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Front Cover: Cover design by Jeenee Lee
Cover image: Film strewn about the ground, Afghan Film Archive.

The Moving Image

In this Issue

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Volume 17, Number 1, Spring 2017

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The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field.

published by

University of Minnesota Press

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Volume 17, Number 1, Spring 2017

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Film Lecturing On Behalf Of The National Audubon Society: Roger Tory Peterson's Wild America

Carol Donelan

pp. 1-28

DOI: https://doi.org/10.5749/movingimage.17.1.0001

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Building a DIY Genre Film Festivals Web Resource to Empower Digital Scholarship and Cultural Heritage Participation

L. Rath Lindal

pp. 29-51

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Risen from the Ashes: The Complex Print History of Carl Dreyer's The Passion of Joan of Arc (1928)

Stephen Larson

pp. 52-84

DOI: https://doi.org/10.5749/movingimage.17.1.0052

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David Shepard (1940–2017)

Jan-Christopher Horak

pp. 85-88

DOI: https://doi.org/10.5749/movingimage.17.1.0085

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David Shepard: Excerpts from an Oral History

Ed Carter, David Shepard

pp. 89-121

DOI: https://doi.org/10.5749/movingimage.17.1.0089

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Remembering David Shepard

Kevin Brownlow, N. Ciccone, Patrick Loughney, Mike Mashon, David Pierce, Pamela Wintle

pp. 122-129

DOI: https://doi.org/10.5749/movingimage.17.1.0122

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The "Flickering Truth" of Film Archives: An Interview with Pietra Brettkelly

Susan Ohmer, Donald Crafton, Pietra Brettkelly

pp. 130-142

DOI: https://doi.org/10.5749/movingimage.17.1.0130

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Memories Of Media: An Interview With Carine Tardieu

Tim Palmer

pp. 142-150

DOI: https://doi.org/10.5749/movingimage.17.1.0142

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Saul Bass: Anatomy of Film Design by Jan-Christopher Horak (review)

Julie A. Turnock

pp. 151-154

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The Oxford Book of Screendance Studies ed. by Douglas Rosenberg (review)

Karen Backstein

pp. 154-156

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The Arclight Guidebook to Media History and the Digital Humanities ed. by Charles R. Acland and Eric Hoyt (review)

Liza Palmer

pp. 156-161

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The Promise of Cinema: German Film Theory, 1907–1933 ed. by Anton Kaes, Nicholas Baer, and Michael Cowan (review)

Alexander Erik Larsen

pp. 161-163

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Wirtualne Ciało Sztuki: Ochrona i Udoste˛pnianie Dziel Audiowizualnych by Elżbieta Wysocka (review)

Hanna B. Hölling

pp. 163-166

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Editors' Foreword

Donald Crafton, Susan Ohmer

pp. vii-xi

DOI: https://doi.org/10.5749/movingimage.17.1.0vii

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Additional Information
ISSN	1542-4235
Print ISSN	1532-3978
Launched on MUSE	2017-11-27
Open Access	No

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