Leonardo

361 COLOR image A Color image A:  BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer Oil Bunkering #9, Niger Delta, Nigeria, 2016. (Photo © Edward Burtynsky, courtesy Flowers Gallery, London.) (See Erica Villa’s interview in this issue with Marc Mayer.) L5804_interior.indd 361 5/14/25 4:31 PM 362 color image b Color image B:  Audible Garden: Transcoding Literati Traditions In Landscape Representation Through A Multimodal Approach Rivers and Mountains without End (Gangsan Mujindo), ink wash on silk, 44.1 cm × 856 cm, Yi Inmun (1745–1821), early nineteenth century. (© National Museum of Korea) (See the article in this issue by Youngjun Choi, Honggi Lee, and Jinjoon Lee.) L5804_interior.indd 362 5/14/25 4:31 PM 363 COLOR image c Color image C:  Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges Premiere of Common Ground at Grau Projekt art gallery (Melbourne) on 6 February 2020. (© Jonathan Bell. Photo © Simon Strong.) (See the article in this issue by José L. Besada.) L5804_interior.indd 363 5/14/25 4:31 PM 364 color image D Color image D:  Modern Forms of Generative Art Love Wound is an artwork generated by Botto in 2022, an example of community-form generative art. Courtesy of Botto. (© Botto) (See the article in this issue by Massimo Franceschet.) L5804_interior.indd 364 5/14/25 4:31 PM ...