tagged Humor, Language Arts, micro-poetry, Poets, Relationships | 7 Comments

Daily Haiku Special, Jan. 16, 2026: Mark A. Forrester and Alanna C. Burke

refugee city

park benches crowded

with metal spikes

by Mark A. Forrester (USA)

Haiku Canada Review, Vol. 19, No. 1, February 2025

 

 

sleet and snow

at least the elements

still mix

by Alanna C. Burke (USA)

Haiku Canada Review, Vol. 19, No. 1, February 2025

 

Posted in Alanna C. Burke, Daily Haiku, Haiku, Mark Forrester, micro-poetry, Senryu, Short Poems | Tagged nature, parks, refugees, winter | 5 Comments

Daily Haiku Special, Jan. 15, 2026: Billie Wilson and Christopher Patchel

another cross

along this stretch of road

winter fields

by Billie Wilson (USA)

Frogpond, Vol. 33:1, 2010

 

dusk . . .

my hands cupping

a firefly

by Christopher Patchel (USA)

Frogpond, Vol. 33:1, 2010

Posted in Billie Wilson, Christopher Patchel, Daily Haiku, Haiku, Japanese-style poetry, Language Arts, Literature, Short Poems, summer, winter | Tagged arts, creative writing, Japanese-style poetry, Poets | 2 Comments

Daily Haiku Special: Jan. 14, 2026: Kala Ramesh

notes trickle

down a riverbed of sand . . .

the memory of water

Highly Commended 

Santoka International Haiku and Haiga Contest, 2022

 

mango blossom beyond mango blossom the hopes

Acorn Haiku Journal, #41, Fall 2018

by Kala Ramesh (India)

Posted in Daily Haiku, Haiku, India, Japanese-style poems, Kala Ramesh, monoku, Nature, Short Poems | Tagged Creativity, Language Arts, micro-poetry, Poets | 8 Comments

Daily Haiku Special, Jan. 13, 2026: Robert Witmer

heavy snow . . .
the tucked wings
of the evergreens
Modern Haiku, 45.1, Winter/Spring 2014
barefoot
the puppy’s little boy
puddles home
Frogpond, 44.2, Winter 2021
by Robert Witmer (Japan) 
Posted in children, Daily Haiku, dogs, Haiku, Japan, nature, Robert Witmer, Short Poems | Tagged Creativity, Japanese-style poems, Language Arts, micro-poetry | 2 Comments

Daily Haiku Special, Jan. 12, 2026: Roberta Beary

jasmine scent of the other woman is me

Modern Haiku, 44:1, 2013

green everywhere i turn into summer

tinywords, Issue 21.1,  June 21, 2021

by Roberta Beary (USA/Ireland)

Posted in Daily Haiku, Haiku, Ireland, Japanese-style poetry, Language Arts, monoku, Roberta Beary, Short Poems | Tagged creative writing, marriage, micro-poetry, nature, Relationships | 11 Comments

Daily Haiku Special, Jan. 11, 2026: Curtis Dunlap and Chad Lee Robinson

fireflies in a Mason jar –

running barefoot

with my children

by Curtis Dunlap (USA)

Modern Haiku, Vol. 37.2, Summer 2006

 

 

soldier unfolding the scent of a letter

by Chad Lee Robinson (USA)

Favorite Senryu

Modern Haiku, Vol. 37.1, Winter-Spring 2006

Posted in Chad Lee Robinson, children, Curtis Dunlap, Daily Haiku, Haiku, Parents, Senryu, Short Poems, soldiers | Tagged creative writing, Japanese-style poems, Language Arts, micro-poetry, monoku | 10 Comments

Daily Haiku Special, Jan. 10, 2026: Marion Clarke

late summer light
filling the house
wild peaches
 
Honorable Mention
 
Sharpening the Green Pencil Awards, 2025
 
 
I follow my breath
out of the darkness
winter stars

First Place

Australian Haiku Society Spring Solstice Kukai

(Seasonal Section), 2024

by Marion Clarke (Northern Ireland)

Posted in Daily Haiku, Haiku, Marion Clarke, Northern Ireland, Short Poems, stars, summer, winter | Tagged creative writing, Language Arts, micro-poetry, Seasons | 28 Comments

Daily Haiku Special, Jan. 9, 2026: Michael Henry Lee

first tattoo
the indelible memory 
of flickering neon
 
 
 
Frogpond, Vol. 47:3, Autumn 2024
 
 
 
 
 
 
tinnitus
the children’s laughter
still rings in my ears
 
 
 
 
 
Frogpond, Vol. 48:3, Winter 2025

 

by Michael Henry Lee (USA)

Posted in children, Daily Haiku, Haiku, Language Arts, memories, Michael Henry Lee, Senryu, Short Poems, tattoos | Tagged creative writing, micro-poetry, Poets, sensory imagery | 8 Comments

Daily Haiku Special, Jan. 8, 2026: Dorna Hainds

the separation—
cherry petals fall
between our dreams
Shadow Pond Journal, May 15-16, 2025
folded snowflake–
in the back of the closet
a wedding dress yellowing
Asahi Haikuist Network, Dec. 5, 2025
by Dorna Hainds (USA)
Posted in creative writing, Daily Haiku, Dorna Hainds, Haiku, Japanese-style poems, Language Arts, Short Poems | Tagged imagery, love, micro-poetry, Poets | 3 Comments

Daily Haiku Special, Jan. 7, 2025: Marjorie Pezzoli

supercomputer
mapping the stars
you are here
 
 
Poetry Pea Journal, 1.25, March 2025
 
 
 
space pirates
death of a whale
the debris field expands
 
 
Heterodox Haiku: Contrarians Edition, Summer 2025
 
 
 
by Marjorie Pezzoli (USA)
 
 

Posted in Daily Haiku, Haiku, Language Arts, Marjorie Pezzoli, micro-poetry, Short Poems | Tagged arts, Creativity, outer space, poems, science fiction, stars | 4 Comments

Daily Haiku Special, Jan. 6, 2026: Barrie Levine

dinosaur bingo
the gaps
in my grandson’s grin
Frogpond, Vol. 48.2, Spring/Summer 2025
 
a shudder
at the mailbox
lawyer’s letter
Frogpond, Vol. 48.2, Spring/Summer 2025
by Barrie Levine (USA)
Posted in Barrie Levine, children, Daily Haiku, fear, Haiku, Humor, micro-poetry, Senryu, Short Poems | Tagged creative writing, Language Arts, poems | 4 Comments

Daily Haiku Special, Jan. 5, 2026: Jim Kacian

clouds seen
through clouds
seen through
 
Piedmont Literary Review, 16.3, 1993
 
 
 
 
 
long view to Sirius even the past isn’t past
 
Cairn, 40, 2005
And a tanka . . .
 
 
 
fresh cement
attracts the hand
like amber
each fingerprint
reveals me
the tanka anthology, Red Moon Press, 2003
by Jim Kacian (USA)
Posted in creative writing, Daily Haiku, Haiku, Japanese-style poetry, Jim Kacian, Short Poems, Tanka | Tagged arts, clouds, micro-poetry, Poets, Sirius | 6 Comments

Daily Haiku Special, Jan. 4, 2026: Eufemia Griffo

abandoned temple
the sound of footsteps
on the old stones

Cattails, April 2025

migrating geese
the old path
leading home

Chrysanthemum, 34, 2025

summer house
a layer of dust
on the old fairy tales

Honorable Mention

Triveni Awards,  September 2025

war cemetery
withered flowers
on young soldiers’ graves

Honourable Mention

World Haiku Review, Spring 2025

petals in the wind
the silence
before our farewell

The 2025 SAKURA

 Haiku Challenge Anthology

 Consulate-General of Japan, Toronto

maple syrup
the wild taste
of autumn woods

Winning Poem

The Museum of Haiku Literary Award

Blithe Spirit, 34.4, 2025

by Eufemia Griffo (Italy)

Posted in creative writing, Daily Haiku, Eufemia Griffo, Haiku, Italy, Japanese-style poetry, Short Poems | Tagged cemetery, geese, soldiers, temple, war | 19 Comments

Learn How to Write and Publish Poems and Books – and to Publicize/Sell Your Books!

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This book, published last April, is now into its Fifth Printing. I have limited copies left to sell in my own stock, but ebay is receiving more copies of my book on January 9, after selling out during the holidays. It will be posted again on ebay  this coming Friday. The book focuses heavily on haiku, senryu, and free verse. Besides benefitting poets of all levels, it has been adopted as a text and supplemental text for University English classes.

 

Below is the latest of dozens of fabulous reviews of Wondrous Instruction and Advice from Global Poets: How to Write and Publish Moving Poems and Books and Publicize Like a Pro.

 

This book by award-winning poet Charlotte Digregorio is original, extraordinary, exemplary, and thoroughly reader/user-friendly in style, organization, and presentation. It’s an ideal and unreservedly recommended addition to personal, professional, community and university libraries. It should be on library lists and curriculum study lists. It’s also the essential, comprehensive DIY instruction manual for getting poetry books published and effectively brought to the attention of the public. Of special note is the large section on the Japanese forms, as well as the substantial sections on poetry in general and free verse in particular. Of additional note, for poets and general readers with an interest in poetry, is the author’s blog, www.charlottedigregorio.wordpress.com.

Jim Cox, Editor-in-Chief

Midwest Book Review

 

Other reviews of Wondrous Instruction:

 

Wondrous Instruction and Advice from Global Poets, by internationally-acclaimed educator Charlotte Digregorio, is a much-needed, seminal work that belongs on every poet’s bookshelf. She is one of the best poets writing today. I salute this author for putting together a monumental work that is both practical for poets and engaging to read. It is 334 pages (coffee table-size) of common sense advice and instruction on how to get things done in the world of writing and publishing. While there are numerous excellent resources on one or two topics covered by Digregorio, I have yet to encounter a book that comprehensively covers so many areas of interest to poets. This reviewer’s work has been published hundreds of times. I still find in Digregorio’s  Wondrous Instruction and Advice, nuggets of wisdom and novel resources for improving my writing. Best of all, Digregorio’s engaging humor never fails to produce in me a fresh harvest of motivation

When I was a novice poet, all I wanted to do was write good poetry. I had no idea that authoring poems was easy compared to marketing my books, finding a publisher, pricing my book, deciding on my target audience, and so much more. The book’s subtitle caught my attention from the get-go: How to Write and Publish Moving Poems and Books and Publicize Like a Pro. I wish I’d had Wondrous in my hands some ten years ago!

~ Michael Escoubas, Senior Editor, Quill and Parchment

I’m truly in awe of Charlotte Digregorio’s breathtaking and stunning book, Wondrous Instruction and Advice from Global Poets. Every poet or aspiring one needs to have a copy. This shining achievement is really three works in one: how-to writing and publishing manual; poet’s publicity and book sales guide; and motivational handbook. It brims with heartfelt encouragement, practical tools and hundreds of poetic examples, and wisdom. Having made it to the mountaintop by slow and steady perseverance, the author draws on decades as a long-form and haiku/senryu poet, teacher, editor, publisher, and blogger. In these pages, she presents a panoramic view of poetic forms, inspiring beginners and seasoned writers alike. Without a doubt, this multi-faceted treasure is sure to become the go-to resource for a generation or more.

~ Robert Epstein, Psychologist, Poet and Author, On Time: Haiku & Senryu

A valuable collection of information for any poet wanting to expand their poetry, nurture their well-being, and successfully support their career. It is a multi-volume book under a single cover, with all sections containing accessible and digestible information. The book’s  purpose is helping poets through inspiration and practical instruction.

The author presents a plethora of informative comments from writers around the world in addition to the abundant sample poems. The book’s emphasis is on writing as a profession by helping readers develop the mindset of a writer and recommending places to publish their poetry. The section, “Thrive as an Author,” addresses the many steps involved in creating a book of poems and in publishing and marketing it. She reliably guides poets through the complex business of publishing and promoting their work with her decades of experience as an award-winning author, sought-after speaker, and workshop leader.

Among other sections, she includes a long one on the Japanese poetic forms and their relationship to promoting wellness: “Wisdom and Heart: The Short Forms of Haiku, Senryu, and Tanka.” This contains knowledgeable presentations of these forms; and even moves beyond a “how to ” approach. She addresses how they can support healing, well-being, and a purposeful life. This section is an excellent example of  her statement in the book’s introduction, “Thoughtful poetry helps us deal with life’s experiences.”

The book’s accurate information bears the imprint of Digregorio’s many years as a dedicated educator and professional writer.

~ Ce Rosenow, Ph.D, Educator and Reviewer

MacQueen’s Quinterly

A brilliant new book. It offers poets a great deal of instruction not only on writing well, but on the how-to’s of publicizing their work. This includes how to effectively speak at events, teach, and give workshops; become adept at media and social media publicity; and collaborate with other artists to enhance one’s audience. We learn that being a successful writer also involves learning how to seek every opportunity to engage with the public.

~ John J. Dunphy, Author, Old Soldiers Fading Away

What a herculean task of assembling “Wondrous.” The book covers the gamut: creativity to marketing, and all the in-between.

~ Caroline Giles Banks, Ph.D., Author, Picture a Poem: Ekphrastic and Other Poems

This book is valuable. It is a bible for haiku writing.

~ John Zheng, Ph.D., Professor of English/Chair, Mississippi Valley State University

A beautiful, monumental, and much needed work that will serve so many people. This is a mine of knowledge about what poetry is, how to write it, and what to do with it. On every page, readers realize how much the author loves and respects poetry and poets, and how much knowledge she wants to share. She’s also a wonderful poet herself.

~ Lidia Rozmus (Poland), Poet, Editor, and Author, My Journey

This book is amazing, and will be of tremendous help to both seasoned and emerging poets. This is the latest ambitious masterwork by the inimitable poet, author, and exceptional editor Charlotte Digregorio, one of the most accomplished, knowledgeable, and articulate phenoms of the arts. This tremendously valuable resource helps poets improve their craft and success rate for getting published, and is an essential volume to add to their libraries. Digregorio’s writing and noble work has been instrumental for so many of us on our personal writing journeys. She motivates and inspires us each day. I hope everyone who reads “Wondrous Instruction” also reads her Haiku and Senryu: A Simple Guide for All.

~ Jerome Berglund, Author, Paint Chips: ekphrastic poems about things

My most sincere gratitude to Charlotte Digregorio for her tireless commitment to sustaining and inspiring the global poetic world. “Wondrous Instruction” is a precious resource that not only offers practical advice on how to write and publish poetry, but it also is an illuminating guide on how to effectively promote one’s poetry. The author’s dedication to sharing knowledge and to creating a place of growth for poets of every level is truly admirable. Thank you to the author for being a constant source of inspiration and for her countless contributions to the world of poetry.

~ Eufemia Griffo (Italy), Poet and Author, Il fiume scorre ancora

Charlotte Digregorio’s Wondrous Instruction and Advice from Global Poets is a must-read. Digregorio’s book illuminates her successful skillset as both writer and publicist. For any poet navigating the choppy waters of self-promotion, marketing, and publicity, this book is a lifesaver.

~ Roberta Beary, Co-Author, Haibun: A Writer’s Guide

I highly recommend Wondrous Instruction and Advice from Global Poets to all with an interest in haiku and other poetry. When I began studying haiku in earnest, one great source was Poet and Author Charlotte Digregorio’s brilliant Daily Haiku blog, featuring great work from around the world. A wonderful educator, she has helped many to appreciate the value and beauty of haiku and its related form, senryu, the latter often benefitting those with challenges who are given hope and comfort.

~ Paul Beech (Wales), Poet and Author, Curlew Sunset

This is a masterpiece. I feel like I’m getting an advanced degree in poetry and haiku. This is a must for every serious writer. Digregorio’s books never fail to amaze and instruct me.

~ Mary Jo Balistreri, Poet and Author, Still

An awesome resource. This is a comprehensive book on stoking your creativity, polishing your work, and getting it out into the world. A book that I’ll be revisiting often. Digregorio’s blog is a great resource, too.

~ Steve Schultz, Poet

This gorgeous book is just so comprehensive, well-written, and well-organized.

~ Richard Allen Taylor, Poet and Author, Armed and Luminous

What a remarkable accomplishment! Charlotte Digregorio has supported and encouraged many of us striving poets and managed to produce so much by way of resource materials as well.

~ David Kawika Eyre, Poet and Author, the nothing that is

I find  “Wondrous Instruction” to be invaluable as a poet’s companion, guide, and morale booster. I love the chapters on haiku and senryu.

~ Marci Ridlon McGill, Poet and Author, Sun through the Window

Wow, Charlotte Digregorio has written a major book, helpful to aspiring writers and poets, and seasoned ones, alike! I am honored and humbled to have my work featured in it.

~ Lenard D. Moore, Author, Assoc. Professor of English, University of Mount Olive

This is a comprehensive reference book that is making waves in the poetry circuit worldwide. I am delighted to have a poem featured in it!

~ Rupa Anand (India), Poet and Author, To the Edgeless Sky and Back

This is a vast and encompassing book. If in dreams begins reality, then Charlotte Digregorio encourages us to dream big and explore through poetry the uncharted territory within us.

~ Tom Painting, Author, piano practice

I am blown away! I’d like to tell the world that for every poet who feels they can’t afford expensive writing classes, “Just buy this book.”

~ Rita Yager, Poet and Author, Martini Talk

Overall, the book is fabulous, marvelous! There are gems on every page.

~ Nancy Brady, Poet

This book educates people like never before. Learning how to feel confident about publishing one’s work and how to do it is huge. The book is full of very useful information and great writing examples! In Chapter 13, about writing as therapy, being able to write about difficulties and death with grace and compassion is cutting edge. The examples in this section are very helpful.

~ Marjorie Pezzoli, Artist and Poet

I’m enjoying this book and taking my time to absorb it. I can count on Charlotte Digregorio for superb advice and support for my writing practice.

~ Barrie Levine, Poet and Author, Cotton Moon

Promises kept and more! The title and subtitle set a daunting task before the reader, promising “wondrous” instruction and advice from around the globe, and in the subtitle, information on how to publish poems that will touch readers, compile those into books, along with tips on publishing, publicity and sales. This book is a wholistic approach to the art of poetry—how poems function as an extension of a writer’s creativity, how they work into one’s life, and how writers can share their work, make it known to others by publishing.

I have long been an admirer of Digregorio’s work, so I jumped at the chance to read and review this work. Reading this book, I have benefitted from her advice and have been inspired to go in various new directions with my own work. She devotes an entire chapter on how to think like a writer. Digregorio isn’t content with simply getting a person to write. She offers practical advice on preparing for poetry readings, forming and conducting a critique group, how to deal with rejection, plan a book of your own and publish it, then publicizing and selling the book.

Digregorio hasn’t only fulfilled the promises made by the title, but thanks to the comments made by numerous poets on creativity and other topics, and the careful, example-laden structure of the book, she has exceeded my expectations.  Although just having advice from the author herself would be amazing, she offers points of view from all over the world on the topics she tackles in this book, which are what increases its value immensely.

Because of its wholistic approach and conversational tone which open the door to deeper thinking for both a novice writer and the more experienced wordsmith without being overly complicated or too simple, I wasn’t surprised to learn that this book has already been adopted as a text at several universities. This book belongs on every teacher’s desk, on the desk of every poetry student, the nightstand of every practicing poet, and in the TBR pile of everyone who is even thinking about becoming a poet. In fact, upon finishing the book I moved it to the side of my desk where it will repose as a reference and source of creative “jump starting” when needed. Referring to it often is a joy.

Thanks to the author for writing this book. She is a hero of mine, a marvelous writer, teacher, and editor.

~ Joan Leotta, Author, Simply a Smile, Reviewer for Highland Park Poetry

So many out-of-the-box ideas. I had actually thought I’d like the big section on haiku the best, but was surprised by the other amount of information in this tome, including collaborative work, promotion, self-publishing. Of course, this is more than a reference book – even a good index! It’s also an incredible anthology of poetry.

~ Scott Wiggerman, Librarian and Author, Leaf and Beak: Sonnets

A wonderful book, a treasure. There is so much wisdom in these pages. I know it will be a book I return to.

~ Beverly Acuff Momoi, Author

how the wind sighs

This beautiful book is indeed wondrous, a treasure trove, written by a poet and author extraordinaire. Poets will want to know what Charlotte Digregorio has to say about writing and promoting their books.

~ Sally Hewitt, Poet and Editor, The Rockford Review

Publisher’s Description of this Book: This is a comprehensive, 8.5 X 11 inch-book, (coffee table-size),  of 334 pages for beginning and seasoned poets, authors, teachers, and professors. It has twenty-seven essays, hundreds of quotes, anecdotes, and poems by global poets that inspire readers to actively write, publicize, and sell books. There is clear analysis of individual poems. It details organizing a poetry collection or reference book with publishing options, including self-publishing. The author discusses how to write a creative title and produce an attention-grabbing cover. This title gives creative ideas on publicizing books and selling in quantity through businesses and associations. The author instructs on obtaining print and broadcast media coverage for poetry books through press releases, publicity kits, and interviews that distinguish poets from their peers. Poets will learn to publicize all their events, such as readings and workshops. The book includes advice on seeking speaking engagements at large events, how to give workshops at uncommon venues, become adept at social media including blogging, and how to partner with artists for poetry-exhibits to reach broad audiences. This title has been adopted as a text and a supplemental text at universities.

The author was honored by the Governor of Illinois for her lifelong literary achievements, and was an award-winning newspaper/magazine editor and public relations director before becoming an academic. She has won eighty-three poetry awards and was nominated for four Pushcart Prizes. Her poetry is translated into nine languages. She judges international poetry contests for adults and students. She has also been a small book publisher since 1989. Among board positions, she served as a Vice President of the Haiku Society of America, Board Secretary of the Northwest Association of Book Publishers, and a regional coordinator of The International Women’s Writing Guild.

To Order Wondrous Instruction there are two options: you may order from ebay, beginning January 9 when this sold-out title will again be available there. (You can sign in for free “as a guest.) We have a reliable Winnetka, IL ebay distributor. This method is encouraged for foreign orders or for those who’d like to pay by credit card.

Or:

You can order it directly from me, Charlotte Digregorio, by check or money order, if you live in the U.S.:

I will sign the book. Please make your check payable, in the amount of $27.95, plus $6.25 shipping, to:

Artful Communicators Press

c/o Charlotte Digregorio

711 Oak St., Ste. 310

Winnetka, IL 60093

Your Grand Total is $34.20 *

 

If you have questions, you may email me artfulcommunicators@icloud.com

*As for two of my other poetry titles, you may be interested in Haiku and Senryu: A Simple Guide for All and Ripples of Air: Poems of Healing.

If you purchase “Wondrous” directly from me, you can, at no extra postage charge and at a huge discount besides, order just one of my previous poetry titles, Haiku and Senryu: A Simple Guide for All  OR Ripples of Air: Poems of Healing for only $8. The two books each retail for $19.95 and normally there is an extra $4.50 shipping charge.  I can only fit the Wondrous book and one other title into the bubble bag mailer. You can read some of the reviews about both these titles below, and select just one if you are interested for $8 more. (U.S. customers only.)

If you have questions about any of my three titles, you can email me at artfulcommunicators@icloud.com. Please do not respond here.

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Reviews for Haiku and Senryu: A Simple Guide for All:

(A classic book, adopted as a text and a supplemental text for university English

classes.)

An altogether brilliant work that must be read by anyone with so much as a passing interest in haiku. Charlotte Digregorio has penned a masterpiece! She has written the definitive guide to one of poetry’s most fascinating genres. This work belongs on the bookshelf of any poet who is serious about writing the kind of haiku that editors want to publish.

-–John J. Dunphy, Author and Poet, Touching Each Tree 

This book is overall the best one out there on the subject. The amount of information is extraordinary and exceeds that found in any other book. In particular, the commentaries on selected poems are very good, intelligent, and sensitive, and really place keys into the hands of readers for unlocking the mysteries and joys of haiku literature–from its roots in Japan to its present robust evolution in English and other languages.

-–Michael McClintock, Award-Winning Author/Editor of Haiku & Tanka Books

Former President of The Tanka Society of America

  • If a book about haiku inspires the reader to create haiku, then Charlotte Digregorio’s Haiku and Senryu: A Simple Guide for All has done its job bountifully.

Robin Stratton, Editor, Boston Literary Magazine

  • A strong overview of haiku–a wealth of information on how to introduce and teach haiku to children, college students, and interested adults.

Michael Rehling, Haiku Editor and Poet

  • An energetic and comprehensive guide by a prolific writer and educator with insightful perspectives and a generous sampling of published haiku and senryu.

Frogpond, Journal of the Haiku Society of America

  • I honor the work Charlotte Digregorio has done on  behalf of English-language haiku in Haiku and Senryu: A Simple Guide for All. She has a gift for writing clearly, concentrating on what matters beyond passing controversy.

Robert Epstein, Haiku Author and Editor

  • Marvelous book and marvelous insight! I truly enjoyed this book, being wonderfully surprised by the new information I didn’t know.

Donna Bauerly, Poet and Professor Emeritus, Loras College

  • Passionate, clear, well-supported instruction about haiku and senryu. Any artist will revel in the splendor, humor, and knowledge this book has to offer.

Connie, Kuntz, Editor, The Rockford Review

  • A poetry reference book that should be on all poets’ bookshelves.

Authorship magazine, National Writers Association

  • A rich resource for teachers with concise and accessible definitions of haiku and senryu. The material is wonderfully delivered and accessible to even student-poets, loaded with examples and explanations.

Tom Painting, Haiku Author and Teacher

Charlotte Digregorio, a best-selling writer, has produced a compendious volume offering straightforward training not only to write competent haiku, but also to see your results published.

Lin Geary, Book Reviewer, Haiku Canada Review

  • I’m sure Wondrous Instruction and Advice from Global Poets will find a  treasured place on the shelves of poets, right next to your influential Haiku and Senryu: A Simple Guide for All.Poets treasure the latter, as it is frequently mentioned by my Haikupedia correspondents as being influential.

Charles Trumbull (USA), Author and Editor

 

About Ripples of Air: Poems of Healing:

Ripples contains poems of fourteen forms including free verse, haiku, and senryu,  and it inspires poets to write with its prose passages.

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Ripples of Air: Poems of Healing:

Ripples of Air is a wonderful, universal book and a great gift for all adults. It beckons us to write in order to heal. It should be in every therapist’s office. The author gives us the tools and encourages us to write the lyrics of our own lives. It’s soothing and revealing. We are taken down the paths of nostalgia, and through the stages of our lives, the seasons in nature, matters of the heart, our work, our art, and the beauty that can be found in solitude.

Rita Yager, Award-Winning Poet

 

Ripples of Air: Poems of Healing is a book worth reading, appreciating, and immersing yourself in, like sacred Ganges water. Quite simply, through the author’s glorious poems and prose, the latter introducing each new section in this book, we understand that “poetry heals.” It’s a mantra Digregorio lives by, and strives admirably to pass along to those she helps, inspires, and mentors, and to communicate to audiences empathetically and instructively when she performs in public places.

on the path/ cherry blossoms in the breeze/ gentle me”

Indeed in our often frightful age of global warfare and domestic insanity, health and financial insecurity, loneliness and isolation, in channeling creativity  as a means of self-care,  Digregorio deeply  understands the  ameliorative possibilities  that poetry plays as a balm in our lives. 

dusk . . . / on the express train/ motionless faces 



For the author, “mentorship is my passion and calling.” There is beautiful imagery in her poetry. The twists and turns of the bonsai she describes are akin to those in our own lives. Her philosophic observations in this intellectually stimulating tome are of great benefit to readers who strive to write and publish their own creative works.

pruning/ the bonsai . . . / my knotty life



Digregorio includes some underutilized poetic forms to engage readers in this book. Professors teaching their students about ekphrastic or acrostic poems, for example, would do well using her work as superlative contemporary examples. Furthermore, the quite intense adult limericks at the end of the “Wonder and Whimsy” chapter are particularly noteworthy.  They are unlike any that readers have encountered before, and could conceivably make Tim Burton or Roald Dahl turn green with envy.

As a book, too, by a renowned master of Japanese short forms, this is highly recommended, (along with her “Haiku and Senryu: A Simple Guide for All.” (The latter includes a phenomenally illuminating chapter on haiku sequences.  I have reviewed the latter book, too, on this blog.)

Digregorio’s  many poetic forms throughout “Ripples of Air: Poems of Healing,”  including, sonnets, cinquains, free verse, tanka, and  haibun, are absolute achievements  of artistry  worth learning from.

I should also recommend this book as an excellent introduction and explanation for the many values of poetry in general and haiku/senryu particularly, which would make for a clear and easy to read introduction for family and friends who don’t grasp the purpose of poetry.  The prose introductions to each section are tremendously useful in explaining and relaying these points that would immensely benefit laymen, and increase their creative awareness and comprehension. That is something  I, my friends, and colleagues have  perceived the need for as an effective means of communicating to interested parties.

I highly recommend your reading  “Ripples of Air: Poems of Healing,”  at your soonest opportunity,  and then buying it as a gift.

Jerome Berglund, Author and Award-Winning Poet

THANKS to ALL!

Have a very creative new year,

Best,

Charlotte Digregorio

Posted in Charlotte Digregorio, Haiku and Senryu: A Simple Guide for All, Poetry Books, Ripples of Air: Poems of Healing, Wondrous Instruction and Advice from Global Poets | Tagged Author, Free Verse, Haiku, Poetry, Senryu | 2 Comments

Daily Haiku Special, Jan. 3, 2026: Maria Tosti

along the urban trail
plum blossom – how to forget
sweetly the sad days

Asahi Haikuist Network, April 19, 2024

 
 
old red convertible –
with hair in the wind
my youth gone

Writing Dragons, Hanoi, Vietnam, May 20, 2025

by Maria Tosti (Italy)
Posted in creative writing, Daily Haiku, Haiku, Italy, Maria Tosti, memories, Short Poems, youth | Tagged Japanese-style poems, Language Arts, Literature, micro-poetry | 2 Comments

Daily Haiku Special: Jan. 2, 2026: Nicoletta Ignatti

dead cell phone –

i rest my eyes

looking at the stars

Golden Haiku Triangle, March 2025

 

 

New Year’s Eve –

i bleach everything

generously

tsuri-doro, Issue #30, November/December 2025

by Nicoletta Ignatti (Italy)

Posted in creative writing, Daily Haiku, Haiku, New Year's, Nicoletta Ignatti, Short Poems, stars | Tagged creative writing, Italy, Language Arts, micro-poetry, Poets | 7 Comments

Daily Haiku Special, Jan. 1, 2026: Kimberly Kuchar

first snow
filling the recesses
of his favorite chair



Wales Haiku Journal, Winter 2023/2024, February 2024

 




melting snow . . .
squeezing her hand
in the hospital



Frogpond, 47:1, Winter 2024


by Kimberly Kuchar (USA)

Posted in Daily Haiku, Haiku, home, illness, Kimberly Kuchar, Poets, Short Poems, winter | Tagged creative writing, Language Arts, micro-poetry | Leave a comment

Daily Haiku Special, Dec. 31, 2025: Elliot Nicely and Johnette Downing

dandelion field

the summer wind casts

a thousand wishes

by Elliot Nicely (USA)

bottle rockets, #16, 2007

 

breaking a heart

into pieces

Valentine chocolates

by Johnette Downing (USA)

bottle rockets, #16, 2007

Posted in Daily Haiku, dreams, Elliot Nicely, Haiku, hopes, Johnette Downing, Loss, love, Senryu, Short Poems, Valentine's Day | Tagged creative writing, Japanese-style poems, Language Arts, micro-poetry | 4 Comments

Daily Haiku Special, Dec. 30, 2025: Joe McKeon and Christopher Patchel

shoveling snow –

my headphones filled

with Vivaldi’s Spring

by Joe McKeon (USA)

Acorn, #36, Spring 2016

 

 

dining trays

under our coats . . .

first snow

by Christopher Patchel (USA)

Acorn, #36, Spring 2016

 

Posted in Christopher Patchel, Daily Haiku, Haiku, imagery, Joe McKeon, Nature, Short Poems, winter | Tagged creative writing, literary arts, Literature, micro-poetry, Poets | 2 Comments

Daily Haiku Special, Dec. 29, 2025: Marta Chocilowska

hometown
buried with wind
our traces

Asahi Haikuist Network, 29.1, 2016

return ticket
leaving a sea scent
in the wallet

cattails, January 2016

by Marta Chocilowska (Poland)

Posted in creative writing, Daily Haiku, Haiku, Marta Chocilowska, Poland | Tagged Japanese-style poetry, Language Arts, Literature, micro-poetry | 15 Comments

Daily Haiku Special, Dec. 28, 2025: John Zheng

autumn sunset

jazz all the way

to the cemetery

the Buddha says

this whole world is

a waking dream

October dusk

in the toll of church bells

falling leaves

by John Zheng (USA), Author

A Way  of Looking

Winner of the 2019 Gerald Cable Book Award

Silverfish Review Press, 2021

Posted in Author, Buddha, Daily Haiku, death, Haiku, John Zheng, Life, nature, Poet, Short Poems | Tagged creative writing, Japanese-style poems, literary arts, micro-poetry | 2 Comments

Daily Haiku Special, Dec. 27, 2025: Marco Fraticelli

finding myself

in the TV ads

kneeling at the funeral

the creaking of my bones

old people walking

old dogs

new father letting go

of the kite

by Marco Fraticelli (Canada), Co-Author

Changing Demographics, 2021

Posted in Aging, Canada, Daily Haiku, Marco Fraticelli, Senryu, Short Poems | Tagged Language Arts, micro-poetry, publishing, writing | 2 Comments

Daily Haiku Special, Dec. 26, 2025: William Scott Galasso and Marsh Muirhead

shooting star . . .

even the heavens

seem restless tonight

 

by William Scott Galasso (USA)

Modern Haiku, Vol. 41.1, Winter-Spring 2010

 

the haiku instructor

and his briefcase

our lowered expectations

by Marsh Muirhead (USA)

Modern Haiku, Vol. 41.1, Winter-Spring 2010

 

Posted in Daily Haiku, Haiku, Humor, Marsh Muirhead, Senryu, Short Poems, unrest, William Scott Galasso | Tagged arts, Creativity, Japanese-style poems, micro-poetry | 2 Comments

Daily Haiku Special, Dec. 25, 2025: Jerome Berglund, Michael McClintock, and Tom Clausen

herding reindeer
maybe I was
good enough

by Jerome Berglund (USA)

Asahi Haikuist Network, Dec. 19, 2025

 

 

And two tanka . . .

 

where the sun rises

and where it sets–

the things I learn first

in each place I come to live,

making my home between them

by Michael McClintock (USA), Author

Meals at Midnight, 2008

I had it all

figured out,

this little wisdom of mine

then in the night

the rain so hard

by Tom Clausen (USA)

Frogpond, XVIII.4, 1995

 

Posted in Daily Haiku, Haiku, Japanese-style poetry, Jerome Berglund, Michael McClintock, Short Poems, Tanka, Tom Clausen | Tagged Christmas, Life, Peace, wisdom | 14 Comments

Daily Haiku Special, Dec. 24, 2025: David Kāwika Eyre

small tight fists

while the candles

are being lit

~~~~~~~

 

dusk

the wind finds small places

to howl

by David Kāwika Eyre (USA), Author

the nothing that is

 

Posted in children, Daily Haiku, David Eyre, dusk, Haiku, Senryu, wind | Tagged Creativity, micro-poetry, nature, Short Poems | 4 Comments

Daily Haiku Special, Dec. 23, 2025: Barth H. Ragatz and John J. Dunphy

still proudly displayed

the Father’s Day pencil box

on my crowded desk

by Barth H. Ragatz (USA)

Four Hundred and Two Snails:

Haiku Society of America Members’ Anthology, 2018

 

secondhand store

with a handful of coins

a shabby-dressed man

buys books

by John J. Dunphy (USA)

bottle rockets, No. 39, 2018

Posted in Barth H. Ragatz, children, Daily Haiku, Father's Day, Haiku, John J. Dunphy, Senryu, Short Poems, thrift store | Tagged arts, micro-poetry, Poets | Leave a comment

Daily Haiku Special, Dec. 22, 2025: Mike Stinson and David Oates

autumn dusk

even the sparrows

are thinking of home

by Mike Stinson (USA)

bottle rockets, No.  43, 2020

don’t know

what the bird

is saying

but  I can tell

he means it

by David Oates (USA)

bottle rockets, No.  43, 2020

Posted in autumn, birds, creative writing, Daily Haiku, David Oates, Haiku, Japanese-style poems, Mike Stinson, Short Poems | Tagged creatures, imagery, Literature, micro-poetry, nature, Poets | 9 Comments

Daily Haiku Special, Dec. 21, 2025: Robert Ertman and Harriot West

new memorial garden

no one forgotten yet

by Robert Ertman (USA)

bottle rockets, #19, 2008

 

 

talk of politics

a neighbor’s lawn sign

casts a shadow

 

by Harriot West (USA)

bottle rockets, #19, 2008

 

 

 

Posted in creative writing, Daily Haiku, Haiku, Harriot West, imagery, Language Arts, Robert Ertman, Senryu, Short Poems | Tagged death, neighbors, politics | 2 Comments

Daily Haiku Special, Dec. 20, 2025: Donna Bauerly and Charles Trumbull

back to the bluffs

of my childhood

1-Mississippi

by Donna Bauerly (USA)

Fractured by Cattails:

Haiku Society of America Members’ Anthology, 2023

 

 

taut strands

of the barbed wire fence . . .

so much left unsaid

by Charles Trumbull (USA)

Modern Haiku, Vol. 40.3, Autumn 2009

Posted in Charles Trumbull, childhood, Daily Haiku, Donna Bauerly, Haiku, micro-poetry, Relationships, Short Poems | Tagged Creativity, Japanese-style poems, Language Arts | 6 Comments

Daily Haiku Special, Dec. 19, 2025: C.R. Manley and Roberta Beary

unfamiliar birdsong–

when I whistle it

the cat sits up

 by C.R. Manley (USA)

Glimmering Hour:

Haiku Northwest 35th Anniversary Anthology, 2025

the shift to passive voice planet earth

by Roberta Beary (USA/Ireland)

The Heron’s Nest, Vol. XXVI, No. 4, 2024

Posted in birdsong, C.R. Manley, cats, Daily Haiku, earth, Haiku, Roberta Beary, Short Poems | Tagged creative writing, Language Arts, micro-poetry, monoku | 4 Comments

Daily Haiku Special, Dec. 18, 2025: Jim Kacian

the river
the river makes
of the moon
ant ant ant ant ant, 1996
followed home
by a dog I don’t know
autumn dusk
Third Prize
Robert Spiess Memorial Haiku Contest, 2007
by Jim Kacian (USA)
Posted in Daily Haiku, dogs, Haiku, imagery, Jim Kacian, literary arts, moon, Short Poems | Tagged Creativity, Literature, micro-poetry, Poets | 4 Comments

Daily Haiku Special, Dec. 17, 2025: Maya Daneva and Michelle Schaefer

a snowball

in my cupped hands

winter moon

by Maya Daneva (The Netherlands)

Blithe Spirit, 34.1,  February 2024

 

dry January

shots of whipped cream

straight from the can

by Michelle Schaefer (USA)

Prune Juice, Issue #46, 2025

 

Posted in Daily Haiku, Haiku, imagery, Language Arts, Maya Daneva, Michelle Schaefer, micro-poetry, Short Poems, The Netherlands | Tagged creative writing, literary arts, poems | 6 Comments

Daily Haiku Special, Dec. 16, 2025: Alanna C. Burke and Michael McClintock

april fifteenth

I spring-clean

the checking account

by Alanna C. Burke (USA)

bottle rockets, #38,  2018

 

 

changing trains –

our two promises

to write soon

 

by Michael McClintock (USA)

Modern Haiku, Vol. 42.1, Winter-Spring 2011

 

 

 

 

Posted in Alanna C. Burke, Daily Haiku, Haiku, human nature, Language Arts, Michael McClintock, money, promises, Senryu, short poems | Tagged Literature, micro-poetry, Poets | 2 Comments

Daily Haiku Special, Dec. 15, 2025: Sharon Pretti and Chad Lee Robinson

speaking to him

as if he’s still here

sea stars

by Sharon Pretti (USA)

Acorn, No. 36, Spring 2016

  

Father’s Day –

eating apple slices

off the blade

by Chad Lee Robinson (USA)

Acorn, No. 36, Spring 2016

 

Posted in Chad Lee Robinson, Daily Haiku, fathers, Grief, Haiku, Loss, memories, Parents, Sharon Pretti, Short Poems | Tagged Creative Writers, Japanese-style poems, Language Arts, micro-poetry | 4 Comments

Daily Haiku Special, Dec. 14, 2025: Tom Clausen

deep freeze

the icy patch

where the deer slept

tomclausen.com, June 21, 2024

excavating

myself

from my life

tomclausen.com, June 13, 2024

by Tom Clausen (USA)

Posted in creative writing, Daily Haiku, Haiku, Senryu, Short Poems, Tom Clausen | Tagged Language Arts, micro-poetry, Poets, reflections, winter, writing | 16 Comments

Daily Haiku Special, Dec. 13, 2025: Robert Epstein and Chen-ou Liu

in memory of my mother

first day of winter

another anniversary

without her husband

by Robert Epstein (USA), Author

Reckoning with Winter: A Haiku Hailstorm, 2019

 

  

waning moon

during our silence

the drip of icicles

by Chen-ou Liu (Canada)

Posted in Canada, Chen-ou Liu, Daily Haiku, death, Haiku, marriage, Relationships, Robert Epstein, Short Poems, winter | Tagged imagery, Language Arts, micro-poetry, poems | 6 Comments

Daily Haiku Special, Dec. 12, 2025: Anna Cates and Bruce H. Feingold

a heart still beating

in the owl’s claws

December moon

by Anna Cates (USA)

Frogpond, 48:1, Winter 2025

 

 

snowfall’s silence
my grandson asks
when will I die

by Bruce H. Feingold (USA)

Modern Haiku, Vol. 55:2, Summer, 2024

Posted in Anna Cates, Bruce H. Feingold, Daily Haiku, death, imagery, Life, Short Poems | Tagged creative writing, Japanese poetic forms, micro-poetry, Poets | 7 Comments

Daily Haiku Special, Dec. 11, 2025: Lev Hart and Caroline Giles Banks

white breath

the blackbird’s song

takes shape

by Lev Hart (Canada)

Honorable Mention, Best of Volume 8

Autumn Moon Haiku Journal, Vol. 8.1., Autumn/Winter 2024

 

 

winter winds
the tinseled tree regifted
neighbor-to-neighbor

by Caroline Giles Banks (USA)

Posted in birds, Canada, Caroline Giles Banks, Christmas, creative writing, Daily Haiku, Lev Hart, Short Poems | Tagged Japanese-style poems, Language Arts, Literature, micro-poetry | 6 Comments

Daily Haiku Special, Dec. 10, 2025: Roland Packer and Keiko Izawa

subzero dawn

a dumpster emptied

of sparrows

by Roland Packer (Canada)

Acorn, 38, 2017

ice skating

into his hand

my whole weight

by Keiko Izawa (Japan)

Simply Haiku, Winter 2005

Posted in birds, Canada, Daily Haiku, Haiku, Japan, Keiko Izawa, nature, Roland Packer, Senryu | Tagged creative writing, Japanese-style poems, Language Arts, micro-poetry | 2 Comments

Daily Haiku Special, Dec. 9, 2025: Gregory Longenecker and Lorraine Haig

in the eyes

of a snowy owl

Northern lights

by Gregory Longenecker (USA)

First Place

Maya Lyubenova International Haiku Contest 2023

– English-Language

desert stars

the rattle of plates

in the dining car

by Lorraine Haig (Australia)

Presence, #82,  2025    

Posted in Australia, Daily Haiku, desert, Gregory Longenecker, Lorraine Haig, micro-poetry, Short Poems, winter | Tagged creative writing, Japanese poetic forms, literary arts, micro-poetry | 6 Comments

Daily Haiku Special, Dec. 8, 2025: John J. Dunphy

Route 66

the derelict cafe’s ceiling fan

spun by the wind

Frogpond, 32:2, 2009

Route 66

a tumbleweed

changes lanes

Frogpond, 27:1, 2004

by John J. Dunphy (USA)

———————————-

Posted in creative writing, creativity, Daily Haiku, Haiku, John J. Dunphy, Route 66, Short Poems | Tagged Japanese-style poems, Language Arts, Literature, micro-poetry, Poets | 5 Comments

Daily Haiku Special, Dec. 7, 2025: Kelly Sargent

childhood stutter
stone-shaped syllables
in the stream
Acorn, Issue #55, Autumn 2025
cherry blossom petals
my toddler’s
pink lemonade pucker
Honorable Mention
Vancouver Cherry Blossom Festival
Haiku Competition 2025
snowflakes on my eyelashes
counting the reasons
to stick around
hedgerow, Issue #149, August 2025
never quite belonging lawn daisy days
Kingfisher Journal, Issue #12, October 2025
by Kelly Sargent (USA)
Posted in creative writing, Daily Haiku, Haiku, Kelly Sargent, Language Arts, Short Poems | Tagged Japanese-style poems, Literature, micro-poetry, nature | 10 Comments

Daily Haiku Special, Dec. 6, 2025: Mark A. Forrester and Elmedin Kadric

vortex of leaves

somewhere on this street

my childhood home

by Mark A. Forrester (USA)
bottle rockets, #32, 2015

in the mirror

trying to look like I looked

in the pond

by Elmedin Kadric (Sweden)

bottle rockets, #32, 2015

Posted in Daily Haiku, Elmedin Kadric, Haiku, Japanese-style poetry, Mark Forrester, Short Poems, Sweden, Uncategorized | Tagged Aging, childhood, creative writing, Language Arts, micro-poetry | 5 Comments

Daily Haiku Special, Dec. 5, 2025: Al Gallia and S.M. Kozubek

will o’ the wisp . . .

alligator eyes gleam in

the johnboat light

by Al Gallia (USA)

Haikuniverse, Dec. 13, 2018

despite the frost forsythia

by S.M. Kozubek

hedgerow, No. 108, 2017

Posted in Al Gallia, Daily Haiku, Haiku, micro-poetry, s.m. kozubek, Short Poems, Uncategorized | Tagged Japanese-style poems, Literature, Poets, Seasons | 4 Comments

June 21, 2022, Daily Haiku Special–Donna Bauerly

 
 

edge of light

my fishing pole

across the handlebars 

 

thunder storms

grandma rocking with beads

and blessed candles 

 

 

the wind

taking

a swing 

 

packing

my convent trunk

all I have inside

 

 

by Donna Bauerly (USA)

Mann Library’s Daily Haiku, April 2022

Posted in Daily Haiku, Donna Bauerly, Haiku, Japanese-style poetry, Senryu, Short Poems, USA | Tagged Haiku, micro-poetry, Senryu | 8 Comments