| CARVIEW |
This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.
Front Cover: Karel Nel, Stacked Coda (detail), sprayed pigment on bonded fiber fabric, 250 x 80 cm, 2008. (© Karel Nel) See the article in this issue by King and Martinez.
In this Issue
Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.
published by
The MIT Pressviewing issue
Volume 55, Number 1, 2022Table of Contents
-
View Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly influences postural control and subjective aesthetic appreciation
-
Download
Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly influences postural control and subjective aesthetic appreciation
- Save Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly influences postural control and subjective aesthetic appreciation
-
View Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation
-
Download
Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation
- Save Art Exists Because the Viewer Exists: How François Morellet's Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation
-
View A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions
-
Download
A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions
- Save A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions
-
View Time, Media, and Visuality in Post-Revolutionary France ed. by Iris Moon and Richard Taws (review)
-
Download
Time, Media, and Visuality in Post-Revolutionary France ed. by Iris Moon and Richard Taws (review)
- Save Time, Media, and Visuality in Post-Revolutionary France ed. by Iris Moon and Richard Taws (review)
-
View Photography Off the Scale: Technologies and Theories of the Mass Image ed. by Tomáš Dvořák and Jussi Parikka (review)
-
Download
Photography Off the Scale: Technologies and Theories of the Mass Image ed. by Tomáš Dvořák and Jussi Parikka (review)
- Save Photography Off the Scale: Technologies and Theories of the Mass Image ed. by Tomáš Dvořák and Jussi Parikka (review)
Previous Issue
Next Issue
| ISSN | 1530-9282 |
|---|---|
| Print ISSN | 0024-094X |
| Launched on MUSE | 2022-03-10 |
| Open Access | No |
Copyright
Copyright © The International Society for the Arts, Sciences and Technology (ISAST)
Additional Issue Materials
Project MUSE Mission
Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.
2715 North Charles Street
Baltimore, Maryland, USA 21218
©2025 Project MUSE. Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries.
Now and Always,
The Trusted Content Your Research Requires
Now and Always, The Trusted Content Your Research Requires
Built on the Johns Hopkins University Campus
Built on the Johns Hopkins University Campus
©2025 Project MUSE. Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries.