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Front Cover: Front cover: Suk Kyoung Choi, The Drowned World triptych,series 001. (© Suk Kyoung Choi) One set of mappings fromthe text–image relations matrix. See the article in this issueby Suk Kyoung Choi.
Back Cover: by Suk Kyoung Choi.Back cover: Batool Desouky, digitized scan of the artist’ssketchbook showing the eight magic squares of the 3 × 3grid, 2020. (© Batool Desouky) See the article in this issueby Batool Desouky.
In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 56, Number 3, 2023Table of Contents
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View The Network Project / Macrophones / Dear Pamela / Through / Open Studio, Invisible Art / Observation Maze
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The Network Project / Macrophones / Dear Pamela / Through / Open Studio, Invisible Art / Observation Maze
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View The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene
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The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene
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View Exploring the Third Space in Art-Science: The Identifying Successful STARTS Methodologies Project
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Exploring the Third Space in Art-Science: The Identifying Successful STARTS Methodologies Project
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View Arte Programmata: Freedom, Control, and the Computer in 1960s Italy by Lindsay Caplan (review)
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Arte Programmata: Freedom, Control, and the Computer in 1960s Italy by Lindsay Caplan (review)
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View Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology by Silvia Casini (review)
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Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology by Silvia Casini (review)
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View Endless Intervals: Cinema, Psychology, and Semiotechnics Around 1900 by Jeffrey West Kirkwood (review)
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Endless Intervals: Cinema, Psychology, and Semiotechnics Around 1900 by Jeffrey West Kirkwood (review)
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View Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz by Laleen Jayamanne (review)
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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz by Laleen Jayamanne (review)
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| ISSN | 1530-9282 |
|---|---|
| Print ISSN | 0024-094X |
| Launched on MUSE | 2023-06-08 |
| Open Access | No |
Copyright
Copyright © The International Society for the Arts, Sciences and Technology (ISAST)
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