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HTTP/1.1 200 OK Date: Tue, 07 Oct 2025 18:43:21 GMT Server: Apache Set-Cookie: session=134.209.151.76.1759862602291341; path=/ Vary: Accept-Encoding Content-Encoding: gzip Content-Length: 32069 Content-Type: text/html; charset=utf-8 Project MUSE - Early Theatre: A Journal associated with the Records of Early English Drama-Volume 27, Number 2, 2024

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Early Theatre: A Journal associated with the Records of Early English Drama

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Volume 27, Number 2, 2024

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Early Theatre is a peer-reviewed journal that publishes research in medieval or early modern drama and theatre history, from records and documents of England, Scotland, Ireland, and Wales.

We encourage articles or notes on related materials either in Europe, or in parts of the world where English or European travellers, traders, and colonizers observed performances by other peoples. Although we are primarily interested in the performance history of any art, entertainment, or festive occasion of the period, we also invite submissions of interpretive or literary articles relating to the performances themselves.

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Early Theatre

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Volume 27, Number 2, 2024

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Editorial

The Editors

pp. 7-8

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Introduction: Queer and Trans Issues in Medieval Drama

(contributing editor) Jeffery G. Stoyanoff, Nat Rivkin, Gillian Redfern, Daisy Black, Matthew W. Irvin

pp. 9-22

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‘Lely-wyte, clene with pure virginyté’: The N-Town ‘Nativity’, the Virgin Mary, and Trans Misogyny

Nat Rivkin

pp. 23-36

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On Unstable Ground: Trans-Civic, Trans Gender Fluidity in Chester’s ‘Play of the Flood’

Gillian Redfern

pp. 37-49

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Lesbians, Drag Kings, and Pregnant Queens: The Digby Mary Magdalene’s Queer Relationships

Daisy Black

pp. 51-70

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‘Be You Never So Gaye’: A Queer Everyman

Matthew W. Irvin

pp. 71-85

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Introduction: Gascoigne from the Margins — Mediations, Translations, Appropriations

Silvia Bigliazzi

pp. 87-94

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‘A Tragedie Written in Greeke’: How Jocasta was Made ‘Classical’

Silvia Bigliazzi

pp. 95-114

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‘To Coosen the Expectation’: George Gascoigne’s Moral ‘Poses’ in Supposes

Silvia Silvestri

pp. 115-131

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Between the Stage and the Page: Printed Marginalia in Gascoigne’s Supposes

Cristiano Ragni

pp. 133-144

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The Anglo-Catholic Perspective of George Gascoigne’s 1572 Masque of Montacutes

Emanuel Stelzer

pp. 145-156

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Through the Looking Glass: Reflections of the Prodigal Daughter

Carla Suthren

pp. 157-170

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Volume 27, Number 1, 2024

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Additional Information
ISSN	2293-7609
Print ISSN	1206-9078
Launched on MUSE	2025-02-04
Open Access	Yes

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