Seattle Shakespeare Company 2016–2017 Season
The Winter's TalePresented by Seattle Shakespeare Company at Leo K. Theatre, Seattle, WA. 09 7- 10 2, 2016. Directed by Sheila Daniels. Set by Tommer Peterson. Costumes by Kelly McDonald. Sound by Harry Todd Jamieson. Lighting by Reed Nakayama. With Mark Fullerton (Lord/Jailer/Old Shepherd), Rachel Guyer-Mafune (Lady/Dorcas), Spencer Hamp (Cleomenes/Young Shepherd), Reginald Andre Jackson (Polixenes), Jonelle Jordan (Emilia/Mopsa), Brenda Joyner (Hermione), Darragh Kennan (Leontes), Finn Kennan (Mamillius), Denny Le (Lord/Mariner/Shepherd), George Mount (Antigonus), Galen Joseph Osier (Camillo), Rudy Roushdi (Lord/Florizel), MJ Sieber (Archidamus/Autolycus), Jasmine Jean Sim (Lady/Perdita), Amy Thone (Paulina).
Bring Down the House: I: Throne of Treachery; II: Crusade of ChaosPresented by Seattle Shakespeare Company at Center House Theatre, Seattle, WA. 01 25- 03 12, 2017. Directed by Rosa Joshi. Sets by Shawn Ketchum Johnson. Costumes by Christine Tschirgi. Sound by Robertson Witmer. Lighting by Geoff Korf. Fights by Peter Dylan O'Connor. Taiko Instructor Lika Seigel. With Emma Bjornson (Ensemble, Rutland, Lady Bona), Suzanne Bouchard (Humphrey, Old Clifford, King of France), Yadira Duarte (Hume, Young Clifford), Sunam Ellis (Eleanor, son), Amy Fleetwood (Salisbury, Tutor, Father), Peggy Gannon (Ensemble, Cade, Edward), Keiko Green (Buckingham), Sarah Harlett (Beaufort, Richard), Nike Imoru (Warwick), Brenda Joyner (Exeter, Lady Grey), Aishe Keita (Ensemble, Prince Edward), Mari Nelson (York), Betsy Schwartz (HenryVI), Kate Sumpter (Suffolk, George), Kate Wisniewski (Margaret), Dedra D. Woods (Somerset).
A Midsummer Night's DreamPresented by Seattle Shakespeare Company at Intiman Playhouse, Seattle, WA. 05 3–21, 2017. Directed by George Mount. Sets by Craig B. Wollam. Costumes by Doris Black. Sound by Terry Gray. Lighting by Roberta Russell. Choreography by Crystal Dawn Munkers. With Shanna Allman (Flute), Maddie Brantz (Moth), Mallory Cooney King (Hermia), Steven Davis (Starveling), Sarah Dennis (Cobweb), Bob Downing (Snout), Brandon Felker (Egeus, Quince), Keiko Green (Helena), Devyn Grendell (Mustard-seed), Terence Kelley (Oberon), Vanessa Miller (Titania), George Mount (Theseus), Crystal Dawn Munkers (Hippolyta), Casey Raiha (Lysander), John David Scott (Puck), MJ Sieber (Bottom), Adam St. John (Demetrius), Zoe Tziotis Shields (Peaseblossom), Marco Voli (Snug).
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Tommer Peterson's initial set for SSC's The Winter's Talewas wonderfully inviting. In the darkened theater, a small table stood stage left on which rested an hour glass, lit softly from above to create a sense of interior warmth on a winter night. Amid three pillars of different heights standing stage right, center, and left, all embroidered with heavy brocaded cloth of paisley and floral designs, the actors gradually emerged to take their places for the opening scene accompanied by gentle guitar sounds. As more lights came on to reveal chairs and small pedestals around the stage, the scene evoked a pleasant evening in a wealthy contemporary kingdom.
Director Sheila Daniels created surprising ambiguity about the familial and sexual relationships among the play's major characters. In 1.2 Polixenes initially stood quite close to Hermione, who wore a lovely, rather loose-fitting blue gown. As if to reinforce his request that Polixenes extend his stay, Leontes placed a necklace around his neck, after which they embraced. When Polixenes again refused to stay, and Leontes invited Hermione to persuade him, Mamillius went to Polixenes's side, as if perhaps also trying to persuade him to stay but also suggesting, at least obliquely, an improvised family reunion. The production thus raised visually—for both Leontes and spectators—the question of Mamillius's paternity. Hermione was quite affectionate during her persuasion of Polixenes, and from the moment that she announced that he would stay, Leontes's jealousy was upon him. As regularly happens in productions of the play, the other characters froze in place during Leontes's soliloquies, which Darragh Kennan delivered directly to spectators and which quickly reached a feverish pitch. By 1.2.295, Camillo's "Good my lord, be cured / Of this diseased opinion, and betimes, / For 'tis most dangerous," Leontes's fit was full blown, and from here through to the end of the trial scene and the revelation of first Mamillius's and then Hermione's deaths Kennan played Leontes as a man so driven by jealousy and anger...