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Front Cover: Xiaojing Yan, Lingzhi Girl #18, cultivated lingzhi,wood chips, mycelium, 2021. (© Xiaojing Yan) See the articlein this issue by Xiaojing Yan

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Back Cover: Umut Tasa, Dear Vanessa (I), installation view,2019. (© Umut Tasa) See the article in this issue by Umut Tasa.

Leonardo

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Volume 56, Number 4, 2023

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 56, Number 4, 2023

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The Edge of Beginning Again

Diana Ayton-Shenker

p. 334

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PlantConnect

Carlos Castellanos

pp. 337-343

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Culturescape: Environment, Science, and Art at Bundanon

Nigel Helyer, John Potts

pp. 344-399

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In-Habitant: An Inquiry into a Non-Dualistic Duality of Human and Nonhuman

Umut Tasa

pp. 351-358

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Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight

Naoko Tosa, Akihiro Yamada, Yunian Pang, Shigetaka Toba, Azusa Ito, Takashi Suzuki, Ryohei Nakatsu

pp. 359-400

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Mythical Mushrooms: Hybrid Perspectives on Transcendental Matters

Xiaojing Yan

pp. 367-373

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Act of Fiction: Simultaneously Experienced Multiple Perspectives of (Un)reality When Engaging with Narrative-Based Art

Einat Amir, Joshua Sofaer, Mikko Sams

pp. 374-378

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Entangled Poetics: Two Bioartists in the Anthropocene

Anne M. Royston

pp. 379-382

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Noise-Canceling Technologies for Smartphone Cameras: Self-Image in the Age of Anxiety

Carloalberto Treccani

pp. 383-387

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Metabolism and Art

Hannah Star Rogers, Adam Bencard

pp. 388-401

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How Do We Experience Digital Arts? An Exploration through Latour's Modes of Existence

Dominik Schlienger

pp. 391-398

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LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge

Luca Forcucci

pp. 403-408

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Diffractive Rendezvous

Gisèle Trudel, Nina Czegledy

pp. 409-410

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SoundRunner: Out of the Starting Blocks

David G. Berezan, Costas I. Karageorghis

pp. 411-402

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Fragile Intersections: An Installaformance as System

Francisca Morand, Javier Jaimovich, Mónica Bate, Isabel Jara-Hinojosa

pp. 418-423

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Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements

Fiona Johnstone

pp. 424-429

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Seize the Moment: A Transdisciplinary Initiative

Bri Noonan, Jenny Strickland

p. 430

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May We Have Your Attention Please? Climate Change is Urgent and Change Needs to Happen Now

Rachel Bowditch, Karen Jean Martinson

pp. 431-434

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The Phantom Scientist by Robin Cousin (review)

Jan Baetens

pp. 435-436

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Thinking with Sound: A New Program in the Sciences and Humanities Around 1900 by Viktoria Tkaczyk (review)

Michael Punt

pp. 436-437

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Environing Media ed. by Adam Wickberg and Johan Gärdebo (review)

Jussi Parikka

pp. 438-439

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Annotation by Remi Kalir and Antero Garcia (review)

Jan Baetens

pp. 439-440

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Acevedo in Context: Analog Media 1977–1987 • Digital Media 1983–2020 by Peter Frank et al. (review)

Amy Ione

pp. 440-441

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Drawing Thought: How Drawing Helps us Observe, Discover, and Invent by Andrea Kantrowitz (review)

George Shortess

pp. 441-442

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A Better Ape: The Evolution of the Moral Mind and How it Made us Human by Victor Kumar and Richmond Campbell (review)

Gregory F. Tague

pp. 442-444

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Piranesi and the Modern Age by Victor Plahte Tschudi (review)

Robert Maddox-Harle

pp. 444-445

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Contemporary Photography in France: Between Theory and Practice by Olga Smith (review)

Jan Baetens

pp. 445-446

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Leonardo Reviews Online

p. 446

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The Metaverse, 2030: A Boring Virtual Future Averted by Inspired Entrepreneurs and Artists

Peter Friess, Alain Ruche

pp. 447-449

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Volume 56, Number 3, 2023

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Volume 56, Number 5, 2023

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2023-08-14
Open Access	No

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