The Extraction/Fusion Apparatus: Dayna McLeod's Engaged Mash-up Art Practice

Anne Golden

doi:10.1353/ctr.2012.0003

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Canadian Theatre Review

The Extraction/Fusion Apparatus: Dayna McLeod's Engaged Mash-up Art Practice
Anne Golden
Canadian Theatre Review
University of Toronto Press
Volume 149, Winter 2012
pp. 36-39
10.1353/ctr.2012.0003
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Abstract

Anne Golden investigates the performance practice of Montreal-based performance and video artist Dayna McLeod whose unique and hilarious brand of performance art is informed by a savvy and complex use of the mash-up.

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Additional Information
ISSN	1920-941X
Print ISSN	0315-0836
Pages	pp. 36-39
Launched on MUSE	2012-02-01
Open Access	No

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