front line
from both sides
human voices
World Haiku Review, Spring 2025
cold morning
I greet every bird
I meet
Presence, Issue 80, 2025
by Vladislav Hristov (Bulgaria)
| CARVIEW |
front line
from both sides
human voices
World Haiku Review, Spring 2025
cold morning
I greet every bird
I meet
Presence, Issue 80, 2025
by Vladislav Hristov (Bulgaria)
Don’t miss my recent interviews for The Haiku Foundation with noteworthy
educators. You will learn more about haiku and about teaching it effectively:
Interview with Ce Rosenow:
Interview with John Zheng:
Interview with Regina Harris Baiocchi:
bitter cold –
on the beach, fossils frozen
in the sand
by Robert Ertman (USA)
A Splash of Water
Haiku Society of America Members’ Anthology, 2015
above the bay
swallows skim the surface–
first draft
by S.M. Kozubek (USA)
Now This: Contemporary Poems of Beginnings, Renewals, and Firsts, 2013
fugue in E Major
among blooms in the garden
a conversation
by Mary Jo Balistreri (USA)
Frogpond, Vol. 48:2, Spring/Summer 2025
sedge wren
so little goes
a long way
by Tom Painting (USA)
Frogpond, Vol. 48:2, Spring/Summer 2025
Tanka:
every few bounces
the robin pauses on the lawn
to look and listen;
as if that were all
there was to do
by Tom Clausen (USA)
Wind Five Folded: An Anthology of English-Language Tanka, August 1994
refugee city
park benches crowded
with metal spikes
by Mark A. Forrester (USA)
Haiku Canada Review, Vol. 19, No. 1, February 2025
sleet and snow
at least the elements
still mix
by Alanna C. Burke (USA)
Haiku Canada Review, Vol. 19, No. 1, February 2025
another cross
along this stretch of road
winter fields
by Billie Wilson (USA)
Frogpond, Vol. 33:1, 2010
dusk . . .
my hands cupping
a firefly
by Christopher Patchel (USA)
Frogpond, Vol. 33:1, 2010
notes trickle
down a riverbed of sand . . .
the memory of water
Highly Commended
Santoka International Haiku and Haiga Contest, 2022
mango blossom beyond mango blossom the hopes
Acorn Haiku Journal, #41, Fall 2018
by Kala Ramesh (India)
jasmine scent of the other woman is me
Modern Haiku, 44:1, 2013
green everywhere i turn into summer
tinywords, Issue 21.1, June 21, 2021
by Roberta Beary (USA/Ireland)
fireflies in a Mason jar –
running barefoot
with my children
by Curtis Dunlap (USA)
Modern Haiku, Vol. 37.2, Summer 2006
soldier unfolding the scent of a letter
by Chad Lee Robinson (USA)
Favorite Senryu
Modern Haiku, Vol. 37.1, Winter-Spring 2006
First Place
Australian Haiku Society Spring Solstice Kukai
(Seasonal Section), 2024
by Marion Clarke (Northern Ireland)
by Michael Henry Lee (USA)
abandoned temple
the sound of footsteps
on the old stones
Cattails, April 2025
migrating geese
the old path
leading home
Chrysanthemum, 34, 2025
summer house
a layer of dust
on the old fairy tales
Honorable Mention
Triveni Awards, September 2025
war cemetery
withered flowers
on young soldiers’ graves
Honourable Mention
World Haiku Review, Spring 2025
petals in the wind
the silence
before our farewell
The 2025 SAKURA
Haiku Challenge Anthology
Consulate-General of Japan, Toronto
maple syrup
the wild taste
of autumn woods
Winning Poem
The Museum of Haiku Literary Award
Blithe Spirit, 34.4, 2025
by Eufemia Griffo (Italy)
This book, published last April, is now into its Fifth Printing. I have limited copies left to sell in my own stock, but ebay is receiving more copies of my book on January 9, after selling out during the holidays. It will be posted again on ebay this coming Friday. The book focuses heavily on haiku, senryu, and free verse. Besides benefitting poets of all levels, it has been adopted as a text and supplemental text for University English classes.
Below is the latest of dozens of fabulous reviews of Wondrous Instruction and Advice from Global Poets: How to Write and Publish Moving Poems and Books and Publicize Like a Pro.
This book by award-winning poet Charlotte Digregorio is original, extraordinary, exemplary, and thoroughly reader/user-friendly in style, organization, and presentation. It’s an ideal and unreservedly recommended addition to personal, professional, community and university libraries. It should be on library lists and curriculum study lists. It’s also the essential, comprehensive DIY instruction manual for getting poetry books published and effectively brought to the attention of the public. Of special note is the large section on the Japanese forms, as well as the substantial sections on poetry in general and free verse in particular. Of additional note, for poets and general readers with an interest in poetry, is the author’s blog, www.charlottedigregorio.wordpress.com.
Jim Cox, Editor-in-Chief
Midwest Book Review
Other reviews of Wondrous Instruction:
Wondrous Instruction and Advice from Global Poets, by internationally-acclaimed educator Charlotte Digregorio, is a much-needed, seminal work that belongs on every poet’s bookshelf. She is one of the best poets writing today. I salute this author for putting together a monumental work that is both practical for poets and engaging to read. It is 334 pages (coffee table-size) of common sense advice and instruction on how to get things done in the world of writing and publishing. While there are numerous excellent resources on one or two topics covered by Digregorio, I have yet to encounter a book that comprehensively covers so many areas of interest to poets. This reviewer’s work has been published hundreds of times. I still find in Digregorio’s Wondrous Instruction and Advice, nuggets of wisdom and novel resources for improving my writing. Best of all, Digregorio’s engaging humor never fails to produce in me a fresh harvest of motivation.
When I was a novice poet, all I wanted to do was write good poetry. I had no idea that authoring poems was easy compared to marketing my books, finding a publisher, pricing my book, deciding on my target audience, and so much more. The book’s subtitle caught my attention from the get-go: How to Write and Publish Moving Poems and Books and Publicize Like a Pro. I wish I’d had Wondrous in my hands some ten years ago!
~ Michael Escoubas, Senior Editor, Quill and Parchment
I’m truly in awe of Charlotte Digregorio’s breathtaking and stunning book, Wondrous Instruction and Advice from Global Poets. Every poet or aspiring one needs to have a copy. This shining achievement is really three works in one: how-to writing and publishing manual; poet’s publicity and book sales guide; and motivational handbook. It brims with heartfelt encouragement, practical tools and hundreds of poetic examples, and wisdom. Having made it to the mountaintop by slow and steady perseverance, the author draws on decades as a long-form and haiku/senryu poet, teacher, editor, publisher, and blogger. In these pages, she presents a panoramic view of poetic forms, inspiring beginners and seasoned writers alike. Without a doubt, this multi-faceted treasure is sure to become the go-to resource for a generation or more.
~ Robert Epstein, Psychologist, Poet and Author, On Time: Haiku & Senryu
A valuable collection of information for any poet wanting to expand their poetry, nurture their well-being, and successfully support their career. It is a multi-volume book under a single cover, with all sections containing accessible and digestible information. The book’s purpose is helping poets through inspiration and practical instruction.
The author presents a plethora of informative comments from writers around the world in addition to the abundant sample poems. The book’s emphasis is on writing as a profession by helping readers develop the mindset of a writer and recommending places to publish their poetry. The section, “Thrive as an Author,” addresses the many steps involved in creating a book of poems and in publishing and marketing it. She reliably guides poets through the complex business of publishing and promoting their work with her decades of experience as an award-winning author, sought-after speaker, and workshop leader.
Among other sections, she includes a long one on the Japanese poetic forms and their relationship to promoting wellness: “Wisdom and Heart: The Short Forms of Haiku, Senryu, and Tanka.” This contains knowledgeable presentations of these forms; and even moves beyond a “how to ” approach. She addresses how they can support healing, well-being, and a purposeful life. This section is an excellent example of her statement in the book’s introduction, “Thoughtful poetry helps us deal with life’s experiences.”
The book’s accurate information bears the imprint of Digregorio’s many years as a dedicated educator and professional writer.
~ Ce Rosenow, Ph.D, Educator and Reviewer
MacQueen’s Quinterly
A brilliant new book. It offers poets a great deal of instruction not only on writing well, but on the how-to’s of publicizing their work. This includes how to effectively speak at events, teach, and give workshops; become adept at media and social media publicity; and collaborate with other artists to enhance one’s audience. We learn that being a successful writer also involves learning how to seek every opportunity to engage with the public.
~ John J. Dunphy, Author, Old Soldiers Fading Away
What a herculean task of assembling “Wondrous.” The book covers the gamut: creativity to marketing, and all the in-between.
~ Caroline Giles Banks, Ph.D., Author, Picture a Poem: Ekphrastic and Other Poems
This book is valuable. It is a bible for haiku writing.
~ John Zheng, Ph.D., Professor of English/Chair, Mississippi Valley State University
A beautiful, monumental, and much needed work that will serve so many people. This is a mine of knowledge about what poetry is, how to write it, and what to do with it. On every page, readers realize how much the author loves and respects poetry and poets, and how much knowledge she wants to share. She’s also a wonderful poet herself.
~ Lidia Rozmus (Poland), Poet, Editor, and Author, My Journey
This book is amazing, and will be of tremendous help to both seasoned and emerging poets. This is the latest ambitious masterwork by the inimitable poet, author, and exceptional editor Charlotte Digregorio, one of the most accomplished, knowledgeable, and articulate phenoms of the arts. This tremendously valuable resource helps poets improve their craft and success rate for getting published, and is an essential volume to add to their libraries. Digregorio’s writing and noble work has been instrumental for so many of us on our personal writing journeys. She motivates and inspires us each day. I hope everyone who reads “Wondrous Instruction” also reads her Haiku and Senryu: A Simple Guide for All.
~ Jerome Berglund, Author, Paint Chips: ekphrastic poems about things
My most sincere gratitude to Charlotte Digregorio for her tireless commitment to sustaining and inspiring the global poetic world. “Wondrous Instruction” is a precious resource that not only offers practical advice on how to write and publish poetry, but it also is an illuminating guide on how to effectively promote one’s poetry. The author’s dedication to sharing knowledge and to creating a place of growth for poets of every level is truly admirable. Thank you to the author for being a constant source of inspiration and for her countless contributions to the world of poetry.
~ Eufemia Griffo (Italy), Poet and Author, Il fiume scorre ancora
Charlotte Digregorio’s Wondrous Instruction and Advice from Global Poets is a must-read. Digregorio’s book illuminates her successful skillset as both writer and publicist. For any poet navigating the choppy waters of self-promotion, marketing, and publicity, this book is a lifesaver.
~ Roberta Beary, Co-Author, Haibun: A Writer’s Guide
I highly recommend Wondrous Instruction and Advice from Global Poets to all with an interest in haiku and other poetry. When I began studying haiku in earnest, one great source was Poet and Author Charlotte Digregorio’s brilliant Daily Haiku blog, featuring great work from around the world. A wonderful educator, she has helped many to appreciate the value and beauty of haiku and its related form, senryu, the latter often benefitting those with challenges who are given hope and comfort.
~ Paul Beech (Wales), Poet and Author, Curlew Sunset
This is a masterpiece. I feel like I’m getting an advanced degree in poetry and haiku. This is a must for every serious writer. Digregorio’s books never fail to amaze and instruct me.
~ Mary Jo Balistreri, Poet and Author, Still
An awesome resource. This is a comprehensive book on stoking your creativity, polishing your work, and getting it out into the world. A book that I’ll be revisiting often. Digregorio’s blog is a great resource, too.
~ Steve Schultz, Poet
This gorgeous book is just so comprehensive, well-written, and well-organized.
~ Richard Allen Taylor, Poet and Author, Armed and Luminous
What a remarkable accomplishment! Charlotte Digregorio has supported and encouraged many of us striving poets and managed to produce so much by way of resource materials as well.
~ David Kawika Eyre, Poet and Author, the nothing that is
I find “Wondrous Instruction” to be invaluable as a poet’s companion, guide, and morale booster. I love the chapters on haiku and senryu.
~ Marci Ridlon McGill, Poet and Author, Sun through the Window
Wow, Charlotte Digregorio has written a major book, helpful to aspiring writers and poets, and seasoned ones, alike! I am honored and humbled to have my work featured in it.
~ Lenard D. Moore, Author, Assoc. Professor of English, University of Mount Olive
This is a comprehensive reference book that is making waves in the poetry circuit worldwide. I am delighted to have a poem featured in it!
~ Rupa Anand (India), Poet and Author, To the Edgeless Sky and Back
This is a vast and encompassing book. If in dreams begins reality, then Charlotte Digregorio encourages us to dream big and explore through poetry the uncharted territory within us.
~ Tom Painting, Author, piano practice
I am blown away! I’d like to tell the world that for every poet who feels they can’t afford expensive writing classes, “Just buy this book.”
~ Rita Yager, Poet and Author, Martini Talk
Overall, the book is fabulous, marvelous! There are gems on every page.
~ Nancy Brady, Poet
This book educates people like never before. Learning how to feel confident about publishing one’s work and how to do it is huge. The book is full of very useful information and great writing examples! In Chapter 13, about writing as therapy, being able to write about difficulties and death with grace and compassion is cutting edge. The examples in this section are very helpful.
~ Marjorie Pezzoli, Artist and Poet
I’m enjoying this book and taking my time to absorb it. I can count on Charlotte Digregorio for superb advice and support for my writing practice.
~ Barrie Levine, Poet and Author, Cotton Moon
Promises kept and more! The title and subtitle set a daunting task before the reader, promising “wondrous” instruction and advice from around the globe, and in the subtitle, information on how to publish poems that will touch readers, compile those into books, along with tips on publishing, publicity and sales. This book is a wholistic approach to the art of poetry—how poems function as an extension of a writer’s creativity, how they work into one’s life, and how writers can share their work, make it known to others by publishing.
I have long been an admirer of Digregorio’s work, so I jumped at the chance to read and review this work. Reading this book, I have benefitted from her advice and have been inspired to go in various new directions with my own work. She devotes an entire chapter on how to think like a writer. Digregorio isn’t content with simply getting a person to write. She offers practical advice on preparing for poetry readings, forming and conducting a critique group, how to deal with rejection, plan a book of your own and publish it, then publicizing and selling the book.
Digregorio hasn’t only fulfilled the promises made by the title, but thanks to the comments made by numerous poets on creativity and other topics, and the careful, example-laden structure of the book, she has exceeded my expectations. Although just having advice from the author herself would be amazing, she offers points of view from all over the world on the topics she tackles in this book, which are what increases its value immensely.
Because of its wholistic approach and conversational tone which open the door to deeper thinking for both a novice writer and the more experienced wordsmith without being overly complicated or too simple, I wasn’t surprised to learn that this book has already been adopted as a text at several universities. This book belongs on every teacher’s desk, on the desk of every poetry student, the nightstand of every practicing poet, and in the TBR pile of everyone who is even thinking about becoming a poet. In fact, upon finishing the book I moved it to the side of my desk where it will repose as a reference and source of creative “jump starting” when needed. Referring to it often is a joy.
Thanks to the author for writing this book. She is a hero of mine, a marvelous writer, teacher, and editor.
~ Joan Leotta, Author, Simply a Smile, Reviewer for Highland Park Poetry
So many out-of-the-box ideas. I had actually thought I’d like the big section on haiku the best, but was surprised by the other amount of information in this tome, including collaborative work, promotion, self-publishing. Of course, this is more than a reference book – even a good index! It’s also an incredible anthology of poetry.
~ Scott Wiggerman, Librarian and Author, Leaf and Beak: Sonnets
A wonderful book, a treasure. There is so much wisdom in these pages. I know it will be a book I return to.
~ Beverly Acuff Momoi, Author
how the wind sighs
This beautiful book is indeed wondrous, a treasure trove, written by a poet and author extraordinaire. Poets will want to know what Charlotte Digregorio has to say about writing and promoting their books.
~ Sally Hewitt, Poet and Editor, The Rockford Review
Publisher’s Description of this Book: This is a comprehensive, 8.5 X 11 inch-book, (coffee table-size), of 334 pages for beginning and seasoned poets, authors, teachers, and professors. It has twenty-seven essays, hundreds of quotes, anecdotes, and poems by global poets that inspire readers to actively write, publicize, and sell books. There is clear analysis of individual poems. It details organizing a poetry collection or reference book with publishing options, including self-publishing. The author discusses how to write a creative title and produce an attention-grabbing cover. This title gives creative ideas on publicizing books and selling in quantity through businesses and associations. The author instructs on obtaining print and broadcast media coverage for poetry books through press releases, publicity kits, and interviews that distinguish poets from their peers. Poets will learn to publicize all their events, such as readings and workshops. The book includes advice on seeking speaking engagements at large events, how to give workshops at uncommon venues, become adept at social media including blogging, and how to partner with artists for poetry-exhibits to reach broad audiences. This title has been adopted as a text and a supplemental text at universities.
The author was honored by the Governor of Illinois for her lifelong literary achievements, and was an award-winning newspaper/magazine editor and public relations director before becoming an academic. She has won eighty-three poetry awards and was nominated for four Pushcart Prizes. Her poetry is translated into nine languages. She judges international poetry contests for adults and students. She has also been a small book publisher since 1989. Among board positions, she served as a Vice President of the Haiku Society of America, Board Secretary of the Northwest Association of Book Publishers, and a regional coordinator of The International Women’s Writing Guild.
To Order Wondrous Instruction there are two options: you may order from ebay, beginning January 9 when this sold-out title will again be available there. (You can sign in for free “as a guest.) We have a reliable Winnetka, IL ebay distributor. This method is encouraged for foreign orders or for those who’d like to pay by credit card.
Or:
You can order it directly from me, Charlotte Digregorio, by check or money order, if you live in the U.S.:
I will sign the book. Please make your check payable, in the amount of $27.95, plus $6.25 shipping, to:
Artful Communicators Press
c/o Charlotte Digregorio
711 Oak St., Ste. 310
Winnetka, IL 60093
Your Grand Total is $34.20 *
If you have questions, you may email me artfulcommunicators@icloud.com
*As for two of my other poetry titles, you may be interested in Haiku and Senryu: A Simple Guide for All and Ripples of Air: Poems of Healing.
If you purchase “Wondrous” directly from me, you can, at no extra postage charge and at a huge discount besides, order just one of my previous poetry titles, Haiku and Senryu: A Simple Guide for All OR Ripples of Air: Poems of Healing for only $8. The two books each retail for $19.95 and normally there is an extra $4.50 shipping charge. I can only fit the Wondrous book and one other title into the bubble bag mailer. You can read some of the reviews about both these titles below, and select just one if you are interested for $8 more. (U.S. customers only.)
If you have questions about any of my three titles, you can email me at artfulcommunicators@icloud.com. Please do not respond here.
Reviews for Haiku and Senryu: A Simple Guide for All:
(A classic book, adopted as a text and a supplemental text for university English
classes.)
An altogether brilliant work that must be read by anyone with so much as a passing interest in haiku. Charlotte Digregorio has penned a masterpiece! She has written the definitive guide to one of poetry’s most fascinating genres. This work belongs on the bookshelf of any poet who is serious about writing the kind of haiku that editors want to publish.
-–John J. Dunphy, Author and Poet, Touching Each Tree
This book is overall the best one out there on the subject. The amount of information is extraordinary and exceeds that found in any other book. In particular, the commentaries on selected poems are very good, intelligent, and sensitive, and really place keys into the hands of readers for unlocking the mysteries and joys of haiku literature–from its roots in Japan to its present robust evolution in English and other languages.
-–Michael McClintock, Award-Winning Author/Editor of Haiku & Tanka Books
Former President of The Tanka Society of America
Robin Stratton, Editor, Boston Literary Magazine
Michael Rehling, Haiku Editor and Poet
Frogpond, Journal of the Haiku Society of America
Robert Epstein, Haiku Author and Editor
Donna Bauerly, Poet and Professor Emeritus, Loras College
Connie, Kuntz, Editor, The Rockford Review
Authorship magazine, National Writers Association
Tom Painting, Haiku Author and Teacher
Charlotte Digregorio, a best-selling writer, has produced a compendious volume offering straightforward training not only to write competent haiku, but also to see your results published.
Lin Geary, Book Reviewer, Haiku Canada Review
Charles Trumbull (USA), Author and Editor
About Ripples of Air: Poems of Healing:
Ripples contains poems of fourteen forms including free verse, haiku, and senryu, and it inspires poets to write with its prose passages.
Ripples of Air: Poems of Healing:
Ripples of Air is a wonderful, universal book and a great gift for all adults. It beckons us to write in order to heal. It should be in every therapist’s office. The author gives us the tools and encourages us to write the lyrics of our own lives. It’s soothing and revealing. We are taken down the paths of nostalgia, and through the stages of our lives, the seasons in nature, matters of the heart, our work, our art, and the beauty that can be found in solitude.
Rita Yager, Award-Winning Poet
Ripples of Air: Poems of Healing is a book worth reading, appreciating, and immersing yourself in, like sacred Ganges water. Quite simply, through the author’s glorious poems and prose, the latter introducing each new section in this book, we understand that “poetry heals.” It’s a mantra Digregorio lives by, and strives admirably to pass along to those she helps, inspires, and mentors, and to communicate to audiences empathetically and instructively when she performs in public places.
on the path/ cherry blossoms in the breeze/ gentle me”
Indeed in our often frightful age of global warfare and domestic insanity, health and financial insecurity, loneliness and isolation, in channeling creativity as a means of self-care, Digregorio deeply understands the ameliorative possibilities that poetry plays as a balm in our lives.
dusk . . . / on the express train/ motionless faces
For the author, “mentorship is my passion and calling.” There is beautiful imagery in her poetry. The twists and turns of the bonsai she describes are akin to those in our own lives. Her philosophic observations in this intellectually stimulating tome are of great benefit to readers who strive to write and publish their own creative works.
pruning/ the bonsai . . . / my knotty life
Digregorio includes some underutilized poetic forms to engage readers in this book. Professors teaching their students about ekphrastic or acrostic poems, for example, would do well using her work as superlative contemporary examples. Furthermore, the quite intense adult limericks at the end of the “Wonder and Whimsy” chapter are particularly noteworthy. They are unlike any that readers have encountered before, and could conceivably make Tim Burton or Roald Dahl turn green with envy.
As a book, too, by a renowned master of Japanese short forms, this is highly recommended, (along with her “Haiku and Senryu: A Simple Guide for All.” (The latter includes a phenomenally illuminating chapter on haiku sequences. I have reviewed the latter book, too, on this blog.)
Digregorio’s many poetic forms throughout “Ripples of Air: Poems of Healing,” including, sonnets, cinquains, free verse, tanka, and haibun, are absolute achievements of artistry worth learning from.
I should also recommend this book as an excellent introduction and explanation for the many values of poetry in general and haiku/senryu particularly, which would make for a clear and easy to read introduction for family and friends who don’t grasp the purpose of poetry. The prose introductions to each section are tremendously useful in explaining and relaying these points that would immensely benefit laymen, and increase their creative awareness and comprehension. That is something I, my friends, and colleagues have perceived the need for as an effective means of communicating to interested parties.
I highly recommend your reading “Ripples of Air: Poems of Healing,” at your soonest opportunity, and then buying it as a gift.
Jerome Berglund, Author and Award-Winning Poet
THANKS to ALL!
Have a very creative new year,
Best,
Charlotte Digregorio
Asahi Haikuist Network, April 19, 2024
Writing Dragons, Hanoi, Vietnam, May 20, 2025
dead cell phone –
i rest my eyes
looking at the stars
Golden Haiku Triangle, March 2025
New Year’s Eve –
i bleach everything
generously
tsuri-doro, Issue #30, November/December 2025
by Nicoletta Ignatti (Italy)
first snow
filling the recesses
of his favorite chair
Wales Haiku Journal, Winter 2023/2024, February 2024
melting snow . . .
squeezing her hand
in the hospital
Frogpond, 47:1, Winter 2024
by Kimberly Kuchar (USA)
dandelion field
the summer wind casts
a thousand wishes
by Elliot Nicely (USA)
bottle rockets, #16, 2007
breaking a heart
into pieces
Valentine chocolates
by Johnette Downing (USA)
bottle rockets, #16, 2007
shoveling snow –
my headphones filled
with Vivaldi’s Spring
by Joe McKeon (USA)
Acorn, #36, Spring 2016
dining trays
under our coats . . .
first snow
by Christopher Patchel (USA)
Acorn, #36, Spring 2016
hometown
buried with wind
our traces
Asahi Haikuist Network, 29.1, 2016
return ticket
leaving a sea scent
in the wallet
cattails, January 2016
by Marta Chocilowska (Poland)
autumn sunset
jazz all the way
to the cemetery
the Buddha says
this whole world is
a waking dream
October dusk
in the toll of church bells
falling leaves
by John Zheng (USA), Author
A Way of Looking
Winner of the 2019 Gerald Cable Book Award
Silverfish Review Press, 2021
finding myself
in the TV ads
kneeling at the funeral
the creaking of my bones
old people walking
old dogs
new father letting go
of the kite
by Marco Fraticelli (Canada), Co-Author
Changing Demographics, 2021
shooting star . . .
even the heavens
seem restless tonight
by William Scott Galasso (USA)
Modern Haiku, Vol. 41.1, Winter-Spring 2010
the haiku instructor
and his briefcase
our lowered expectations
by Marsh Muirhead (USA)
Modern Haiku, Vol. 41.1, Winter-Spring 2010
herding reindeer
maybe I was
good enough
by Jerome Berglund (USA)
Asahi Haikuist Network, Dec. 19, 2025
And two tanka . . .
where the sun rises
and where it sets–
the things I learn first
in each place I come to live,
making my home between them
by Michael McClintock (USA), Author
Meals at Midnight, 2008
I had it all
figured out,
this little wisdom of mine
then in the night
the rain so hard
by Tom Clausen (USA)
Frogpond, XVIII.4, 1995
small tight fists
while the candles
are being lit
~~~~~~~
dusk
the wind finds small places
to howl
by David Kāwika Eyre (USA), Author
the nothing that is
still proudly displayed
the Father’s Day pencil box
on my crowded desk
by Barth H. Ragatz (USA)
Four Hundred and Two Snails:
Haiku Society of America Members’ Anthology, 2018
secondhand store
with a handful of coins
a shabby-dressed man
buys books
by John J. Dunphy (USA)
bottle rockets, No. 39, 2018
autumn dusk
even the sparrows
are thinking of home
by Mike Stinson (USA)
bottle rockets, No. 43, 2020
don’t know
what the bird
is saying
but I can tell
he means it
by David Oates (USA)
bottle rockets, No. 43, 2020
new memorial garden
no one forgotten yet
by Robert Ertman (USA)
bottle rockets, #19, 2008
talk of politics
a neighbor’s lawn sign
casts a shadow
by Harriot West (USA)
bottle rockets, #19, 2008
back to the bluffs
of my childhood
1-Mississippi
by Donna Bauerly (USA)
Fractured by Cattails:
Haiku Society of America Members’ Anthology, 2023
taut strands
of the barbed wire fence . . .
so much left unsaid
by Charles Trumbull (USA)
Modern Haiku, Vol. 40.3, Autumn 2009
unfamiliar birdsong–
when I whistle it
the cat sits up
by C.R. Manley (USA)
Glimmering Hour:
Haiku Northwest 35th Anniversary Anthology, 2025
the shift to passive voice planet earth
by Roberta Beary (USA/Ireland)
The Heron’s Nest, Vol. XXVI, No. 4, 2024
the riverthe river makesof the moonant ant ant ant ant, 1996followed homeby a dog I don’t knowautumn dusk
Third PrizeRobert Spiess Memorial Haiku Contest, 2007
by Jim Kacian (USA)
a snowball
in my cupped hands
winter moon
by Maya Daneva (The Netherlands)
Blithe Spirit, 34.1, February 2024
dry January
shots of whipped cream
straight from the can
by Michelle Schaefer (USA)
Prune Juice, Issue #46, 2025
april fifteenth
I spring-clean
the checking account
by Alanna C. Burke (USA)
bottle rockets, #38, 2018
changing trains –
our two promises
to write soon
by Michael McClintock (USA)
Modern Haiku, Vol. 42.1, Winter-Spring 2011
speaking to him
as if he’s still here
sea stars
by Sharon Pretti (USA)
Acorn, No. 36, Spring 2016
Father’s Day –
eating apple slices
off the blade
by Chad Lee Robinson (USA)
Acorn, No. 36, Spring 2016
deep freeze
the icy patch
where the deer slept
tomclausen.com, June 21, 2024
excavating
myself
from my life
tomclausen.com, June 13, 2024
by Tom Clausen (USA)
in memory of my mother
first day of winter
another anniversary
without her husband
by Robert Epstein (USA), Author
Reckoning with Winter: A Haiku Hailstorm, 2019
waning moon
during our silence
the drip of icicles
by Chen-ou Liu (Canada)
a heart still beating
in the owl’s claws
December moon
by Anna Cates (USA)
Frogpond, 48:1, Winter 2025
snowfall’s silence
my grandson asks
when will I die
by Bruce H. Feingold (USA)
Modern Haiku, Vol. 55:2, Summer, 2024
white breath
the blackbird’s song
takes shape
by Lev Hart (Canada)
Honorable Mention, Best of Volume 8
Autumn Moon Haiku Journal, Vol. 8.1., Autumn/Winter 2024
winter winds
the tinseled tree regifted
neighbor-to-neighbor
by Caroline Giles Banks (USA)
subzero dawn
a dumpster emptied
of sparrows
by Roland Packer (Canada)
Acorn, 38, 2017
ice skating
into his hand
my whole weight
by Keiko Izawa (Japan)
Simply Haiku, Winter 2005
in the eyes
of a snowy owl
Northern lights
by Gregory Longenecker (USA)
First Place
Maya Lyubenova International Haiku Contest 2023
– English-Language
desert stars
the rattle of plates
in the dining car
by Lorraine Haig (Australia)
Presence, #82, 2025
Route 66
the derelict cafe’s ceiling fan
spun by the wind
Frogpond, 32:2, 2009
Route 66
a tumbleweed
changes lanes
Frogpond, 27:1, 2004
by John J. Dunphy (USA)
———————————-
vortex of leaves
somewhere on this street
my childhood home
by Mark A. Forrester (USA)
bottle rockets, #32, 2015
in the mirror
trying to look like I looked
in the pond
by Elmedin Kadric (Sweden)
bottle rockets, #32, 2015
will o’ the wisp . . .
alligator eyes gleam in
the johnboat light
by Al Gallia (USA)
Haikuniverse, Dec. 13, 2018
despite the frost forsythia
by S.M. Kozubek
hedgerow, No. 108, 2017
edge of light
my fishing pole
across the handlebars
thunder storms
grandma rocking with beads
and blessed candles
the wind
taking
a swing
packing
my convent trunk
all I have inside
by Donna Bauerly (USA)
Mann Library’s Daily Haiku, April 2022