In this Issue

Table of Contents

3MM: The Smallest Gauge

Marsha Gordon, Dino Everett
pp. 1-20
DOI: https://doi.org/10.5749/movingimage.16.2.0001
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The Beginnings and the Ends of Film: Leader Standardization in the United States and Canada (1930–1999)

Matthew Soar
pp. 21-44
DOI: https://doi.org/10.5749/movingimage.16.2.0021
free access

Action, Avatar, Ecology, and Empire: Databases, Digitality, Death, and Gaming in Werner Herzog's Arctic

Scott MacKenzie, Anna Westerståhl Stenport, Garrett Traylor
pp. 45-71
DOI: https://doi.org/10.5749/movingimage.16.2.0045
restricted access

Digital Super 8mm: Evaluating the Contribution of Digital Technologies to Film Archives in Latin America

Beatriz Tadeo Fuica, Julieta Keldjian
pp. 72-90
DOI: https://doi.org/10.5749/movingimage.16.2.0072
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The "Much Vexed Problem" of Nontheatrical Distribution in the Late 1910s

Richard Abel
pp. 91-107
DOI: https://doi.org/10.5749/movingimage.16.2.0091
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Film Catalogs as Epistemology—A Memoire

Scott MacDonald
pp. 107-113
DOI: https://doi.org/10.5749/movingimage.16.2.0107
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Interview with Stig Björkman on Ingrid Bergman: In Her Own Words

Susan Ohmer, Donald Crafton
pp. 113-118
DOI: https://doi.org/10.5749/movingimage.16.2.0113
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Blu-rays and DVDs

Jen Bircher
pp. 119-123
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Editors' Foreword

Donald Crafton, Susan Ohmer
pp. vi-x
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