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College Literature

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Volume 45, Number 1, Winter 2018

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College Literature is dedicated to publishing innovative scholarly research across the range of periods, intellectual fields, and geographical locations that comprise the changing discipline of Anglophone and comparative literary studies. The journal is committed to the renewal of critique without restricting its scope to a particular national, chronological, intra-disciplinary or identity-based focus. In interrogating critical practices, College Literature aims to investigate its involvement in broader parameters of public debate and seeks to question both inherited disciplinary frameworks and new critical orthodoxies.

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Johns Hopkins University Press

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Volume 45, Number 1, Winter 2018

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Introduction: Fanon in the Present

Sheri-Marie Harrison

pp. 1-9

DOI: https://doi.org/10.1353/lit.2018.0000

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Fanon for the Present

Timothy Brennan

pp. 10-17

DOI: https://doi.org/10.1353/lit.2018.0001

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Frantz Fanon: An Indispensable Theoretical Misfit Today

Carine Mardorossian

pp. 18-23

DOI: https://doi.org/10.1353/lit.2018.0002

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“What Matters Now”: Reading Fanon’s Call for Decolonization and Humanization in the Contemporary United States

Courtney L. Gildersleeve

pp. 24-31

DOI: https://doi.org/10.1353/lit.2018.0003

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Fanon, Freedom of Assembly, and the Right to Protest in the Contemporary Caribbean

Keithley Woolward

pp. 32-38

DOI: https://doi.org/10.1353/lit.2018.0004

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Fanon: Absorption and Coloniality

Joshua Clover

pp. 39-45

DOI: https://doi.org/10.1353/lit.2018.0005

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Fanon’s Presence

Mathias Nilges

pp. 46-51

DOI: https://doi.org/10.1353/lit.2018.0006

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“All One Vanishing World”: Postimperialism and Communism in John le Carré’s The Honourable Schoolboy

Toby Manning

pp. 52-75

DOI: https://doi.org/10.1353/lit.2018.0007

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Reconsidering Aesthetics and Ideology in Carlene Hatcher Polite’s The Flagellants

Laurie Rodrigues

pp. 76-105

DOI: https://doi.org/10.1353/lit.2018.0008

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Wake Up in a World of Light: Memory, Grief, and Temporality in W. S. Merwin’s Later Writings

Feng Dong

pp. 106-133

DOI: https://doi.org/10.1353/lit.2018.0009

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An Unpalatable Dish: Performing the Bildungsroman in Bich Minh Nguyen’s Stealing Buddha’s Dinner

Tina Powell

pp. 134-156

DOI: https://doi.org/10.1353/lit.2018.0010

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Gulliver, Heidegger’s Man: Swift’s Satire of Man in Captivation

Dongshin Yi

pp. 157-181

DOI: https://doi.org/10.1353/lit.2018.0011

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The Corporate Commonwealth: Pluralism and Political Fictions in England, 1516–1651 by Henry S. Turner (review)

Meghan Robison

pp. 182-185

DOI: https://doi.org/10.1353/lit.2018.0012

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Queer Experimental Literature: The Affective Politics of Bad Reading by Bradway, Tyler (review)

Michael Trask

pp. 186-189

DOI: https://doi.org/10.1353/lit.2018.0013

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Volume 44, Number 4, Fall 2017

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Volume 45, Number 2, Spring 2018

Additional Information
ISSN	1542-4286
Print ISSN	0093-3139
Launched on MUSE	2018-02-14
Open Access	No

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