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Front Cover: Center: Portrait of Sissieretta Jones, 1895. (Photo: Napoleon Sarony.) National Portrait Gallery, Smithsonian Institution. Right: Reza Abdoh, video still of Bogeyman, 1991. Installation view of the exhibition Reza Abdoh, KW Institute for ContemporaryArt, Berlin, 2019. Courtesy Adam Soch and the Estate of Reza Abdoh. (Photo: FrankSperling.)
Back Cover: Top: Installation view of the exhibition Reza Abdoh, KW Institute for Contemporary Art, Berlin, 2019. Courtesy Adam Soch and the Estate of Reza Abdoh. (Photo: Frank Sperling.) Bottom: Reza Abdoh, video stills of Peep Show 1-6, 1988. Installation view of the exhibition Reza Abdoh, KW Institute for Contemporary Art, Berlin, 2019. Courtesy Adam Soch and the Estate of Reza Abdoh. (Photo: Frank Sperling.)
In this Issue
Over seven decades, Theatre Journal has achieved an international reputation as one of the most significant publications of theatre and performance studies today. The journal features scholarly articles that are at the cutting edge of theatre, dance, and performance studies; focusing on historiographical, cultural, and/or theoretical analyses in both national and transnational contexts. Two special issues and two general issues are published each year; all issues include book and performance reviews. The journal also features an online section that includes interviews with artists, think pieces, and other alternative approaches to knowledge production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
published by
Johns Hopkins University Pressviewing issue
Volume 76, Number 2, June 2024Table of Contents
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View The Many Voices of Sissieretta Jones: Opera and the Sonic Necromancy of the Black Phonographic Archive
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The Many Voices of Sissieretta Jones: Opera and the Sonic Necromancy of the Black Phonographic Archive
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View Feels Right: Black Queer Women and The Politics of Partying in Chicago by Kemi Adeyemi (review)
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Feels Right: Black Queer Women and The Politics of Partying in Chicago by Kemi Adeyemi (review)
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View The Second Wave: Reflections on The Pandemic Through Photography, Performance and Public Culture by Rustom Bharucha (review)
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The Second Wave: Reflections on The Pandemic Through Photography, Performance and Public Culture by Rustom Bharucha (review)
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View Marginality Beyond Return: Us Cuban Performances in the 1980s and 1990s by Lillian Manzor (review)
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Marginality Beyond Return: Us Cuban Performances in the 1980s and 1990s by Lillian Manzor (review)
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View Professional Wrestling: Politics and Populism ed. by Sharon Mazer, Heather Levi, Eero Laine, and Nell Haynes (review)
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Professional Wrestling: Politics and Populism ed. by Sharon Mazer, Heather Levi, Eero Laine, and Nell Haynes (review)
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View The Taylor Mac Book: Ritual, Realness and Radical Performance ed by David Román and Sean F. Edgecomb (review)
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The Taylor Mac Book: Ritual, Realness and Radical Performance ed by David Román and Sean F. Edgecomb (review)
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| ISSN | 1086-332X |
|---|---|
| Print ISSN | 0192-2882 |
| Launched on MUSE | 2024-07-23 |
| Open Access | No |
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