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Front Cover: László Moholy-Nagy, CH BEATA I, oil and graphiteon canvas, 118.9 × 119.8 cm (46⅞ × 47⅛ in.), 1939. (© Solomon R. Guggenheim Museum, New York.Solomon R. Guggenheim Founding Collection, 48.1128.) See the article by Johanna Salvant et al. in this issue.

Leonardo

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Volume 50, Number 3, 2017

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Leonardo, founded in 1968, has become an international channel of communication for artists who use science and developing technologies in their work. With emphasis on the artists' writings, Leonardo is the leading international journal for readers interested in the application of contemporary science and technology in their work. The companion annual journal, Leonardo Music Journal (LMJ) features the latest in music, multimedia art, sound science and technology.

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The MIT Press

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Volume 50, Number 3, 2017

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Neuroscience and the Environment: A View on Change and Constancy within Our Current Paradigm

Amy Ione

p. 232

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Scientific Delirium Madness 3.0

Margot H. Knight

p. 235

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Experiments at Djerassi

David Bowen

p. 236

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Reality Break

Asa Calow

p. 237

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The Djerassi Fog

Matteo Farinella

p. 238

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Knitting Time Together

Christine Metzger

p. 239

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Peripheral Encounters

John MacCallum, Teoma J. Naccarato, Laura Boudou, Stacey Pelinka

pp. 240-241

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Critical Mass

Juanita Rockwell

p. 242

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Poetry and Science

Hannah Star Rogers

p. 243

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Centisperm

Adam Zaretsky

p. 245

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Century of Light Shines for Twenty-Five Years

Jim Pallas

pp. 246-252

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The Story of Leonardo: One Author's Perspective

David Carrier

pp. 253-254

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Figure-Ground and Occlusion Depiction in Early Australian Aboriginal Bark Paintings

Barbara J . Gillam

pp. 255-267

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The Entity Mapper: A Data Visualization Tool for Qualitative Research Methods

Anne Luther

pp. 268-271

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In Focus: László Moholy-Nagy

Maria Kokkori, Joyce Tsai, Francesca Casadio

pp. 272-273

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"This Is the Century of Light": László Moholy-Nagy's Painting and Photography Debate in i 10, 1927

Éva Forgács

pp. 274-278

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Color Plates A–H

pp. 279-286

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Metallic Factures: László Moholy-Nagy and Kazimir Malevich

Maria Kokkori, Alexander Bouras

pp. 287-291

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An Objective Revaluation of Photograms by László Moholy-Nagy

Sylvie Pénichon, Krista Lough, Paul Messier

pp. 292-295

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Interfaces and Proxies: Placing László Moholy-Nagy's Prints

Annie Bourneuf

pp. 297-302

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Color Plates I–P

pp. 303-310

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László Moholy-Nagy's Light Prop as Design Fiction: Perspectives on Conservation and Replication

Joyce Tsai, Angela Chang, Matthew Battles, Jeffrey Schnapp

pp. 311-315

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László Moholy-Nagy's Painting Materials: From Substance to Light

Johanna Salant, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, Marc Walton

pp. 316-320

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The Spirit of Experimentation: Barbara Kasten|László Moholy-Nagy

Carol S. Eliel

pp. 321-324

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Recollections and Reflections on László Moholy-Nagy

Elizabeth Siegel

pp. 325-329

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The New abcs of: Achieving Breakthrough Collaborations by Ben Shneiderman (review)

Ernest Edmonds

pp. 331-332

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When Movies were Theater: Architecture, Exhibition, and the Evolution of American Film by William Paul (review)

Jan Baetens

pp. 332-333

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Emotions: Pain and Pleasure in Dutch Paintings of the Golden Age by Gary Schwartz and Machiel Keestra (review)

Amy Ione

pp. 334-336

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Repainting the Walls of Lunda: Information Colonialism and Angolan Art by Delinda Collier, and: The Sound of Culture: Diaspora and Black Technopoetics by Louis Chude-Sokei (review)

Mike Mosher

pp. 336-337

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Cognitive Iconology: How and When Psychology Explains Images by Ian Verstegen (review)

George K. Shortess

pp. 337-338

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Reductionism in Art and Brain Science: Bridging the Two Cultures by Eric R. Kandel (review)

Amy Ione

pp. 338-342

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Mass Effect: Art and The Internet in the Twenty-First Century ed. by Lauren Cornell and Ed Halter (review)

Gabriela Galati

pp. 342-344

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The Network

pp. 345-346

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Erratum

p. 346

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Of Gravity and Geese

W. Patrick Mccray

pp. 347-351

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Calling your Name and other Works

Maja Spasova

p. 244

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Additional Information
ISSN	1530-9282
Print ISSN	0024-094X
Launched on MUSE	2017-06-09
Open Access	No

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