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Hey there-
So my new play, CHAMPAGNE, is opening in two weeks in San Francisco.
The play is an epic journey through one party at a Pacific Heights mansion for a new, buzzy social media startup Chatwick. Amid plenty of Steve Jobs quotes, there is murder, there is ballet and, of course, a bubble machine is involved.
The play, 5 years in the making, was inspired by my work as a tech journalist and is being produced by playwright collective 6NewPlays, where I’m a founding member.
CHAMPAGNE runs June 21 – July 15.
 
Here are some more details. I would be honored if you could attend! THANK YOU!!
The artists involved in this project are AWESOME and it will be a boozy, slippery, trippy and bloody good time.
 
CHAMPAGNE runs June 21 to July 15:
Thursdays, Fridays and Saturdays at 8:00pm
Sundays at 3:00pm

Performances @ The Randall Museum
199 Museum Way

​San Francisco, CA 94114
(There is a parking lot 😎)

Tickets available at:
https://www.brownpapertickets.com/event/3415682

Champagne stars Christy Crowley, Rasheed Custer, Nora Doane, Brian Kennedy, Amitis Khoroushi, Megan Luis, Brian Martin, Paul Rodrigues, Ayelet Schrek and Fred Webre.
Set Design: Bernadette Flynn
Lighting Design: Maxx Kurzunski
Costume Design: Natalie Barshow
Sound Design and Composition: James Goode

Props Design: Sarabeth Spector
Stage Manager: Claudio Silva
]]> https://barryeitel.com/2018/06/07/champagne-opens-in-2-weeks/feed/ 0 barryeitel Champagne Postcard Front 😎 Spent a week hygge’n out… https://barryeitel.com/2018/04/11/spent-a-week-hyggen-out/ https://barryeitel.com/2018/04/11/spent-a-week-hyggen-out/#comments Wed, 11 Apr 2018 23:34:44 +0000 https://barryeitel.com/?p=696 Continue reading "Spent a week hygge’n out…"]]> Hey! Just returned from spending Easter in Scandinavia, where the pastries are so good they name them after the countries, or at least Denmark.

Oh, yea, and I proposed to my girlfriend Clare. Even more exciting, she said yes!

 

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This was on top of the Oslo Opera House overlooking the harbor. How artistic!

Ok, I’ll indulge you in a few more photos of some of the more gorgeous stuff….

 

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The fjords in Norway weren’t so bad. 

 

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Saws lots of changings of the guards — this one in Stockholm, where we also enjoyed lots of fika. 

 

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Here’s me losing the race of my camera’s timer outside Rosenborg Castle near Copenhagen.

And hey, here is some theatre-related content that y’all crave.

 

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This is me knocking on the big doors of Kronborg Castle, also known to many as Elsinore, the setting for a little play called Hamlet by an up-and-coming dramatist Bill Shakespeare.

 

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This is me standing outside the apartment where Henrik Ibsen spent the last few years of his life  across from the King’s Garden in Oslo. He apparently was pretty vain and petty, which makes me feel a lot better about myself!

 

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This is Ibsen’s writing room. He kept a massive portrait of himself there as well as a large portrait of Swedish playwright August Strindberg that was positioned to be over his shoulder as he wrote at his desk. 

Ok. Working hard on bringing CHAMPAGNE to life in June. Stay diligent and keep checking this page for fun and informative updates.

 

 

 

 

 

 

 

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https://barryeitel.com/2018/04/11/spent-a-week-hyggen-out/feed/ 1 barryeitel DSC00747 DSC00828.JPG DSC00604.JPG DSC00400 DSC00431 DSC00730 DSC00726
Time moves on and suddenly its 2018 https://barryeitel.com/2018/01/26/time-moves-on-and-suddenly-its-2018/ https://barryeitel.com/2018/01/26/time-moves-on-and-suddenly-its-2018/#respond Sat, 27 Jan 2018 00:07:43 +0000 https://barryeitel.com/?p=690 Continue reading "Time moves on and suddenly its 2018"]]> My impersonation of everyone’s New Years Eve Facebook posts for the past half-decade:

2012: “Ok, it was a rocky year, but I’m feeling pretty positive about 2013.”
2013: “2013 was rough, I’m not going to deny it, but I’m looking forward to things turning around next year.”
2014: “There were a lot of ups and downs in 2014, mostly downs, but here’s to a happy 2015!”
2015: “I can’t say it was a great year, but I’m trying to face the next year with a good attitude.”
2016: “It was a truly, terrible, awful year for me personally and the world.”
2017: “This year was really bad. I can’t even.”

Besides the gears of history moving however they may, 2017 was a good year for me, if a bit low wattage.

 

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ISHTAR IN SYRIA received a staged reading as part of the 2017 San Francisco Olympians Festival (image credit: Cody Rishell)

 

The #1 highlight: I had a staged reading of a piece I’m extremely passionate about, Ishtar in Syria. It’s a hulking piece that combines ancient Mesopotamian myths with the Syrian conflict, written in verse. It was a beast to research and put together, but I think it’s an artistic high point for me so far. I am hoping there is some interest moving forward — if you, reader, are interested, drop me a line and we’ll talk.

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The Cool at Amado’s, San Francisco. 2017. (Photo Credit: Dennis Hearne)

Another huge accomplishment was the production of THE COOL at the underground space at Amado’s (formerly Viracoche) in the Mission neighborhood of San Francisco. The play revolved around the music of iconic jazz trumpeter Chet Baker as well as the world of 1954. Pumped full of jazz, it was musical, immersive and lots of fun. I even got to go on KQED and talk about it!

 

Flash Plays
I had three 1-minute plays in Playwright Foundation’s Flash Plays festival (the picture is not of my play lol) (image credit: Playwrights Foundation)

 

A couple other cool things that happened: I had three 1-minute plays in Playwrights Foundation’s annual Flash Plays festival, I had a short play in Arabian Shakespeare Company’s new works festival and I wrote a short opera, which was a trip. In terms of new full-lengths, I also wrote a holiday play — THE MONROE COUNTY SNOW CORPS INTRODUCTORY TRAINING MODULE.

I traveled to Iceland, Cabo, the Grand Canyon, Pike’s Peak in Colorado, Vancouver and all over California. Personally, 2017 turned out to be pretty fantastic (I didn’t even have to put a self-lacerating Facebook post up)!

COMING UP

2018 is poised to be a pretty huge year of awesome transition … I won’t jinx it by talking about it too much in a blog post. I’m in a waiting period right now, I’ll have a much better idea about how the next five to 10 years of my life (!) will go in about four months — it’s a weird feeling.

In terms of productions, CHAMPAGNE is going up in June here in San Francisco. I’m producing it along with 6NewPlays, this playwright group I helped found 6 (!) years ago. There will be a lot more news about that in the next few months, too, so stay tuned to this space!

 

Mini World Circus
I got an amazing camera for Christmas and tried it out at Miniature World in Victoria, Canada. We were there for New Years, and it was more than a little strange. 

 

It’s pretty funny — I write tens of thousands of words every week working as a freelance writer, but I have never been a successful blogger. Every January since Barryeitel.com went live in 2012, I’ve tried to update the site monthly, but then drop off somewhere between April and June. I’m thinking about putting up some more exciting and fresh content here. We’ll see! No pressure! I don’t owe you anything!

Just kidding. I love you. Please make Barryeitel.com your homepage. Until next time.

-B

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Ishtar in Syria at the SF Olympians https://barryeitel.com/2017/10/27/ishtar-in-syria-at-the-sf-olympians/ https://barryeitel.com/2017/10/27/ishtar-in-syria-at-the-sf-olympians/#respond Sat, 28 Oct 2017 00:42:52 +0000 https://barryeitel.com/?p=670 Continue reading "Ishtar in Syria at the SF Olympians"]]>  

Ishtar in Syria
The haughty King (Richard Bunker) talks down to the war goddess Ishtar (Amitis Rossoukh), the palace guard (Sasha Motalygo) and Ilabrat (Ayelet Schrek) in a staged reading of ISHTAR IN SYRIA, part of the 2017 SF Olympians Festival (photo credit: Paul Anderson).

Hello all–it’s been a spookily fun October so far. On Friday, October 13 (yikes), there was a staged reading of my play ISHTAR IN SYRIA as part of the 2017 SF Olympian Festival, which features a bunch of neat writers taking on ancient myths.

Last October, I proposed a play based off the myth of Mesopotamian goddess Ishtar that would also be a Brechtian-style examination of the Syrian Civil War and the follies of Western interventionism. Writing the piece, which is written in verse, was an immensely challenging experience and it was so gratifying to see it come to life. Directed by Sara Razavi, the reading had a brilliant cast and I’m very excited to see where it goes next.

Where’s next? Well, I’m prepping a production of my play CHAMPAGNE with 6NewPlays and getting ready, already, for the 2018 Olympian Festival — but its tarantula mating season right now in the Bay Area, so there is a lot going on.

 

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