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Front Cover: This cover is a digital collage of George G. Stewart’s photograph, Gravestone in Ripley Cemetery, from his photographic study, Yoknapatawpha, Images and Voices (2009). The Faulkner Journal thanks Mr. Stewart and the University of South Carolina Press for permission to use this image. It was chosen because photography, like writing, “arrest[s] motion,” Faulkner’s ambition for his own work. Stewart’s photograph invokes the moment at Judith Sutpen’s grave when Quentin “brush[es] the clinging cedar needles from” it to reveal its epitaph: “Remember Vanity and Folly and Beware"
In this Issue
The Faulkner Journal is a peer-reviewed forum for the scholarly study of William Faulkner’s life and works. It publishes twice yearly. Periodic special issues are devoted to such topics as "Faulkner and Feminisms," "Faulkner the Reiver," and "Faulkner and Latin America." Affiliated with the William Faulkner Society, an organization that encourages Faulkner scholarship in all its scope and methodological diversity, The Faulkner Journal is advised by a board of distinguished scholars from around the world.
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Johns Hopkins University Pressviewing issue
Volume 24, Number 2, Spring 2009Table of Contents
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| ISSN | 2640-1703 |
|---|---|
| Print ISSN | 0884-2949 |
| Launched on MUSE | 2019-01-02 |
| Open Access | No |
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