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Fujifilm GFX 100S Body - Black
| Compatible Mountings | Fujifilm G |
| Aspect Ratio | 1:1, 3:2, 4:3 |
| Photo Sensor Technology | CMOS |
| Supported File Format | DNG, JPEG, TIFF |
| Image Stabilization | Sensor-shift |
| Maximum Focal Length | 50 millimeters |
| Optical Zoom | 1 |
| Maximum Aperture | 3.5 millimeters |
| Expanded ISO Minimum | 100 |
| Metering Description | Average, Center-Weighted Average, Multi-Zone, Spot |
About this item
- ULTIMATE RESOLUTION, DEPENDABLE PROCESSING: Powered by Fujifilm’s high-performance X-Processor 4 quad-core CPU, GFX100S utilizes its 102MP, back-illuminated large format CMOS sensor to create truly stunning results. Create remarkably detailed still images that possess amazing color fidelity, and rich shadow detail, with enough dynamic range to allow for astonishing push and pull adjustments in post-production. Or, use Pixel Shift Multi-Shot to create ultra-high resolution 400MP stills with remarkable detail. In video mode, record 4K/30p footage in 10-bit F-log or 12-bit ProRes RAW, with an incredibly beautiful depth of field, for a look that is made for the silver-screen.
- SMALL, BUT STEADY: Sitting at the heart of GFX100S is a newly developed shutter and In-Body Image Stabilization (IBIS) system that helps ensure you always make the most of the extreme resolution of the camera’s 102MP imaging sensor. While reduced in size, compared to their counterparts in GFX100, both elements offer incredible performance, with the new shutter capable of 5fps continuous shooting and the unique, five-axis IBIS now working in conjunction with GF Lens Optical Image Stabilization (OIS) to provide up to 6 stops of correction. With such outstanding performance, GFX100S frees you from a tripod and lets you keep creating even when the light is low.
- THE SHARP END OF AF TECHNOLOGY: With an advanced phase detection autofocus (AF) system, GFX100S spearheads a whole new era of large format digital camera systems. An updated autofocus algorithm brings subjects into focus in as quickly as 0.18 sec, even in light levels as low as -5.5EV. This extraordinary performance is strengthened by the presence of phase detect autofocus pixels across nearly 100% of the frame, resulting in complete precision regardless of where the subject is. Combined with responsive tracking and reliable Face/Eye Detection, GFX100S lets large format photographers enjoy reliably accurate AF, even in low-contrast situations.
- LARGE FORMAT HAS NEVER FELT LIKE THIS: The GFX system already has a strong reputation for taking high-resolution photography out of the studio and into the world, but GFX100S takes it even further. Not only does it have a super-tough magnesium-alloy casing, but it is also made to operate in temperatures as low as 14°F (-10°C) and to be dust- and weather-resistant for those off-road moments. At less than 2 pounds (900g), its compact body is comparable in size to many full-frame cameras, but it contains an incredible, 102MP sensor that’s almost twice the physical size of the typical full-frame sensor! Simply put, whether you are creating handheld portraits on location, or framing landscapes in the remote wilderness, GFX100S will truly let you harness the extreme power of large format.
- ICONIC COLOR MADE FOR YOU: Fujifilm’s expertise in color science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital color processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color straight out of camera. With a new FIlm Simulation mode to explore - Nostalgic Neg. - it may just be worth it to spend a little more time here than you originally thought.
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Product Description
GFX100S is a new generation of large format digital camera, designed to suit a new generation of creators. The 102MP back-illuminated CMOS sensor combines with the X-Processor 4 quad-core CPU to deliver images of astonishing quality and professional 4K/30p video. The camera’s five-axis In-Body Image Stabilization provides up to 6 stops of vibration reduction, while phase detection autofocus pixels, covering nearly 100% of the frame, work at speeds of up to 0.18 sec in light as low as -5.5EV. Have the freedom to create, even when the light begins to fade, and do it knowing that Fujifilm’s legendary color science will deliver the beautiful tones it is renowned for time and time again. Considering that all this is housed in a camera body comparable in size to many full-frame cameras, it’s clear that FUJIFILM GFX100S is blazing a new trail in the worlds of photography and filmmaking.
From the manufacturer
MORE THAN FULL FRAME
GFX100S is a new generation of large format camera to suit a new generation of creators. Its 102MP sensor, In-Body Image Stabilization, and phase detection AF combine with a compact, weather-resistant body to create a camera that’s capable of stunning stills and professional 4K/30p video in even the toughest conditions.
Ultimate Resolution
GFX100S utilizes its 102MP, back-illuminated large format CMOS sensor to record 16-bit RAW and TIFF files and create truly stunning results.
Small, But Steady
GFX100S features a redesigned, in-body image stabilization (IBIS) system that is still able to provide up to six stops of five-axis stabilization.
The Sharp End of AF Technology
Advanced phase detection autofocus (AF) system, GFX100S spearheads a whole new era of large format digital camera systems.
Tilt LCD
3.2in, 2.36 million dot LCD panel - 100% coverage and three tilting directions: 90° upward, 45° downward, and 60° to the right.
Film Simulation
Fujifilm’s expertise in color science is legendary among image makers. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic color, instantly, straight out of camera plus a new Film Simulation mode to explore – Nostalgic Neg.
Pixel Shift Multi Shot
Pixel Shift Multi-Shot combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate color accuracy. This process results in unparalleled color reproduction, minimal false colors, and is perfect for archiving works of art and preserving cultural assets.
Movie
Movie Recording Formats
Using GFX100S, filmmakers have the rare opportunity of being able to record 4K footage, at 16:9 and 17:9 aspect ratios.
Support For F-Log and HLG
GFX100S is capable of recording in 10-bit F-Log or Hybrid Gamma Log (HLG), a REC.2100 supported standard. Much more flexibility in post-production.
SD and HDMI Output
4K/30p 10-bit output is possible whether you’re recording straight to an SD card or via GFX100S’s HDMI port.
RAW Recording
GFX100S can record 4K/30P footage in 12-bit RAW, via HDMI, directly to an Atomos Ninja V Monitor Recorder to be recorded as Apple ProRes RAW files.
GFX100S Specifications
| Number of effective pixels | 102 million pixels |
| Image sensor | 43.8mm×32.9mm Bayer array with primary color filter |
| Sensor Cleaning system | Ultra Sonic Vibration |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 |
| Still image File Format | DCF Compliant with Design rule for Camera File system (DCF2.0) JPEG Exif Ver.2.3.2 RAW 16bit / 14bit RAW (RAF original format) TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
| Number of Recorded Pixels | [L]〈4:3〉 11648×8736 〈3:2〉 11648×7768 〈16:9〉 11648×6552 〈1:1〉 8736×8736 〈65:24〉 11648×4304 〈5:4〉 10928×8736 〈7:6〉 10192×8736 [M]〈4:3〉 8256×6192 〈3:2〉 8256×5504 〈16:9〉 8256×4640 〈1:1〉 6192×6192 〈65:24〉 8256×3048 〈5:4〉 7744×6192 〈7:6〉 7232×6192 [S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000 |
| Lens mount | FUJIFILM G mount |
| Standard output sensitivity | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) |
| Extended output sensitivity | Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400 |
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted |
| Exposure Modes | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
| Exposure compensation | -5.0EV~+5.0EV 1/3EV step |
| Image Stabilizer Mechanism | Image sensor shift mechanism with 5-axis compensation |
| LCD monitor | 3.2 inch Tilt-Type (Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
| Battery life for still images | Normal Mode: Approx. 460 frames *When GF63mmF2.8 R WR is set |
Product information
| Compatible Mountings | Fujifilm G |
|---|---|
| Aspect Ratio | 1:1, 3:2, 4:3 |
| Sensor Type | CMOS |
| File Format | DNG, JPEG, TIFF |
| Image stabilization | Sensor-shift |
| Maximum Aperture | 3.5 millimeters |
| Expanded ISO Minimum | 100 |
| Photo Sensor Resolution | 102 mp |
| Photo Sensor Size | Medium Format (>35mm) |
| Maximum Shutter Speed | 3600 seconds |
| Minimum Shutter Speed | 1/4000 seconds |
| Exposure Control | Manual |
| Form Factor | Mirrorless |
| Effective Still Resolution | 102 |
| Special Feature | Interval Recording |
| Color | Black |
| Screen Size | 3.2 inches |
| Shooting Modes | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority |
| Item Weight | 900 g |
| Video Resolution | 4320p |
| Viewfinder | Electronic |
| Flash Modes | Auto, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto |
| Camera Flash | Hotshoe |
| Skill Level | Professional |
| Specific Uses For Product | Photography |
| Compatible Devices | Devices with Wi-Fi, Bluetooth, and SDXC card support |
| Continuous Shooting | 5 frames_per_second |
| Viewfinder Magnification | 0.77x |
| Flash Sync Speed | 1/125 Second (Focal Plane Shutter) |
| Video Capture Format | 4k |
| Connectivity Technology | Bluetooth, Wi-Fi |
|---|---|
| Wireless Technology | Bluetooth, Wi-Fi |
| Video Output | Micro-HDMI |
| Total Video Out Ports | 1 |
| Hardware Interface | Bluetooth |
| Screen Size | 3.2 inches |
|---|---|
| Display Type | LCD |
| Dots Per Screen | 2360000 dots |
| Display Fixture Type | Tilting |
| Display Maximum Resolution | 3690000 dots |
| Display Resolution Maximum | 102 mp |
| Touch Screen Type | Capacitive |
| Auto Focus Technology | Eye Detection |
|---|---|
| Focus Features | Autofocus and Manual Focus |
| Autofocus Points | 425 |
| Focus Type | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Focus Mode | Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S) |
Warranty & Support
Feedback
| Aspect Ratio | 1:1, 3:2, 4:3 |
|---|---|
| File Format | DNG, JPEG, TIFF |
| Effective Still Resolution | 102 |
| JPEG Quality Level | Basic |
| Supported Image Format | DNG, JPEG, TIFF |
| Bit Depth | 16 Bit |
| Total Still Resolution | 102 mp |
| Maximum Image Size | 102 mp |
| Maximum Focal Length | 50 millimeters |
|---|---|
| Optical Zoom | 1 |
| Lens Type | Prime |
| Zoom | Digital Zoom, Optical Zoom |
| Minimum Focal Length | 3.5 millimeters |
| Real Angle Of View | 28.5 degrees |
| Metering Methods | Average, Center-Weighted Average, Multi-Zone, Spot |
|---|---|
| Exposure Control | Manual |
| White Balance Settings | Auto, Color Temperature, Custom, Fluorescent, Incandescent, Shade, Underwater |
| Self Timer | 10 seconds, 2 seconds |
| Brand | Fujifilm |
|---|---|
| Model Name | GFX 100S Body |
| Built-In Media | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector Owner's manual |
| Model Number | GFX100S |
| Model Series | GFX100 |
| Series Number | 100 |
| Generation | 1 |
| UPC | 074101204735 |
| Unit Count | 1 Count |
| Age Range Description | Adult |
| Manufacturer | Fujifilm |
| Manufacturer Part Number | 600022058 |
| Warranty Description | 1 Year Manufacturer |
| Best Sellers Rank |
|
| ASIN | B08TLRKRKK |
| Customer Reviews |
4.2 out of 5 stars |
| Shooting Modes | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority |
|---|---|
| Digital Scene Transition | false |
| Image Capture Type | Stills & Video |
| Flash Memory Type | Dual Slot: SD/SDHC/SDXC (UHS-II) |
|---|---|
| Memory Storage Capacity | 2 TB |
| Recording Capacity | 120 minutes |
| Write Speed | 90 MB/s or higher |
| Flash Memory Speed Class | UHS-II |
| Flash Memory UHS Speed Class | [U1 or higher] |
| Flash Memory Video Speed Class | V90 |
| Flash Memory Bus Interface Type | UHS-II |
| Compatible Flash Memory Type | SD |
What's in the box
Top Brand: Fujifilm
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Customer reviews
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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
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Reviews with images
The Best Camera For Landscape
Top reviews from the United States
- 5 out of 5 stars
You won't find a better camera than this if you want ultimate image quality.
Reviewed in the United States on July 2, 2023The GFX100S sells for about $5,500 on sale. The GFX 35-70 lens is $500.
In comparison, the Hasselblad X2D 100C (same sensor as the Fuji) will cost around $8k and you'll pay $3,500 for a 37-75mm zoom lens.
$6k vs $11.5.
Fuji managed to make a world class medium format digital camera at a price point that is more affordable than Hasselblad, and priced in the ballpark of what you would expect to pay for a full frame flagship camera body.
The camera's interface is straight forward however some time should be budgeted to learn how the menu system and dials work. This is the same with most camera systems - they're not exactly intuitive until you use them for a while, and then they make a lot of sense.
With Fujifilm's film simulations baked in, this camera is sure to please. They're more than just color profiles - the simulations respond like film, there are options to simulate grain - and there are also options to modify colors to enhance saturation and contrast. However, without the grain, I wouldn't suggest they look vintage - instead they look like photographs. If you process RAW, then none of this makes any difference anyway - however - the camera produces a compelling .jpg.
It is important to mention that the presets created by Capture 1 and Adobe to match the camera's simulations are "close, but no cigar" - they did the best they could to reproduce the film simulations but they're not 100% accurate. Interestingly enough, you can reprocess the RAW files directly on the camera - and Fuji offers a program that will do this while the camera is connected to the computer. In other words, the camera is the "engine" of the film simulations.
Most reviews cover the same details about this camera. The AF is better than the. 50mp model, the IBIS is effective, the AF isn't as fast nor accurate as a flagship full frame camera - but the pictures look amazing and beg to be printed 16x20 or larger.
This camera won't disappoint, unless you are looking for a camera that will reliably AF on birds, race cars and footballers - at which point, medium format probably wouldn't be useful for you anyway.
22 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
Amazing Functions, Amazing Images
Reviewed in the United States on June 12, 2023I've shot medium format in the 80's. My last Film MF camera I sold in 2014. I've been shooting Fuji X since 2012. Now, I'm shooting with the X cameras, and the 50r and 100s. All I will say is I traveled over 13,000 miles through the Yukon, then Alaska from the Kenai all the way to Deadhorse/Prudhoe Bay. I came home with over 9000 raw files shot with the 100s, and then another 2000 or so with the 50r which is no slouch. The 100s performed FLAWLESSLY. Amazing image quality even handheld down to about 1/15th (my hands are not very sturdy) plus I was shooting, in July, at the Arctic Ocean in 33 degrees, snow and sleet. It's an incredible piece of equipment. Just fantastic. Not sure what else to add here but I do suggest you add a few extra batteries - I have four.
11 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
The Best Camera For Landscape
Reviewed in the United States on January 9, 2024After many years of using Canon and Sony's FF cameras, this Fujifilm FGX 100S is my 1st medium-format camera which is absolutely the only one to bring out for my hiking and landscape photography tour. The most important features I like:
1) with extreme details of the picture, you can zoom in and zoom in, crop and crop with your computer, very flexible for your creative thinking.
2) fantastic dynamic range of colors and shades that no one of FF cameras can match.
3) a small yet strong camera body that is easy to carry daily.
The only worrying issue I have is that the sensor is exposed to the air when you change the lens, so how to avoid dust is critical in the wild environment.


After many years of using Canon and Sony's FF cameras, this Fujifilm FGX 100S is my 1st medium-format camera which is absolutely the only one to bring out for my hiking and landscape photography tour. The most important features I like:
1) with extreme details of the picture, you can zoom in and zoom in, crop and crop with your computer, very flexible for your creative thinking.
2) fantastic dynamic range of colors and shades that no one of FF cameras can match.
3) a small yet strong camera body that is easy to carry daily.
The only worrying issue I have is that the sensor is exposed to the air when you change the lens, so how to avoid dust is critical in the wild environment.
13 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 1 out of 5 stars
Warning: Horrible experience buying "like new" from Amazon Restore
Reviewed in the United States on November 16, 2024I purchased this camera in "Used - Like New" condition from Amazon Restore (formerly Amazon Warehouse). It arrived in horrible condition (the 180 deg polar opposite of "Like New"). For starters, it didn't work at all. Neither of the screens worked. There was something wrong with it electronicaly. But even if it did work, there was a SCRATCH on the live view screen (even though the "like new" description said "no scratches.") And there was a FINGERPRINT on the sensor itself. Who touches the sensor of a digital camera!? Naturally, the camera was missing the body cap (which might explain the fingerprint on the sensor). And it was also missing the CHARGER. And again, it didn't work. Who in their right mind at Amazon Restore could possibly label this as "LIKE NEW?" This is the condition I would expect to find at a pawn shop where the staff don't know anything about cameras. I hope Amazon takes the time to identify the staff member who inspected this item and classified it as "like new" and put them on a PIP, because they've embarrassed the Amazon brand.
7 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
Photo quality
Reviewed in the United States on February 15, 2024If you are wanting to take your photography to the next level with medium format, and you can afford it, get this camera. I have several full frame cameras and the Fuji GFX 100S medium format is my go to camera now.
One person found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 3 out of 5 stars
It is not for the landscape photographers
Reviewed in the United States on October 1, 2025Good image quality but I had problem with high temperature. It is a big issue for the landscape photographs during a sunny day.


3 out of 5 starsIt is not for the landscape photographers
Reviewed in the United States on October 1, 2025Good image quality but I had problem with high temperature. It is a big issue for the landscape photographs during a sunny day.
One person found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 5 out of 5 stars
Incredible resolution for working class photographers
Reviewed in the United States on May 26, 2023I did not know how good it was. But now I know, and I am a new man. Full lens functionality with Canon Full frame lenses via Fringer adapter only. But the cheapest Fujinon lens is only 499 and it is incredible.

5 out of 5 starsIncredible resolution for working class photographers
Reviewed in the United States on May 26, 2023I did not know how good it was. But now I know, and I am a new man. Full lens functionality with Canon Full frame lenses via Fringer adapter only. But the cheapest Fujinon lens is only 499 and it is incredible.
11 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again - 4 out of 5 stars
Big improvement compared to full frame
Reviewed in the United States on March 16, 2024Even though it is a very borderline medium format, the quality and sharpness, as well as the dynamic level, are greatly improved compared to full frame cameras used before ( Leica q and EOS DSLRs) .
Focus speed is one obvious drawback though. Don’t expect to use it for shooting any flying birds/ seagulls.
3 people found this helpfulSending feedback...Sending feedback...HelpfulThank you for your feedback.Sorry, we failed to record your vote. Please try againThanks, we'll investigate in the next few days.Sorry, We failed to report this review. Please try again
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