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Music and Letters

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Volume 85, Number 3, August 2004

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Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.

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Volume 85, Number 3, August 2004

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William Mundy's 'Vox Patris Caelestis' and the Assumption of the Virgin Mary

Kerry Robin McCarthy

pp. 353-367

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Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music

Robert Toft

pp. 368-387

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'When a Woman Speaks the Truth About Her Body': Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography

Christopher Wiley

pp. 388-414

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Musical Meaning: Toward a Critical History (review)

Nicholas Cook

pp. 415-418

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Decentering Music: A Critique of Contemporary Musical Research (review)

Ruth A. Solie

pp. 418-423

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On the Publishing and Dissemination of Music 1500-1850 (review)

Stephen Rose

pp. 423-424

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The Guitar and its Music: From the Renaissance to the Classical Era (review)

Thorsten Hindrichs

pp. 424-427

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Roland de Lassus (review)

Peter Bergquist

pp. 427-432

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Music and Women of the Commedia dell'Arte in the Late Sixteenth Century (review)

Ruth I. DeFord

pp. 432-434

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The Sounds of Milan, 1585-1650 (review)

Noel O'Regan

pp. 434-436

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La Commedia dell'Arte in Naples: A Bilingual Edition of the 176 Casamarciano Scenarios/La commedia dell'arte a Napoli: edizione bilingue dei 176 scenari Casamarciano (review)

Eleanor Selfridge-Field

pp. 436-437

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Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies (review)

Eleanor Selfridge-Field

pp. 438-439

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The String Quartet, 1750-1797: Four Types of Musical Conversation (review)

David Wyn Jones

pp. 439-440

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Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 (review)

James Garratt

pp. 440-445

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London und der Klassizismus in der Musik: Die Idee der 'absoluten Musik' und Muzio Clementis Klavierwerke (review)

R. H. Stewart-MacDonald

pp. 445-449

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Schubert the Progressive: History, Performance Practice, Analysis, and: Schubert's Song Sets (review)

Cynthia J. Cyrus

pp. 449-454

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Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (review)

James Garratt

pp. 454-457

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Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference (review)

Amanda Glauert

pp. 457-460

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George Grove, Music and Victorian Culture (review)

Nicholas Temperley

pp. 460-462

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Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (review)

Michael Puri

pp. 462-466

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Gilbert and Sullivan: A Dual Biography (review)

David Mackie

pp. 466-469

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Scotland and the Music Hall, 1850-1914 (review)

Derek B. Scott

pp. 469-471

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Parry's Creative Process (review)

Jeremy Dibble

pp. 472-475

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Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs (review)

Mary Callaghan

pp. 475-477

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Francesco Cilea e il suo tempo: atti del convegno internazionale di studi (Palmi-Reggio Calabria, 20-22 ottobre 2000) (review)

Alexandra Wilson

pp. 477-479

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Rudolf Serkin : A Life, and: Lost in the Stars: The Forgotten Musical Life of Alexander Siloti, and: Vladimir de Pachmann: A Piano Virtuoso's Life and Art (review)

Peter Grahame Woolf

pp. 480-483

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Portrait of Percy Grainger (review)

Jeremy Dibble

pp. 483-486

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Prokofiev: A Biography. From Russia to the West 1891-1935 (review)

Pauline Fairclough

pp. 486-492

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Proof through the Night: Music and the Great War (review)

Stephen C. Downes

pp. 489-492

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Quotation and Cultural Meaning in Twentieth-Century Music (review)

Björn Heile

pp. 492-494

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Britten on Music, and: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten (review)

Arnold Whittall

pp. 494-497

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Symphonik 1930-1950: Gattungsgeschichtliche und analytische Beitrage (review)

David Fanning

pp. 498-499

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Peter Maxwell Davies: A Source Book (review)

Kenneth Gloag

p. 499

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Kataloge der Universitatsbibliothek Eichstatt. Das Bucharchiv Hans Schneider: Musikantiquariat und Verlag 1949-2002 (review)

Peter Ward Jones

p. 500

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Newe deutzsche Lieder (review)

Virginia Hancock

pp. 501-502

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La Galatea (review)

Davide Daolmi, Bonnie J. Blackburn

pp. 502-505

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Cantatas for Alto and Continuo: 16 Alto Cantatas from the Manuscripts in the Bodleian Library, Oxford (review)

Davide Daolmi, Bonnie J. Blackburn

pp. 505-508

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Symphonie pour orgue et orchestre, op. 42 [bis], and: Fuge uber ein Thema von Jules Massenet fur Orgel (review)

Lawrence Archbold

pp. 508-510

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Correspondence

John Caldwell, Roger Wibberley, Alan Gibbs

pp. 511-516

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Recipients of 'Music & Letters' Awards

p. 516

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The Westrup Prize

p. 516

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'Music & Letters' Awards

p. 518

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Authors of Articles in this Issue

p. 518

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Books Received

pp. 519-520

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Additional Information
ISSN	1477-4631
Print ISSN	0027-4224
Launched on MUSE	2005-02-28
Open Access	No

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