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Front Cover: Untitled landscape by painter Ramón Martí Alsina. Joan Merli, 33 pintors catalans (Barcelona: Comissariat de Propaganda de la Generalitat de Catalunya, 1937).
In this Issue
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.
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Johns Hopkins University Pressviewing issue
Volume 31, Number 2, April 2024Table of Contents

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View Surviving the Disappearance of Landscape: Joan Merli, the Catalan Exile Who Printed Argentine Modernity
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View A Contagious Ophthalmic Psychosis: Carl Julius Salomonsen and the Epidemic of Artistic Modernism in Europe, 1919–20
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View "One More Little Instant": Faulkner's A Fable and the Political-Theological Crisis in Interwar Europe
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View Inter-imperiality: Vying Empires, Gendered Labor, and the Literary Arts of Alliance by Laura Doyle (review)
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View Public Opinion Polling in Mid-Century British Literature: The Psychographic Turn by Megan Faragher (review)
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View Modernism in Irish Women's Contemporary Writing: The Stubborn Mode by Paige Reynolds (review)
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ISSN | 1080-6601 |
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Print ISSN | 1071-6068 |
Launched on MUSE | 2024-12-18 |
Open Access | No |
Copyright
Copyright © The Johns Hopkins University Press.
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