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Front Cover: Solita Solano and Djuna Barnes in Paris by Maurice-Louis Branger, circa1922–25. Courtesy of Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Solita_Solano_und_Djuna_Barnes_in_Paris.jpg.

MFS Modern Fiction Studies

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Volume 65, Number 2, Summer 2019

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MFS publishes scholarly essays that analyze the important aesthetic, cultural, political, and environmental developments currently shaping today’s academic and public conversations. A leading international literature and humanities journal, MFS focuses on the various modalities and uses of fiction in the broadest sense of the term—publishing material designed to speak to a wide audience of scholars, public intellectuals, and cultural practitioners working across diverse fields, regions, and venues. Now in its sixty-eighth year, MFS is published by Johns Hopkins University Press and is available online at Project MUSE.

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Volume 65, Number 2, Summer 2019

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Djuna Barnes's Ladies Almanack and the Politicization of Gossip

Lindsay Starck

pp. 239-263

DOI: https://doi.org/10.1353/mfs.2019.0012

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"New World" Visions and Homegrown Art: National Authenticity in Works of Willa Cather and Antonín Dvořák

Evelyn Funda

pp. 264-284

DOI: https://doi.org/10.1353/mfs.2019.0013

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The Mysteries of Mumbai: Terrorism and Banality in Sacred Games

Bede Scott

pp. 285-307

DOI: https://doi.org/10.1353/mfs.2019.0014

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J. M. Coetzee's Aesthetic Automatism

Rebecca Roach

pp. 308-337

DOI: https://doi.org/10.1353/mfs.2019.0015

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The Strange Stimulus of the Forest: Bergsonism and Plantlike Posthumanism in D. H. Lawrence's Aaron's Rod

Mark Taylor

pp. 338-353

DOI: https://doi.org/10.1353/mfs.2019.0016

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"The Whole in Small Compass": D'Arcy McNickle's Social Vision in The Surrounded

Matthew Herman

pp. 354-375

DOI: https://doi.org/10.1353/mfs.2019.0017

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Cormac McCarthy and Performance: Page, Stage, Screen by Stacey Peebles, and: Books Are Made Out of Books: A Guide to Cormac McCarthy's Literary Influences by Michael Lynn Crews (review)

Lydia R. Cooper

pp. 377-384

DOI: https://doi.org/10.1353/mfs.2019.0018

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Contemporary Drift: Genre, Historicism, and the Problem of the Present by Theodore Martin (review)

Joseph Darda

pp. 385-388

DOI: https://doi.org/10.1353/mfs.2019.0019

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David Foster Wallace's Balancing Books: Fictions of Value by Jeffrey Sever (review)

Clare Hayes-Brady

pp. 388-391

DOI: https://doi.org/10.1353/mfs.2019.0020

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Forms of Dictatorship: Power, Narrative, and Authoritarianism in the Latina/o Novel by Jennifer Harford Vargas (review)

Julie Avril Minich

pp. 391-394

DOI: https://doi.org/10.1353/mfs.2019.0021

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The Cruft of Fiction: Mega-Novels and the Science of Paying Attention by David Letzler (review)

Christian Moraru

pp. 394-397

DOI: https://doi.org/10.1353/mfs.2019.0022

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Time, Literature, and Cartography After the Spatial Turn: The Chronometric Imaginary by Adam Barrows (review)

Eric Prieto

pp. 397-400

DOI: https://doi.org/10.1353/mfs.2019.0023

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Editing the Soul: Science and Fiction in the Genome Age by Everett Hamner (review)

Katherine Thorsteinson

pp. 400-403

DOI: https://doi.org/10.1353/mfs.2019.0024

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Contributors

p. 404

DOI: https://doi.org/10.1353/mfs.2019.0025

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2018 Margaret Church MFS Memorial Prize

pp. 408-409

DOI: https://doi.org/10.1353/mfs.2019.0027

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Forthcoming in MFS …

p. 410

DOI: https://doi.org/10.1353/mfs.2019.0028

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Volume 65, Number 1, Spring 2019

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Volume 65, Number 3, Fall 2019

Additional Information
ISSN	1080-658X
Print ISSN	0026-7724
Launched on MUSE	2019-06-19
Open Access	No

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