By Derrick Story
Mine Kasapoglu photographed her first Olympics in 2002 at Salt Lake
City. She's been shooting them ever since, including this year in
Beijing where I caught up with her for this interview. Mine was first
introduced to Aperture at the 2006 Torino Olympics. Nobody really
knew about Aperture then, including Mine. But she was in great
photographic pain and gave it a try. Here's her story two years later.
Duane Nickull is back with episode 10 of Duane's World. This episode features Clive Goodinson talking about AJAX, Flash, Pixton, PHP and other technologies. It also includes a demo of Pixton which is a comic book animator.
Apple allows read access to nearly the entire iPhone file system. This is a mixed blessing. Your Application can read that data -- but it shouldn't. Apple has been rejecting apps that stray outside their sandbox.
From the various rejection letters that I've seen, Apple cites non-specific "violations". These violations have nothing to do with the actual reason that application will not get into AppStore. It helps to see a cross section of these letters because you wouldn't necessarily pick up the point directly from the email.
Last week Nik Software announced a new Edit plugin for Aperture called Sharpener Pro. I have spent the past week testing this plugin and I have one thing to say--get it! This plugin is by far one of the most...
The week that my family and I spent at the Jersey Shore was rejuvenating for all of us, but I've paid a price since coming back to work. OmniFocus, which was so helpful to me over the first four weeks...
Mike Chambers announced today that pieces of the next version of AIR, version 1.5 ("Cosmo"), are now available with the nightly Flex SDK builds. Mike also includes a list of the new features in AIR 1.5 in the blog post.
This is a photograph of Bodie Mercantile, the old general store in the ghost town of Bodie. In creating this image, I wanted to be very sure that I exposed the scene in such a way that it looked like night. In other words, if you open an exposure up enough, no matter how dim the lighting is, you risk...
Mine Kasapoglu photographed her first Olympics in 2002 at Salt Lake
City. She's been shooting them ever since, including this year in
Beijing where I caught up with her for this interview. Mine was first
introduced to Aperture at the 2006 Torino Olympics. Nobody really
knew about Aperture then, including Mine. But she was in great
photographic pain and gave it a try. Here's her story two years later.
Sean Duggan is an art photographer, educator, and Photoshop expert.
He's recently teamed up with Katrin Eismann to publish The Creative
Digital Darkroom. In this interview Sean talks about his approach to
processing images and how to get the most out of digital capture.
Your videos got their 15 minutes of fame on YouTube. Now what? Follow this straightforward intro to RSS syndication and you can make your videos downloadable, savable, and playable on the millions of iPods out there.
In this episode, Deke makes the startling claim that Illustrator, a complex piece of software that costs hundreds of dollars, is better than an $8 Spirograph. Using nothing but half an ellipse and a few live, editable effects, Deke shows you how to construct something truly extraordinary. "Trust me on this one. Artist, non-artist, proficient with Illustrator, never even heard of the program -- I don't care if you live in Antarctica, you have no access to electricity, you haven't seen sunlight in 45 days -- oh my God, what are you, a penguin? -- you're gonna wanna watch this!"
Composer Steve Horowitz has written soundtracks for movies, dance, video games, TV, live orchestra, and even computerized piano. Now comes the world premiere of his multimedia extravaganza Invasion from the Chicken Planet, and New York City may never be the same.
Earlier this year Apple shipped Final Cut Server, its media asset management and workflow automation solution. Unlike Final Cut Pro and the other creative applications bundled in Final Cut Studio, Final Cut Server is not a content creation application. In fact it's something quite different: a powerful server-based solution for managing media and assisting users with tools to automate time- consuming pieces of your workflow. Charlie Miller explains how.