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Front Cover: Facial molds hanging on a wall of the Studio for Portrait Masks, c. 1918. The upper row shows veterans’ faces after mutilation. Using verbal descriptions and prewar photographs, Ladd then made molds oftheir complete faces, which hang on the lower row. Several prosthetic masks are visible on the table below the molds. Image courtesy Library of Congress.

Modernism/modernity

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Volume 26, Number 3, September 2019

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Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Each issue features a selection of essays as well as book reviews. Additional articles and other peer-reviewed formats appear on the journal's Print Plus platform (modernismmodernity.org). Modernism/modernity is the official journal of the Modernist Studies Association (MSA). Winner of six awards from CELJ.

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Johns Hopkins University Press

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Volume 26, Number 3, September 2019

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Paper Bombs: The Blitz and the Aesthetics of Salvage

Joseph Elkanah Rosenberg

pp. 455-481

DOI: https://doi.org/10.1353/mod.2019.0038

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Signifying Genre: George S. Schuyler and the Vagaries of Black Pulp

Brooks E. Hefner

pp. 483-504

DOI: https://doi.org/10.1353/mod.2019.0039

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Conservative Circuits: Hugh Kenner, Modernism, and National Review

Stephen Schryer

pp. 505-520

DOI: https://doi.org/10.1353/mod.2019.0040

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Stars Without a World

Scott J. Juengel

pp. 521-542

DOI: https://doi.org/10.1353/mod.2019.0041

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Modernism’s Opposite: John Galsworthy and the Novel Series

Matthew Levay

pp. 543-562

DOI: https://doi.org/10.1353/mod.2019.0042

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Facts and Fantasies: Photography and Camouflage in 1930s Italian Illustrated Media

Maria Antonella Pelizzari

pp. 563-594

DOI: https://doi.org/10.1353/mod.2019.0043

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Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat

Kevin Cooley

pp. 595-616

DOI: https://doi.org/10.1353/mod.2019.0044

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“la vaste rumeur d’autrefois”: Noise, Memory, and Mediation in A la recherche du temps perdu

John Attridge

pp. 617-637

DOI: https://doi.org/10.1353/mod.2019.0045

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Spiritualizing Prostheses: Anna Coleman Ladd’s Portrait Masks for Mutilated Soldiers of World War I

Aaron Shaheen

pp. 639-662

DOI: https://doi.org/10.1353/mod.2019.0046

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At the Rembrandt Exhibit (with Proust, Woolf, and Bacon)

Cedric Van Dijck

pp. 663-666

DOI: https://doi.org/10.1353/mod.2019.0047

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Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to “La Joven Literatura” by Leslie J. Harkema (review)

Ignacio Infante

pp. 667-670

DOI: https://doi.org/10.1353/mod.2019.0051

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The Politics of 1930s British Literature by Natasha Periyan (review)

Gwyn Jenkins

pp. 670-673

DOI: https://doi.org/10.1353/mod.2019.0052

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Animal Subjects: Literature, Zoology and British Modernism by Caroline Hovanec (review)

Rachel Murray

pp. 673-675

DOI: https://doi.org/10.1353/mod.2019.0053

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Eccentric Modernisms: Making Differences in the History of American Art by Tirza True Latimer (review)

Laura Guy

pp. 675-677

DOI: https://doi.org/10.1353/mod.2019.0050

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The Dandy at Dusk: Taste and Melancholy in the Twentieth Century by Philip Mann (review)

Len Gutkin

pp. 678-680

DOI: https://doi.org/10.1353/mod.2019.0049

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Modern Arabic Literature: A Theoretical Framework by Reuven Snir (review)

Anna Ziajka Stanton

pp. 681-683

DOI: https://doi.org/10.1353/mod.2019.0054

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Recent Books of Interest

pp. 685-686

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Volume 26, Number 4, November 2019

Additional Information
ISSN	1080-6601
Print ISSN	1071-6068
Launched on MUSE	2019-09-17
Open Access	No

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