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Front Cover: Canon 200 mm zoom lens. Every lens has its own unique refractive “fingerprint” when scanned on a flatbed digital scanner. This is one of hundreds of images in this series. (© Sheila Pinkel) See the article by Sheila Pinkel in this issue.

Leonardo

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Volume 51, Number 2, 2018

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 51, Number 2, 2018

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Art Remembering Science

István Hargittai

p. 102

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DreamArchitectonics: An Interactive Audiovisual Installation

Frank Dufour, Lee Dufour

pp. 105-110

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A-me and BrainCloud: Art-Science Interrogations of Localization in Neuroscience

Jordi Puig, Annamaria Carusi, Alvaro Cassinelli, Philippe Pinel, Aud Sissel Hoel

pp. 111-117

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Refractive Fingerprints of Lenses: Explorations in Light Transformations

Sheila Pinkel

pp. 118-123

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The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-Dimensional World

Águeda Simó

pp. 124-127

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Color Plates

pp. 129-132

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Biopoiesis: Electrochemical Media

Carlo Scastellanos

pp. 133-137

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Warholian Repetition and the Viewer's Affective Response to Artworks from His Death and Disaster Series

Jason Kass, Beth Harland, Nick Donnelly

pp. 138-142

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Digital Art: The '60s to the '80s, from the Point of View of an Observactor

Edmond Couchot

pp. 143-144

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Concrete Photography: (In-Between) Light Image and Data Image

Gottfried Jäger

pp. 146-154

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The Contribution of Desmond Paul Henry (1921–2004) to Twentieth-Century Computer Art

Elain O'Hanrahan

pp. 156-162

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Traces: Mobile Eye Tracking Captures User Sensory Experience in an Outdoor Walking Tour Environment

Olivia Guntarik, Jair E. Garcia, Scarlett R. Howard, Adrian G. Dyer

pp. 163-164

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Art in the Sciences of the Artificial

Kenneth O. Stanley

pp. 165-172

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Are We an Intelligent Race?

Michele Emmer

pp. 173-174

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Papers from the 4th and 5th Balance-Unbalance International Conference, Part 1

Ricardo Dal Farra

p. 175

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Balance–Unbalance: Transforming Paradigms (Art ↔ Environment)

Ricardo Dal Farra

pp. 176-177

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Water Infrastructure and New Music as Agents of Environmental Awareness

Gabriel Lubell

p. 178

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Climate and Music, Beyond Sonification: Balance-Unbalance 2016

Andrew Kruczkiewicz

pp. 179-180

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The Value of Waste

Michel van Dartel, Anne Nigten

pp. 181-182

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Esmog Data: Interpreting Air Quality Through Media Art and Design

Julián Jaramillo Arango

p. 183

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The Art and Science of Recording the Environment

Leah Barclay, Toby Gifford

p. 184

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Visualizations in Economics

Fernando Carriazo, Jorge H García

pp. 185-186

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Ontohacking: Onto-Ecological Politics in the Algoricene

Jaime del Val

pp. 187-188

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Water Issues in Chile: How Does a Dry River Sound?

Ignacio Nieto, Marcelo Velasco, Nelida Pohl, Graciela Muñoz

pp. 189-190

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Relationships between Art, Science and Epistemology: The Earth as a Laboratory and the "Intruder Artist"

Paz Tornero

pp. 191-192

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Listening to the Ocean in the Desert

Yolande Harris

pp. 193-194

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Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds: Creative Semantic Anchoring

Damián Keller, Leonardo Feichas

pp. 195-196

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Could Human Development Be the Key to Environmental Sustainability?

Ahmed Affan Adil

pp. 197-198

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The Drama of Dengue Fever: Civic-oriented Journalists, Community and Artists Fighting Dengue

Tiago Franklin Rodrigues Lucena, Ana Paula Machado Velho, Vinicius Durval Dorne, Diana Maria Gallicchio Domingues

pp. 199-200

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Playback: A Genealogy of 1980s British Videogames by Alex Wade (review)

James Sweeting

pp. 201-202

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Across & Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions ed. by Ryan Bishop et al. (review)

Gabriela Galati

pp. 203-205

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Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region by Larissa Hjorth et al. (review)

Mike Leggett

pp. 205-206

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Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age by Jihoon Kim (review)

Will Luers

pp. 206-207

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The Age of Lovecraft ed. by Carl H. Sederholm and Jeffrey Andrew Weinstock (review)

Anthony Enns

pp. 207-208

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Making Trouble: Surrealism and the Human Sciences by Derek Sayer (review)

Jan Baetens

pp. 208-209

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Institutional Critique to Hospitality: Bio Art Practice Now ed. by Assimina Kaniari, and: Ciencia Abierta: Singularidad e Irrupción en Las Fronteras de la Práctica Artística/Open Science: Singularity and Emergence on the Boundary of Artistic Practice ed. by Ignacio Nieto and Marcelo Velasco (review)

Charissa N. Terranova

pp. 209-211

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The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)

Giovanna Costantini

pp. 211-212

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Memory in Motion: Archives, Technology and the Social ed. by Ina Blom, Trond Lundemo and Eivind Røssaak (review)

Jan Baetens

pp. 212-213

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The Interface: IBM and the Transformation of Corporate Design, 1945–1976 by John Harwood (review)

Mike Mosher

pp. 213-214

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Leonardo Reviews Online

p. 214

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The Network

pp. 215-216

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It Is Time to Think the Anthropocene!: A Manifesto

Jean-Marc Chomaz

pp. 217-219

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Volume 51, Number 1, 2018

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Volume 51, Number 3, 2018

Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2018-04-17
Open Access	No

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