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Front Cover: The diversity of computer music is represented here by two circular containers that serve disparate purposes. The one at left is a Petri dish harboring a slime mold used for musical biocomputing, as described in the article by Miranda, Braund, and Venkatesh. The circle at right is one of 96 trays spread on the ground, each holding a tablet and loudspeaker, as explained in John Moeller’s article on spatialization.
Back Cover: An excerpt from the score of Eduardo Reck Miranda’s Biocomputer Rhythms.
In this Issue
Established in 1977 as the definitive journal of its field, Computer Music Journal (CMJ) covers a wide range of topics such as digital audio signal processing, electroacoustic composition, new musical controllers, and music information retrieval. With cutting-edge scholarship accompanied by interviews with leading composers and informative reviews of products and publications, CMJ is an indispensable resource for composers, performers, scientists, engineers, and computer enthusiasts interested in computer-generated sound and music.
published by
The MIT Pressviewing issue
Volume 42, Number 3, Fall 2018Table of Contents
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| ISSN | 1531-5169 |
|---|---|
| Print ISSN | 0148-9267 |
| Launched on MUSE | 2018-10-27 |
| Open Access | No |
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Copyright © Massachusetts Institute of Technology.
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