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HTTP/1.1 200 OK Date: Mon, 06 Oct 2025 22:48:36 GMT Server: Apache Set-Cookie: session=134.209.151.76.1759790916921096; path=/ Vary: Accept-Encoding Content-Encoding: gzip Content-Length: 33430 Content-Type: text/html; charset=utf-8 Project MUSE - Modernism/modernity-Volume 30, Number 2, April 2023

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Front Cover: Cover: Carel Willink, Mies with Cloche Hat (Portrait of a Lady), 1928, oil on canvas,134 x 85.5 cm, Fries Museum, Leeuwarden | Loan of the municipality of Leeuwarden, © 2021 Artists Rights Society (ARS), New York / c/o Pictoright Amsterdam (Photo: Sylvia Willink- Quiël)

Modernism/modernity

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Volume 30, Number 2, April 2023

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Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.

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Johns Hopkins University Press

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Volume 30, Number 2, April 2023

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Dutch Neorealism and Cinema Magic: The Case for a Filmic Modernism

Stephanie Lebas Huber

pp. 227-250

DOI: https://doi.org/10.1353/mod.2023.a913401

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Provocative Personifications: Dada Aesthetics of Alterity at the Galerie Montaigne, Paris, 1921

Hilary Whitham Sánchez

pp. 251-277

DOI: https://doi.org/10.1353/mod.2023.a913148

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Looking In: Teresa Deevy, Deafness, and Radio

Emily Bloom

pp. 279-299

DOI: https://doi.org/10.1353/mod.2023.a913149

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Modernist Epithalamia: Revival, Revision, and Subversion of Sappho in H.D.’s “Hymen”

Amanda Kubic

pp. 301-323

DOI: https://doi.org/10.1353/mod.2023.a913150

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Van Gogh’s Postal Paradigm

Alex Weintraub

pp. 325-354

DOI: https://doi.org/10.1353/mod.2023.a913151

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Ulysses, Vampiric Representation, and Ludic Modernism

Michael Opest

pp. 355-374

DOI: https://doi.org/10.1353/mod.2023.a913152

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The Scourge as Safety-Valve: John Rodker’s Analysis of the Avant-Garde

Alex Grafen

pp. 375-396

DOI: https://doi.org/10.1353/mod.2023.a913153

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Making Psychoanalysis New: Freud, Print Culture, and Modernism

Sascha Bru, Peter Buse

pp. 397-419

DOI: https://doi.org/10.1353/mod.2023.a913154

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Still Under Western Eyes? Three Recent Books on Modern Arabic Poetry

Emily Drumsta

pp. 421-432

DOI: https://doi.org/10.1353/mod.2023.a913155

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A Violent Peace: Media, Truth, and Power at the League of Nations by Carolyn N. Biltoft (review)

Alessandro Giammei

pp. 433-435

DOI: https://doi.org/10.1353/mod.2023.a913156

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Inventing Tomorrow: H. G. Wells and the Twentieth Century by Sarah Cole (review)

David Shackleton

pp. 435-436

DOI: https://doi.org/10.1353/mod.2023.a913157

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Transatlantic Modernism and the US Lecture Tour by Robert Volpicelli (review)

Anna Teekell

pp. 437-439

DOI: https://doi.org/10.1353/mod.2023.a913158

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Between Worlds: Mina Loy’s Aesthetic Itineraries by Yasna Bozhkova (review)

Jennifer Ashby

pp. 439-441

DOI: https://doi.org/10.1353/mod.2023.a913159

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The Modernist Anthropocene: Nonhuman Life and Planetary Change in James Joyce, Virginia Woolf, and Djuna Barnes by Peter Adkins (review)

Patrick Whitmarsh

pp. 442-444

DOI: https://doi.org/10.1353/mod.2023.a913160

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Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film by Ana Hedberg Olenina (review)

Anna Kovalova

pp. 444-446

DOI: https://doi.org/10.1353/mod.2023.a913161

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Recent Books of Interest

pp. 447-448

DOI: https://doi.org/10.1353/mod.2023.a913162

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Volume 30, Number 1, January 2023

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Volume 30, Number 3, September 2023

Additional Information
ISSN	1080-6601
Print ISSN	1071-6068
Launched on MUSE	2023-11-27
Open Access	No

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