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Biography
Ellen Anon is a freelance photographer and writer who specializes in expressive photography. Ellen?s images, based on nature, are sometimes realistic and sometimes abstract but always designed to elicit emotional reactions from the viewer. She is represented by several stock agencies and her photos have been showcased in galleries and private collections in several countries, used in numerous publications (including Sierra Club's Mother Earth, Natures Best magazine, and Inner Reflections 2007 calendar), as well as stock. She is an Apple V.I.P. Pro Photographer and is an Apple Certified Trainer for Aperture.
Ellen is the co-author of Aperture Exposed; The Mac Photographers Guide to Taming the Workflow (Sybex, 2006) with her son, Josh Anon. She co-authored Photoshop for Nature Photographers; A Workshop in a Book , (Sybex, 2005) and Photoshop CS3 for Nature Photographers; A Workshop in a Book , (Sybex, 2007), with Tim Grey. In addition she has contributed chapters to numerous books on digital imaging.
Ellen is a featured speaker at various events and is also a frequent contributor to a variety of photography magazines. She leads both photographic and digital darkroom oriented workshops including Aperture workshops at the Santa Fe Workshops (www.sfworkshop.com). In addition, she teaches for www.BetterPhoto.com. Ellen is an active member of the North American Nature Photography Association (NANPA) and is an instructor for their high school scholarship program. She is also a member of the National Association of Photoshop Professionals (NAPP) and the American Society of Media Photographers (ASMP). Ellen's websites are www.sunbearphoto.com and www.ellenanon.com.
Blog
April 30 2008
Although Aperture has offered stacks all along, it’s a feature that I personally haven’t used a lot. But last week I was doing a lot of spring flower photography and experimenting with narrow depth of fields. In some cases I.... read morePreviews, Color Spaces, and Slideshows
April 16 2008
Last weekend I presented at the Niagara Frontier Regional Camera Council. The opening part of my session was a 10 minute slideshow. Creating a ten minute slideshow of some of my favorite images is not usually a daunting task, and.... read moreUsing Dodge and Burn in Aperture v2.1
April 02 2008
The first plugin for Aperture was released in the v2.1 update last week. Apple developed it to augment the regular adjustment tools. To access it go to Images > Edit With and choose Dodge and Burn. IMHO, that’s not the.... read moreHighlighting a Few Aperture Features
March 19 2008
Recently I’ve had several emails from people who were puzzled as to why they suddenly were unable to make adjustments to their images in Aperture. A little questioning revealed that in all cases the “problematic” images had either yellow or... read moreMarch 05 2008
I’m finding that Aperture 2 gives a slightly different colorcast to many of my images if I convert them to the 2.0 decode. Often I want to recreate the look they originally had and so I’ve frequently been reaching for... read moreAperture Watermark Bug and a Workaround
February 20 2008
One of my favorite features in Aperture is the ability to generate emails containing selected images containing customized watermarks, with just a single click on the email icon. To set this up, first go to Preferences >Export, choose your mail... read moreWhat’s New in Aperture 2 Adjustments - Part Two
February 13 2008
Yesterday, I described a lot of the changes in the adjustment tools found in the Adjustment Panel. One key tip that I omitted is that to reset any slider to its default position just double click on the slider. That’s... read moreFebruary 12 2008
By now I suspect most people are aware that the trial numbers people received early this morning don't work. If you're receiving the "invalid" error message, go back to the webpage and request a trial serial number again. The new... read moreWhat’s New in Aperture 2 Adjustments - Part One
February 12 2008
I feel like a kid in a candy store! I’m so excited to be using Aperture v2 on my Canon 1DsMKIII images - as well as images from my older bodies! But it’s not just the built in support for... read moreFebruary 06 2008
One of the most common questions people ask when trying to decide on a new camera is the resolution size of the files. There is an implicit assumption that bigger is better and that in order to make large prints,... read moreJanuary 30 2008
At this point when everyone is clamoring for a new version of Aperture, I must admit that I feel a little embarrassed to admit that I just learned something new about how to use one of the tools I’ve used... read moreSolving a Laptop Space Dilemma
January 09 2008
I use Aperture on my laptop while I travel and then transfer the projects to my master library on my home computer. For a long time I’ve tried to keep many of my projects on my laptop, with previews, so... read moreAperture, iWeb, and Watermarks
December 26 2007
Apple has made it really easy to upload your Aperture images into your iWeb albums and galleries. Any image in your Aperture library that has a preview will appear in the Media Manager in iWeb and can be dragged onto... read moreDecember 18 2007
After my last blog, several people asked for information about using the Tint Wheels. The Tint Wheels can be very helpful to either introduce or remove color casts. They differ from the White Balance tools in that the latter alter... read moreAuto Adjustments; Always, Never, Occasionally?
December 18 2007
Every software program that I’m familiar with includes some automatic adjustments, and without fail, until recently, I’ve been opposed to using them. The reason is that any auto adjustment is a software engineer’s best guess of what adjustments usually work... read more
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